|Vintage Pulp||Nov 12 2021|
Since we just saw Cleo Moore why not bring her right back? Here she is on the front of Carter Brown's Slaughter in Satin, 1954, from the Australian publisher Horwitz. We've long documented this publisher's usage of minor celebrities on its covers, and pondered whether it was copyright infringement. What caught our eye about this example, besides Moore, was the typesetting. Notice how the “s” in the title disappears into Moore's red jammies, so at first glance it reads as, “Laughter in Satin,” which is almost an opposite outcome from slaughter, like the difference between being lain or slain. Probably when the book was first printed the two shades of red stood out from each other more. Or maybe this visual trick was intentional. Or maybe it was a miscalculation that couldn't be repaired. We'll never know. See the other Moore here, and see the celeb Horwitz covers by clicking here and scrolling.
|Vintage Pulp||May 18 2021|
|Vintage Pulp||Dec 18 2020|
|Vintage Pulp||Feb 11 2018|
Barye Phillips art adorns the cover of Carter Brown's The Bombshell, first published in 1957, with this Signet edition appearing in 1960. The book features his franchise police detective Al Wheeler, who's assigned a murder case where there's no body. He protests because it's really a missing persons investigation, but his boss is convinced young Lily Teal's corpse is somewhere to be found. Even so, a previous investigation came up empty and Wheeler is assigned the case with the expectation he won't get anywhere. But failure is for lesser detectives. Our favorite exchange in this one:
Femme fatale: “Maybe it's something to do with me being born in the South—a girl matures early in a hot climate.”
Al Wheeler: “And you've been carrying that climate around with you ever since.
We shared this cover as part of a collection several years ago, but hadn't read the book. The scan above is from our own copy. This is the third Al Wheeler book in the long running series, but it already feels a bit perfunctory. The narrative doesn't really take off until Wheeler is framed for attempted sexual assault. At that point, based on how far his still unknown enemies are willing to go, he realizes there's more to the case than just a possible murder. Overall, not a bad outing, but nothing special. We have more Al Wheeler mysteries we acquired recently, so we'll see how those go.
|Vintage Pulp||Jan 2 2018|
Above, five covers from the Australian paperback series Kane, by C.J. McKenzie for Webster Publications. All of the covers feature photo-illustrations of actual celebs, but the only one we recognize is Bettie Page, panel three. The main character in these books is columnist Martin Kane, who always seems to get tangled up in murder. C.J. McKenzie had been an editor at Horwitz Publications and wrote some novels as Carter Brown while series author Alan Yates was busy elsewhere during the late 1950s. He wrote Kane afterward, in 1958 and 1959.
|Vintage Pulp||Dec 25 2017|
|Vintage Pulp||May 27 2015|
Last week we shared some images of Elke Sommer from the debut issue of the French magazine Stop. Those were a deliberate preface to today's post, which shows the cover for Carter Brown’s, aka Alan G. Yates’ mystery Death of a Doll from Australia's Transport Publishing, the paperback division of Horwitz Publications.
You can see that the designer used Sommer for his inspiration. Her normally blonde hair was changed to match the hair color of the story’s redheaded femme fatale, but what’s really interesting about this cover is the yawning pose. At least a couple of images from the Stop layout would have worked better, we think, but that’s just our humble opinion.
At first we thought the designer here was Bernard Blackburn, who made many of Horwitz-Transport’s photo-illustrated covers during the mid-1950s, but then we learned that this “reprint by demand” edition appeared in 1960. So we have no idea who created the cover, but he/she had good taste in models, though we seriously doubt Sommer received any compensation for her starring role. Check out the rest of those rare Stop images here and see if you don’t agree about the designer making a weird choice.
|Vintage Pulp||May 21 2010|
Cover art for Dutch language pulp novel The Hellcat, circa 1962, part of the Al Wheeler series written by Carter Brown, aka Alan G. Yates. Interestingly, “hellcat” in Dutch would actually be something like “helkat”. “De helle” means “the whole” and “veeg” means "sweep". At least, that’s what Babelfish tells us.
|Vintage Pulp||May 15 2009|
This Dutch issue Carter Brown novel may look like it’s about either getting paralyzingly baked, or testing the effectiveness of various upskirt angles, but no, it’s actually the detective thriller The Lady Is Available, retitled to Death Modeled because, well, we don’t know why. We’ll have to consult our Dutch friends on that question and get back to you. The cover subject here is supposed to be dead, but since he was so rude as to croak with his eyes open someone will have to shake him, then see if he steams up a spoon, maybe even give him CPR. Anyway, the novel is one of Australian author Carter Brown’s, aka Alan G. Yates’, bestselling Al Wheeler thrillers. When we say bestselling, we mean they spread like brush fire. Certain sources credit him selling an astounding fifty million novels. So maybe the dood here isn’t dead, just stund by Carter’s good fortune.
|Vintage Pulp||Nov 14 2008|
He was born Alan G. Yates in Australia, but as Carter Brown he published 150 crime stories, starting in 1953 with The Mermaid Murmurs Murder and continuing until 1981 when he published The Wicked Widow. All his tales were set in the Unites States (including these four with Robert McGinnis cover art), but strangely, American readers never embraced him. Instead, it was in Europe that he made his mark, where his noir plots filled with classic twists and hard-boiled dialogue did as much for crime litertature as any figure who ever lived.