|Vintage Pulp||Jul 22 2021|
The phenomenon of vintage illustrators copying each other is a subject of interest and bafflement to us. We've talked about it a lot. When it happens, usually it's a great illustration being copied by an anonymous artist of far lesser ability. Other times, though, it's two top level artists painting the same piece. We assume these are initiated by the copyright holders, whether movie studios or publishing houses.
Today we have an interesting example from the literary world. In 1962 Enrico de Seta painted a brilliant cover for a Digit Books edition of Dashiell Hammett's classic mystery The Glass Key. The same year, amazingly, Digit commissioned another, almost identical cover from illustrator Dan Rainey. You see it at top, with the de Seta cover underneath. We also have de Seta's piece in our usual pixel size, here, from a post back in 2014, so if you're on a mobile device feel free to click over there for more resolution. De Seta originated this tableau, so we give him more credit, but it's great work from Rainey too, even if it's almost a copy. We'll show you more from him later.
|Vintage Pulp||Feb 8 2016|
|Vintage Pulp||Oct 15 2014|
Brian Donlevy and Veronica Lake’s film noir The Glass Key, which was Hollywood’s second try at Dashiell Hammett’s novel, premiered this month in 1942. To be exact, it opened yesterday in New York City and throughout the U.S. on October 23. The poster most often seen online is the theatrical release version we showed you several years ago, but alternates were produced and two of them appear below. What we really wanted to share, though, is this great paperback cover from UK-based Digit Books. It’s from 1961 and features the art of Italian illustrator Enrico de Seta, who we’ve mentioned before. If you haven’t watched The Glass Key we recommend it, and if you haven’t read the book, just know that it was Hammett’s personal favorite.
|Vintage Pulp||Oct 22 2010|
A while back we shared a rare poster for Alexandro Jodorwoski’s 1970 cult classic El Topo specifically because of the Enrico de Seta artwork. Well, turns out he painted two posters for the film. Above is his rather ominous second effort, and you can see the first one—which is amazing—by clicking this link.
|Vintage Pulp||Jan 2 2010|
We’re starting 2010 out right, with an absolutely amazing poster from an equally amazing film. At least, we think it’s amazing. Reactions to Chilean-born director Alexandro Jodorowski’s El Topo run the gamut—some hail it as high art; other think it’s a pretentious and garbled mess. However, it’s undeniable that the film hails from a much more daring cinematic era. It’s also one of the first true midnight films, gaining popularity during its 1970 Stateside run among New York City’s artsy, nocturnal filmgoing crowd after a slow start in conventional release. Basically, El Topo ("topo" means "mole" in Spanish, but is used as slang to describe an awkward person) is a western, but it’s also a commingling of Biblical and eastern religion themes. Doesn’t that sound fun? The two halves of the film have different flavors, and this tends to turn off some viewers. Jodorowski confessed that a couple of important transitional shots got ruined and were never replaced. Add in all the nudity, dwarves, and random events, and it’s easy to think of the film as sloppy. But what isn’t sloppy is the Italian poster by Enrico de Seta, one of the true masters of cinema promo art, who we’ll be featuring again in the future. In the meantime, we recommend a viewing of El Topo. It’s a unique vision by a singular filmmaker—grand, violent, disturbing, and most of all, pulp.