|Vintage Pulp||Jul 17 2020|
The jail hasn't been made that can hold Honey Blake.
Above is a fantastic poster for the women-in-prison flick Betrayed Women, starring Beverly Michaels. The promo art might make you think this is something other than a bottom drawer b-melodrama, but think again. Michaels plays a gun moll named Honey Blake who gets tossed in the pen after being convicted as an accessory to armed robbery, and she immediately starts plotting to cut her sentence short via escape, while a cruel warden is intent on breaking her spirit—and possibly her cranium. Unintentionally humorous lines of dialogue include, “What is this? A cootie inspection?” and, “Ahh, who knows what goes on in this cockeyed world?” and, “I'm telling you that Blake dame's dynamite!” Michaels is the type of actress who somehow always managed to elevate weak material, but even she can do only so much. The movie has its moments, but not enough of them. It will generate a few laughs, though. It premiered in the U.S. today in 1955.
|Vintage Pulp||Apr 1 2020|
No time to wallow in the mire.
Above is a poster for the Roger Corman produced b-movie Swamp Women, which starred Marie Windsor, Carole Matthews, Beverly Garland, and Mike Connors, the latter acting under the name Touch Connors. Connors was Armenian-American and thought—correctly, we suspect—that his real name Krekor Ohanian wasn't going to help his show business career. He accumulated at least twenty credits as Touch Connors before he jettisoned it and eventually became the guy everyone remembers from the cop show Mannix.
In Swamp Women Connors plays an oil prospector boating around the Louisiana bayou who stumbles across a group of escaped female convicts searching for a stash of diamonds. Among their number is an undercover police woman charged with finding the stones and apprehending the group. It's fully as ridiculous as it sounds, and with Corman at the helm you know it's cheap, too. Plus this was only his fourth full directing gig. But we give him credit—he really made his cast slog through the Louisiana mire, which means you get realism to offset the use of stock footage.
The thing about Corman is that he always did more with less. But despite his particular set of skills, the script here hamstrings any attempt at making a decent flick. As an example of what we mean, Mike Connors doesn't go into the swamp alone. He takes his girlfriend with him, and she's eaten by an alligator. Hours later he's smooching the undercover policewoman. Not as part of a ruse or escape attempt. Just because he digs her. His girlfriend was a gold digging pain in the ass, but still, you'd think seeing her ripped to pieces would cool his ardor. But they don't call him Touch Connors for nothing. Plenty more fish in the bayou.
If you look on Wikipedia Swamp Women is classified as a film noir. That's purely comical. It's a proto-exploitation flick along the lines of what American International Pictures would routinely do fifteen years later with more skin and better efx. By the time the swamp women finally reach the site of the hidden diamonds and dig up a box, you'll be hoping they open it and find a new script and more investment money. But no such luck. Corman would do better later. Windsor, Matthews, and Garland had done better in the past. That's show business—one day you're at the top, the next you're sinking in the bog. Swamp Women premiered in the U.S. today in 1956.
ArmeniaLouisianaSwamp WomenMannixKrekor OhanianMike ConnorsTouch ConnorsMarie WindsorCarole MatthewsBeverly Garlandposter artcinematelevisionmovie review
|Femmes Fatales||Feb 3 2020|
Then he falls down and bleeds out like a pig. Basically, that's all there is to it.
Peggy Knudsen shows Carole Matthews how to shoot her baby down in this promo image made for the 1955 low budget crime drama Betrayed Women. They're dressed identically because the film is a women-in-prison flick. We've seen it, and it's not necessarily one you need in your queue. But this photo is great.