Danish actress amd model Greta Thyssen looks kind of woozy, possibly from inhaling hair bleaching chemicals, but that just adds to this photo's gonzo appeal. By gonzo we mean it looks like it was shot with a five-and-dime camera, and if so, it just goes to show Thyssen adds substantial worth to anything.

You will see this image identified on many sites as Barbara Nichols. It even fooled us for a while, but it's Thyssen alright. If you want to compare, you can have a gander at Nichols here. We have another image from this session below and Thyssen actually looks awake in that one. We don't have a date on these strange shots, but figure around 1955.

Last night we watched the sixth episode of Spike Television's horror serial The Mist, and though we weren't going to weigh in on the show, we got frustrated enough to bang out this write-up labeling it what it is—a disappointment. Which is too bad, because the Stephen King novella sourced for the series might be the best thing he ever wrote. It's hard to know where to begin discussing the show, so we'll start not with that, but with its medium. Television has changed. Where the real talent once gravitated toward cinema, today some of the best conceptualizing and writing is on television, as top creatives are driven to the small screen because movie studios are almost wholly focused on puerile superhero movies and juvenile comedies. Television is where The Wire, Game of Thrones, and Fargo made indelible marks on American culture. Hell, we can even go back to The Sopranos for an early example. The point is you have to bring your A-game.

But the creator of The Mist, Danish writer-director Christian Torpe, took one of Stephen King's best works, adapted it to a medium that is incredibly receptive to serialized horror, and blew it. King is credited as a writer on all ten episodes, but that's only a nod to him as the originator of the source material. He wasn't involved in the new teleplays, and they're spectacularly botched, put together by the worst kind of horror writers—those who force the characters to serve the convolutions of the plot rather than their own need for self preservation.

Another issue with The Mist is that the characters are diverse in unrealistic and manipulative ways. See if this sounds like the beginning of a joke to you: there's a priest, a cop, a heroin addict, a jock, a hippie, and a bully. In the best television shows the characters are very much the same when you meet them, but their differences manifest over time because of who they are inside—not due to the uniforms they wear. In The Mist the cop wears a uniform and the priest wears a different uniform and the solider wears a still different uniform, but no less obvious are the uniforms worn by the flower child (sun dress and pants), the gay kid (eyeliner), the heroin addict (sweat), and the good girl (virginal white skin). Even many of the minor characters are written as clichés. Comparethat to a show like The Walking Dead. In season one what is the difference between the two major characters Rick Grimes and Shane Walsh? There is none, except one is duplicitous and one is honorable. What is the main difference between Rick and Carol? It's not their sex. It's that she's more easily capable of cruelty for what she feels is right. What is the difference between Carol and Morgan? It isn't their skin. It's that he abhors lethal violence and has to come to grips with its necessity. Their differences are internal, and watching them revealed is one of the joys of the show. But in The Mist the uniforms—literal and figurative—are there to do the work the writers were too lazy to manage.

The Hottest Show in Town was originally released in Sweden in 1974 as Sex-Cirkusse, and just as promised by the Japanese poster art above, you get a circus, a hot one, populated by assorted acrobats, aerialists, and clowns, some nude, some not. You also see people hook up, explicitly, which is really the entire point of this production. These bits earned the film an x rating, as well as some controversy caused by a sex sequence involving a very small man and a very small woman—aka dwarves. This isn't particularly shocking today. Or is it? Certainly dwarves are more mainstream now. Game of Thrones even features the horniest little person in entertainment history, so we're guessing Sex-Cirkusse's dwarf sex won't bother you. We could be wrong. But dwarves, clowns, and aerialists are all a sideshow. The real star of the movie is Danish actress Anne Bie Warburg, seen below in her bushy altogether, a bold image we couldn't resist sharing. We guess the general thrust of the film is that all the world's a circus and all its denizens merely players. Really horny ones. The Hottest Show in Town premiered in Japan today in 1976.