|Vintage Pulp||Jun 3 2010|
Japanese poster for David Cronenberg’s 1977 foam-flecked horrorfest Rabid, starring Marilyn Chambers. It's a two-sided B2 style promo, which means it's double-sided. We’ve already posted two Rabid one-sheets here and here, but each one we find is better than the last. We were not anywhere close to an age to have seen this when it was released, but we've seen it on DVD since and it's very effective, in a ’70s low budget way. What's clear watching it is that Cronenberg was headed for bigger things. You might even have thought the same of Chambers if you didn't already know her mainstream film career didn't work out. Along with the poster flipside we also have three rare promo images from the film. Rabid premiered in the U.S. in April 1977, and reached Japan today in 1978.
|Modern Pulp||Sep 8 2009|
Japanese promo poster for David Cronenberg’s explosive sci-fi thriller Scanners, which premiered in Tokyo this month in 1981.
|Vintage Pulp||Apr 8 2009|
Marilyn Chambers doesn’t often get sufficient credit for what she did here—she made the first leap from porno vixen to mainstream lead. Yes, Rabid was low budget, but it was also general release, a modest hit, and pretty damn convincing as well, from both the acting and special effects standpoints. As a bonus, it features possibly the grimmest poster of all time. Plenty of adult actresses have tried to accomplish what Chambers did, including Sasha Grey in Steven Soderberg’s upcoming The Girlfriend Experience, but Chambers was the first and—based upon early word on The Girlfriend Experience—remains the best. Though Cronenberg has gone on to direct high-budget masterpieces like A History of Violence and Eastern Promises, Rabid remains a compulsory component of his catalogue. As for Chambers, she never really got another shot in a mainstream movie. The rest is (porno) history. Rabid premiered in the U.S. today in 1977.
|Vintage Pulp||Feb 17 2009|
Anytime you get Reiko Ike in a flick, vital fluids will stain the walls. Furyô anego den: Inoshika Ochô, aka Sex & Fury, falls into a category generally known as “pinky violence” or “pinku”. Like yesterday’s Seijû gakuenaka, this film is a Norifumi Suzuki-conducted symphony of lesbian sex, shock-nudity and hyperviolent action. Near the mid-point Suzuki treats us to a sequence in which the heroine is surprised in the bath by eight Yakuza, but leaps from the tub and fights them naked. The vicious sword battle spills from the bath chamber into a courtyard, all in wonderfully choreographed slow motion, with arterial spray jetting hither and yon like water from the Bellagio Fountain. It’s one of the most famous and daring sequences in cinema history, and was echoed by David Cronenberg in his recent thriller Eastern Promises. You may notice that Reiko Ike is upstaged on the poster (and the black-bordered alternate version below) by a bare-breasted Christina Lindberg. Ms. Lindberg is a sexploitation queen who we’ll talk more about in the future. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.