Il Trionfo della casta Susanna, for which you see two posters above, isn’t pulp influenced—it’s a period comedy set during the Napoleonic era—but it does feature giallo superstar Edwige Fenech, and any Fenech is good Fenech. Also, the promo posters were painted by Aller, who we’ve shown you a couple of times before, and like Fenech anything he does is worth sharing. Just for fun, we actually watched this film, and basically, the hostess of a hotel saves Napoleon from an assassination attempt, gets romantically entangled with him, and learns some military secrets. By the way, did you know Napoleon wasn’t short? He was about 5’7”, which was above average for those days. Anyway, there’s a lot of bed hopping, tasteful nudity, and broad humor, but really we can’t recommend the movie. Il Trionfo della casta Susanna, aka Frau Wirtin hat auch eine Nichte, aka House of Pleasure opened in Italy today in 1969. 

Hmm, how to assess Bruno Mattei’s nazisploitation flick Casa privata per le SS, aka La maison privée des SS, aka SS Girls? Well, let’s just say that the term softcore is too kind. In reality, it’s droopcore, or better yet, shrinkcore—i.e., watching this will affect your sex organs like a dip in icy waters. If you took out all the inept, thrashing semi-sex scenes, and the scenes of sweaty Gabriele Carrara playing his pipe organ, as well as the shots of Nazis laughing evilly (and interminably), what you’d have left is maybe forty minutes of Mystery Science Theatre-level awfulness about a group of women coerced into sleeping with high ranking SS officers in order to uncover a plot to betray Hitler. Our girlfriends gave up during the naked hunchback scene (“Oh my God! That’s revolting! How can you watch this?”) but we stuck with it and eventually focused our attentions on Macha Magall, who might be the only watchable cast member. But she’s eventually mutilated and dumped out a castle window, and the movie fatally plummets at that point too. So in the end, perhaps the flick’s best quality is its promo art by Aller, aka Carlo Alessandrini, which you see above. Casa privata per le SS premiered in Italy today in 1977. 

What a difference four years makes. Talent-wise, the Claudia Jennings from the 1972 rags to riches flick Unholy Rollers is not remotely in the same league as the one from 1976’s Dynamite Women, which we discussed here. If Jennings ever had acting lessons, she must have driven to the first one ten minutes after Unholy Rollers wrapped. Some difficulties stem from poor scripting, editing and directing, but those problems take a backseat to the fact that Jennings simply hadn’t had enough dramatic training when she starred here. We recommend this one only for fans of Jennings and/or roller derby. Unholy Rollers premiered twenty-nine years ago today, and above we have probably the best part of it—the kick-ass promo poster painted by Aller, aka Carlo Alessandrini, for the movie's Italian run. 

In the Italian sex comedy La Liceale, Gloria Guida plays the sort of cocktease supreme we’ve seen in films such as Lolita, Fast Times at Ridgemont High and American Beauty. Those are all great films, but the slapstick tone of La Liceale makes it more like a Benny Hill episode with nude scenes. Still, we give credit—Ms. Guida plays the role of a predatory virgin with an engaging sort of breeziness that makes her watchable even when she isn’t naked. She isn’t the only sexpot on display here—Ilona Staller, aka Ciccolina, gets her kit off as well. You may remember Staller went on to a career in hardcore porn before winning election to the Italian parliament promoting a platform of legalized brothels and no nukes. While those are two sentiments we support, we can’t quite call La Liceale a must-see film. But we think it has must-see poster art. It opened in Italy and France this month in 1975.