|Vintage Pulp||Jul 12 2017|
Yes, it's Diane Webber on the cover of this Horwitz second edition of Carter Brown's No Future Fair Lady, and amazingly, she's fully clothed, a phenomenon we've never seen from the most famous nudist model of her generation. Looking closer, though, the dress could be painted on. Wouldn't surprise us. You don't become a nudist icon in the buttoned down 1950s by letting the Man tell you what to do. At any rate, this is yet another example of Horwitz using unlicensed (we suspect) celeb photos on their Carter Brown paperbacks. Since we feature a lot of tabloids on Pulp Intl., we have to point out that the protagonist in this story works for a tab called Smear. We love that. The copyright here is 1960, and we have several other examples of Horwitz celeb covers you can see by clicking this link.
|Vintage Pulp||May 14 2017|
|Musiquarium||Nov 28 2016|
On the cover of Looks Like Fun!, a Café Society Series album by comedian Cliff Ferré, both models have decided to test the far limits of 1956 fashion with their dresses. Diane Webber, on the right, gets all Vikki Dougan with her asscrack, while her unidentified friend goes the more conventional route with a neckline that plunges so far it becomes a navel line. Not that we're complaining. The only thing we're unhappy about is not being able to name the model on the left. She's the same person as in this Technicolor lithograph, and we know that the photo was made by Tom Kelley. Beyond that we got nada. We would love to know who she is because we have her on three more lithographs we're reluctant to share without info.
|Vintage Pulp||Jun 21 2016|
This 1953 wall calendar from the Standard Parts Co. of Memphis, Tennessee features a lovely painting from famed pin-up artist Bill Medcalf. While it looks as if the painting featuring a golfer with a perfect follow through has been pinned to a sunny wall for ages and the colors faded as a result—an assumption seemingly confirmed by looking at Medcalf's original lithograph at right—the image isn't actually faded. A glance at the orange border, which is as vibrant as something harvested by Sunkist, proves it. The makers simply decided for stylistic reasons to go with a monochromatic sepia for the color. Why? We don't know. Maybe because golf is an exercise in serial failure that sucks all the vitality out of you.
|Vintage Pulp||Jan 14 2016|
|Vintage Pulp||Jan 8 2016|
|Vintage Pulp||Nov 17 2015|
|Vintage Pulp||Aug 1 2015|
Today’s Technicolor lithograph features a recognizable figure for once—the much adored Diane Webber, a California born model, dancer, and actress who was also known as Marguerite Empey and became one of the most important fixtures of the 1950s and 1960s nudist magazine scene. You can see a few examples of those here. Webber was also a two-time Playboy centerfold under her Empey persona, in May 1955 and February 1956. We’ve mentioned before that the blank spaces at the tops of these Technicolor prints were made for the insertion of advertising, and at right you see how that worked with a calendar for a Baltimore, Maryland establishment called Stanley’s Drive-In. The original image came from the A. Scheer Company, was called Exclusively Yours, and appeared in 1955. The calendar came out in the winter of 1958.
|Vintage Pulp||Feb 28 2015|
This issue of Adam magazine with its nice cover art illustrating Arthur J Bryant’s story “Hey-Day in Hong Kong” appeared this month in 1971. Bryant’s story, which has a convincing sense of firsthand realism, is about an Aussie traveler searching Hong Kong’s red light district for a “yum-yum girl” but ends up attacked by three thugs. Turns out the hooker employs the toughs because she wants any man who purchases her services to prove he’s deserving of her gifts by fighting for her. You haven’t really had sex unless you’ve done it after being punched in the ribs and eye. Try it sometime.
|Vintage Pulp||Mar 31 2012|
After two weeks of unknowns, we’re back to a face we recognize on this installment of the Good Time Weekly Calendar of 1963. She’s none other than Diane Webber, aka Marguerite Empey, one of the most popular nudist models of the 1960s, photographed by Peter Chiodo. We say “nudist” rather than nude because she specialized in posing for sun worshipper publications, of which we posted a rather entertaining collection here way back in 2008. Below are the usual transcriptions of daily quips from the calendar. And like always, some of them are nonsensical to us. For instance, did people really call women "turnpikes" back then? And what the hell is Jackie Gleason on about? No idea. But we’ll keep sharing these little quotations anyway on the off chance you get a chuckle out of them.
March 31: “Man to man: Planting gardens is strictly for the birds.”—He-who Who-he
April 1: “April Fool. Our favorite Biblical truth for today is: Do one to others as others do one to you.”—Art Linkletter
April 2: Tranquilizers in April are sold to help decide the line between straight income or capital gain.
April 3: Women’s hair rinse: Wash-and-wear.
April 4: “Don’t call any woman a turnpike unless it’s absolutely true—not a curve in sight.”—He-who Who-he
April 5: “Remember the good old days? The ‘cold war’ was only a fight between you and the janitor.”—Jackie Gleason
April 6: The twist is not possible in Russia because too much is already twisted there.