Certain breeds of insects are going extinct, according to scientists. We didn't need their help to figure that out.
Above is an alternate cover for James M. Cain's racy 1947 novel The Butterfly. The edition we showed you previously (paired with a short write-up of the disastrous movie starring Pia Zadora) was from Dell, with art by Frank McCarthy. This one came from Signet in 1955, and it's really hard to find. By far it's the rarest of any of Cain's Butterfly editions. But it's worth seeking out because the cover is great. It's uncredited, though. See the previous cover here.
Slices a tomato so thin you can almost see through it! But wait! There’s more! It also works great on Yakuza!
It’s been a while since we had any Meiko Kaji on the site, so today we have four posters—two normal sized and two panel length—for 1971’s Ginchô wataridori, aka Wandering Ginza Butterfly, and 1972’s Ginchô nagaremono mesuneko bakuchi, aka Wandering Ginza: She-Cat Gambler. Haven’t seen them? Well, in our opinion, part two is vastly better than the first installment, but neither is up to the standard of Lady Snowblood. Still though, there are Yakuza and she kills them. What more could you want? You also get Meg Flower in part one, and Sonny Chiba in part two—both good additions. Kaji is still going strong in show business, by the way, having appeared in nine episodes of the Japanese television series Kekkon Shinai in 2012. We have some extremely rare posters of hers we’ll get to shortly.
James M. Cain’s incest-themed pulp loses its power as a movie thanks to Pia Zadora.
James M. Cain was never one to shy away from provocative subject matter, and The Butterfly, published in 1946, is no exception. In this one a middle-aged coal miner arrives at his backwoods home one day to find a nineteen year-old girl sitting on his stoop. It turns out she’s his long lost daughter, who he’s never known because his wife left him eighteen years ago. The girl, Kady, is precocious to say the least, which means seduction inevitably follows and, just as inevitably, dangerous complications pile up rather quickly. But nothing is quite what it seems and by the end, paternity is in doubt all over the place. The Butterfly isn’t considered one of Cain’s best, but we thought it was a diverting read, certainly worth the time spent. As with most Cain books, it had many editions, but this one is the 1964 Dell paperback, which we think has the best cover art.
Moving on to the 1982 film adaptation, entitled simply Butterfly, we find ourselves running out of kind words. The film starred Pia Zadora, and while it generated some good reviews and a lot of publicity owing to its supposed steaminess, time has since rendered a judgment and it isn't a kind one. Zadora was not the person for the role of Kady. We have little doubt she's alluring in real life, but cinema is not real life and it takes more than just ordinary beauty to light up the screen as a femme fatale.
It's the same with men, typically. Bogart wasn’t a classic looker, but he had that thing. Zadora doesn’t. The critics who defended her in this role are still answering for it today, and her award as Newcomer of the Year ranks as one of the Golden Globes' biggest embarrassments. Despite her unwonderful performance, Butterfly is worth a glance for its camp factor, as well as for appearances by Orson Welles as a smalltown judge and Ed McMahon as a boozehound. But if you really want to be entertained, read the book instead.
Smalltown girl travels with band, smashes their guitars.
In I Am a Groupie a bored teenage girl named Sally wants to see the world, so naturally she hooks up with a passing rock band called Opal Butterfly—a real group from the late 1960s, by the way—and discovers that being a communal lay is harder work than she thought. The lead is played by Esme Johns, in her one and only cinematic role. Also known as Groupie Girl, this debuted in the U.S. in December of 1970.