| Vintage Pulp | Nov 16 2021 |
It's the year 11,959 and everything is screwed worse than ever.
We thought we'd hit the sci-fi genre, since it's been a while, and chose Edmond Hamilton's Star of Life. It's one of the books visible in the photo of a 1959 airport paperback rack we showed you in August. The story concerns an astronaut named Kirk Hammond whose lunar capsule goes off course toward the far reaches of the solar system. Hammond decides to end his life rather than starve in the void, and when he vents the capsule the absolute cold of space freezes him. He awakens in the hot spacecraft hurtling back toward Earth. Turns out he was frozen so rapidly that his cells sustained no damage, and re-entry has thawed and revived him.
He's thrilled to be alive, but when he lands he's stunned to learn he's made a long elliptical orbit through the solar system and returned to Earth 10,000 years after he left. He's immediately caught in the middle of a millennia-old conflict between two races—the Vramen, immortal humanoids who control all galactic space, and the Hoomen, descended from ancient humans, and imprisoned on Earth. At least that's how it all sets up at first. Revelations are in the offing. Hammond is rescued by the Hoomen, but the Vramen have seen the capsule arrive, and their search for this strange object sends Hoomen-Vramen tensions into overdrive, while Hammond himself, as a being 10,000 years old, has the potential to permanently alter the balance of power.
Star of Life has some big concepts and it's spread over a galactic backdrop, but like a lot of science fiction, it's written at basically a junior high level. We had to laugh when one of the characters dropped the nugget: “We made an hypothetical reconstruction.” Here's an helpful hint for Hamilton and his editors. Don't teach your impressionable young readers to talk like knobs. It's not good for them. Still, the book is entertaining—utterly weightless, mind you, but fun in an awkward, haven't-gotten-laid yet sort of way. This Crest edition is from 1959 and the psychedelic cover art is by Richard Powers. Now back to our regularly scheduled grown people fiction.
