|Femmes Fatales||Jun 23 2011|
Above, Austrian-born British actress Jocelyn Lane, who appeared in numerous films and television shows during the ’50s and ’60s, including The Man from U.N.C.L.E., Operation Snatch, Dangerous Youth, and The Gamma People, before going on to marry Prince Alfonso of Hohenlohe-Langenburg (there’s a mouthful), relaxing here with her dog circa 1960.
|Vintage Pulp||May 25 2011|
Today we have another issue of the post-pulp magazine Adam, filled with its usual offerings—adventure fiction, ads for dubious products and services, assorted cartoons with racist tropes, and of course a selection of nude and semi-nude models. Also, of special note is the final page, which features a nice handout shot of Austrian actress Marisa Mell. Of the ninety pages in this issue we’ve shared about thirty. We’d post more but then the website would take forever to load, and that’s no fun for anybody. One of these days, though, perhaps we’ll go back and mine these magazines for more imagery. In the meantime enjoy the pages below. It was all published this month in 1973.
|Femmes Fatales||Jan 17 2011|
Above, a shot of Austrian-born German/French cinematic icon Romy Schneider, née Rosemarie Magdalena Albach, who appeared in dozens of films, many of them highly acclaimed, during a twenty-nine year career that elevated her to legendary status in Europe.
|Vintage Pulp||Jan 11 2011|
Above we have the cover and a few interior pages from an October 1950 issue of Neue Wiener Melange, which is a German celeb and erotic magazine that takes its name from the phrase “Viennese blend”, a type of coffee with milk. We have to admit, the contents are a bit stimulating. You get some deft art, some demure studio nudes, and Austrian actress Vera Molnar, who starred in 1951’s A Tale of Five Cities and 1954’s Ulysses, the latter with Kirk Douglas. We have another of these and if we don’t have a lazy day we’ll scan the whole thing and post it.
|Vintage Pulp||Sep 3 2010|
The 1949 film noir The Third Man is a best-case-scenario of what can happen when great talents collaborate. Carol Reed directs, Orson Welles, Alida Valli and Joseph Cotten act from a screenplay penned by master storyteller Graham Greene, and the cinematographer is Robert Krasker. Krasker won an Academy Award for his work here, and when you see the velvety blacks and knifing shadows of his nighttime set-ups, as well as the famed scenes shot in the cavernous Vienna sewers and bombed out quadrants of the city center, you’ll understand why. The story involves a pulp writer named Holly Martins who arrives in a partitioned post-war Vienna only to find that his friend Harry Lime is dead, run down by a truck. When Martins learns that the police are disinterested in the circumstances of Lime’s demise, he decides to do what one of his pulp characters would do—take matters into his own hands. But nothing adds up. He learns that Lime died instantly, or survived long enough to utter a few last words. He finds that Lime was a racketeer, or possibly not. And he discovers that two men were present when Lime died—or possibly three. That third man seems to be the key to the mystery, but he proves to be damnably elusive. We can’t recommend this film highly enough. Above you see a pair of rare Japanese posters from The Third Man’s premiere in Tokyo today in 1952.
|Femmes Fatales||Jul 26 2010|
Promo photo of Austrian actress Maria Perschy from the West German action flick Die Pagode zum fünften Schrecken, aka Five Golden Dragons, 1967.
|Vintage Pulp||Feb 15 2010|
Liliana Cavani’s controversial drama Il portiere di notte, aka The Night Porter, is a landmark of Italian cinema, and another of those seventies films that could never be made today. It involves the sado-masochistic relationship between a concentration camp survivor, played by Charlotte Rampling, and a former camp officer, played by Dirk Bogarde. The camp is eventually liberated, but the Nazi manages to escape the Allies. Postwar he builds a normal-seeming life but must carefully hide his former identity. Meanwhile, the woman builds a normal-seeming marriage, but conceals her psychological scars. In Vienna years later, the woman is shocked to encounter the Nazi again, and soon their destructive codependency is rekindled. The amazing promo poster above uses a frame from the movie’s pivotal scene, a flashback in which Rampling performs a striptease wearing an SS uniform, after which her captor rewards her á la Salomé with the head of a prisoner who has been tormenting her. Il portiere di notte is dark, slow, and deadly serious, but for the true film buff it’s probably a must-see. It was generally well-reviewed upon release, but there were also slams from a few major critics. In the end, you’ll have to make your own decision. Il portiere di notte premiered in West Germany yesterday, 1974.
|Femmes Fatales||Jun 18 2009|
Above, a rare promo photo of Austrian actress and sex symbol Marisa Mell, who starred in the all-time camp classic Diabolik. We don't know the year on this image, but we think it was around 1970.
Update: Right, well, we weren't close on the date. Below is a cover for the German magazine Neue Illustrierte Revue featuring the same shot dated December 1976, and we saw another frame from the session that was used in a November 1976 Playboy. So 1976 it is. Nice cover too.
|Vintage Pulp||May 31 2009|
Here’s a nice Romanian promo poster for the anti-Nazi drama Lissy, starring Sonia Sutter, and based on a novel by Franz Carl Weiskopf. The film was made in East Germany, and against all odds, earned an American release and brought Sutter a measure of critical acclaim. She eventually acted in more than twenty films, but is better remembered for her distinguished four-decade career at the famous Burgtheater in Vienna. Lissy premiered in East Berlin yesterday in 1957.