What better way to complement the collection of paperback covers above than with photos of actual dancers doing what they do best—making their strenuous and often unglamorous work look easy and fun? We present assorted burlesque dancers, showgirls, and strippers from the 1950s, 1960s, and 1970s, both onstage and off, photographed in such hot spots as London, Paris, Tokyo, Rome, New Orleans, and of course New York City. Among the performers: La Savona, Lilly Christine, Lynne O'Neill, the gorgeous Misty Ayres, Patti Cross, Tina Marshall, Carol Doda, Nejla Ates, Barbara Köckritz (we know, we know) fully nude, Lili St. Cyr, Wildcat Frenchie, and more. If you like these, check out our previous set of dancers here.

Above is the front of a copy of Uncensored magazine that appeared today in 1965 with cover stars Jackie O., Blaze Starr, and—in a sign of changing times—the Beatles. Inside the magazine you get sin and skin in the form of East German sex camps, nudity in international cinema, exotic dancer Marlene MacLane, transgender entertainer Christine Jorgensen, and call girl Christine Keeler, who, Uncensored reminds readers yet again, had lovers with skin darker than hers. And according to journalist Bill Jeffree, so did thousands of other British women. What had the world come to? These old tabloids often contain photos that haven’t made it online yet, and from this one we’re happy to upload a cool shot of Keeler, a snap of John F. Kennedy, Jr. as a toddler, and a rare vision of Elizabeth Taylor strolling a Mediterranean boardwalk in her bikini. We have about twenty scans below and more from Uncensored to come.

You know when you get hit on the head real hard and your hear bells and see stars? Today, you don’t have to risk a concussion—this issue of Folies de Paris et de Hollywood, which is number 200 and was published in 1960, has rare photos of burlesque dancers Virginia Bell and Blaze Starr. Both women rose to prominence in the 1950s, both appeared in movies, and Starr then became entangled in a political scandal by bedding the governor of Louisiana. We talked about that a few years ago when we shared a cover of Hush-Hush that featured her. We also had something quite interesting about her sent in by a visitor to Pulp Intl. and we recommend you take a look at it here. Folies de Paris et de Hollywood also offers a great but unidentified cover model, and the usual assortment of showgirls and models in the interior, whom you can see along with Bell and Starr below.

This colorful January 1960 Hush-Hush features Gina Lollobrigida, Elvis Presley, Elizabeth Taylor and others, but of special note is an exposé on burlesque queen Blaze Starr and Louisiana governor Earl Long. Sometime in the late 1950s the elderly Long got involved with the buxom young Starr, and it was a scandal for the ages. Starr had a routine in which she wriggled around on a sofa so sensually that it began smoldering (thanks to a hidden smoke machine). The routine had been a hit everywhere she worked, and by the time she appeared at New Orleans’ Sho-Bar she had it down to a science. Governor Long had wandered into the place with several friends and staffers, and when he saw the smoldering sofa routine he was smitten. He made his way backstage and asked Starr out to dinner. She responded by asking if she could trust him. His response: “Hell no.”

The two hit it off and, after a few false starts, embarked on an affair. Long was deliriously happy, but others were not, and they used the relationship as grounds to commit him to Southeast Louisiana Hospital—a mental institution. Long couldn’t get out of the bin on his own, but due to a loophole in the law retained his powers as Governor. For a time he ran Louisiana from his hospital room, and eventually devised an escape plan, which involved having the head of the state hospital system fired and replaced with someone who would pressure Long’s doctors to declare him mentally competent. Upon release, Long resumed his relationship with Starr and made plans to run for Congress in the fall. In August 1960 he won a Democratic primary, but just a month later died of a heart attack.

The relationship between Long and Starr has been much dissected since then, and some revisionists have denied that it was at all meaningful to Earl Long. Perhaps not, but it meant something to Blaze Starr. Years later she said in an interview with People magazine: “I still dream about stripping sometimes. When I do, Earl is in the audience watching me do my thing. Then I wake up and feel sad. I miss Earl and I miss being on that stage.” You can catch Blaze’s act here.