| Vintage Pulp | Sep 18 2023 |
Horwitz Publications perfectly red the paperback market.
For a while we were tracking the possibly unlicensed usage by Australian imprint Horwitz Publications of celebrities on its paperback covers. We fell down on the job a bit. The last one we looked at was two years ago.The red-haired model used above on Carter Brown's thriller No Halo for Hedy is Playboy centerfold and nightclub performer Colleen Farrington, who was the mother of actress Diane Lane. The book originally appeared in 1956, and the above reprint came in 1959. This photo used for the cover is rare. We've seen no other shot of Farrington in these capri pants. Presumably, at one point multiple frames from the session existed, but time disposes of such items. However, it can't diminish the beauty of this cover. You can see all of our Horwitz celeb covers by clicking here.
AustraliaHorwitz PublicationsPlayboyCarter BrownAlan G. YatesColleen FarringtonDiane Lanecover artliterature
| Modern Pulp | Sep 25 2022 |
Matt Dillon gets on an unstoppable roll.
Above is a poster for the U.S. movie The Big Town, which is a drama released today in 1987, set in 1957, based on the 1967 Clark Howard novel The Arm. We like 1950s movies. And we like new movies set during the 1950s. It's always interesting to see an interpretation of the era, versus productions actually made during those years. The Big Town is a fun rendition, as pretty boy Matt Dillon plays a skilled young dice shooter who leaves podunkville Indiana for Chicago and experiences all its pleasures and pains.On the pleasure side is femme fatale fan dancer Diane Lane, and bringing the pain is Tommy Lee Jones as a gambler who runs a crooked nightspot called the Gem Club—and who happens to be married to Lane. It's always a bad idea to bed a bad man's wife, but it's an even worse idea to break his bank for $15,000. Dillon does both. Later he tries to engineer a high stakes double-cross that will allow him to win the Gem Club in a craps game. Along the road from rags to potential there are plenty of subplots, including revenge, good girl redemption, and the struggle to retain's one's soul.
The Big Town is often called a neo-noir, and though any film with a crime focus and numerous night scenes tends to get that label slapped on it, in this case we feel like the designation is accurate. The movie deals not only with crime and gambling, but also takes passes at burlesque, racism, and the culture clash between ’40s style tough guys and new generation hipsters, with their sculpted hair and rock and roll attitudes. On the acting front, Dillon does a good job, and Jones is excellent as always, doing that unique thing he does. If you're looking for a fast period drama you can certainly do worse.
ChicagoFawcett PublicationsGold Medal BooksThe Big TownMatt DillonDiane LaneClark HowardTommy Lee JonesSuzy Amisposter artcinemafilm noirmovie review
