|Vintage Pulp | Sex Files||Jan 16 2012|
In our continuing search for rare magazines of high entertainment value (if sometimes dubious quality), we stumbled across the above gem—the first issue of the self-described sexploitation film graphic Flick. Published in the U.S. out of Libertyville, Illinois, it was basically just reviews of x-rated films in tabloid form. The publishers admit in their introductory editorial that the tabloid market is glutted, but insist America needs a magazine that helps porn consumers separate the wheat from the chaff. They do it with utter seriousness and, as a bonus, also throw in some musings on film history, with discussions of Rudolph Valentino, Douglas Fairbanks, Theda Bara, Jean Harlow, and Hedy Lamarr, who all had pre-Hays Code flirtations with screen nudity.
It might be difficult to imagine actors appearing nude on screen during the 1920s and 1930s, but the idea back then was that, because the medium was considered an art form, motion picture nudity was no different from nudity in sculpture, photography or painting. Theda Bara's and Jean Harlow’s screen nudity was merely implied, but Hedy Lamarr went all the way in her 1933 Czech-made romance Ekstase, aka Ecstasy, in which she ran starkers through the woods, giving audiences a gander at her backside and breasts. She was known at the time as Hedy Kiesler, but it’s her.
There’s also a non-nude love scene containing what some critics believe is the first cinematic depiction of an orgasm. As you can imagine, Ekstase was controversial. Only four-hundred prints were ever made, and most of those were butchered by censors. By the 1940s, the only complete copy known to exist was in Russia. It had first been Hungarian property and had been exhibited in Budapest in ’33, but because the Hungarians had fought alongside Nazi Germany and helped conquer swaths of Russian territory in the early 1940s, when the Russians reversed those gains and occupied Budapest in 1944, they sort of helped themselves to a few choice cultural treasures.
Elsewhere in this inaugural Flick you get reviews of the adult films A Hard Man’s Good To Get, Sisters in Leather, College Girls, and Jack Hill’s first full-length effort Mondo Keyhole. The editors remind readers that their magazine is a collector’s item. At the time—January 1970—they probably imagined it would be quite valuable in forty-one years. Well, we got it for $4.00. But just for the hell of it, maybe we’ll hang onto it for another forty-one years. You never know. By the way, if you’re curious, you can actually see that famous Hedy Lamarr nude scene here. It is not a complete version, though. We doubt a complete one exists. See ten scans from Flick below.
|Intl. Notebook | Sex Files||May 3 2011|
The infamous Profumo Affair exploded onto British front pages during the spring and summer of 1963, outing Secratary of State for War John Profumo’s affair with the call girl Christine Keeler, and leading directly to his humiliation and resignation. More than a year later the other call girl at the center of the scandal—Mandy Rice-Davies—was promoting a tell-all book about her time in the sex trade. It was called The Mandy Report and on the cover of Confidential from May 1964, we see Rice-Davies holding the book and looking pretty darn pleased with herself.
The Mandy Report was actually rather cleverly formatted as a tabloid-style magazine, and between the covers Rice-Davies claimed to have spent quality time between the sheets with the likes of Douglas Fairbanks, Jr., Robert Mitchum, Bob Hope, George Hamilton and many other household names. Mostly, the men denied it, of course, but to paraphrase Rice-Davies herself: “Well, they would, wouldn’t they?”
Call us prejudiced, but we tend to believe women about situations like these, even when they happen to be trying to drum up sales—and especially when they aren't. In pulp novels women publicly lie about this stuff all the time, and as a fictional device it's fun, but in the real world there's a lot of potential for danger and social loss that makes us think falsehoods in this area are relatively rare. But that's just us.
We don't know how many copies The Mandy Report eventually sold, but the fact that it's still widely available online might be an indication that it did okay. Later in life, Rice-Davies stayed in the spotlight, acting in film and television. That’s her below, relaxing on a beach on Majorca circa 1963, and if you're curious you can read a bit more about the Profumo Affair at an earlier post, here.