|Vintage Pulp||Nov 3 2019|
Pink Saron has sex but no fetish, and violence but little gore, so we wonder if the age of the source material has anything to do with that. Nikkatsu Studios usually pushed its roman porno movies beyond the far edge of good taste, but not this time, and it was rewarded for its restraint. Pink Saron won Noboru Tanaka a Japan Academy Film Prize for best director—the first time a roman porno film had been thus honored. Yes, this movie is something a little different. We'd like to say it's appropriate for those seeking an entry point into the genre, but it's so different from most it would only mislead you. And next thing you know you'll find yourself watching women chained up in dungeons. So consider this a stand alone film. A pretty good one.
|Vintage Pulp||Apr 15 2019|
This poster was made to promote a Nikkatsu Studios roman porno flick titled Osoe!, which in Japanese means “attack.” In typical roman porno fashion, the plot is pretty twisted. In brief, Erina Miyai plays a woman who wants revenge on a corporation for its role in the death of her parents. She goes to a disco and deliberately allows herself to be taken home and gangbanged, all for the purpose of later informing the guys who did it she'll accuse them of rape if they don't kidnap the corporation's CEO for her.
We'll say this much for Nikkatsu—their ideas were certainly creative. In this case, there's a subtext of turning male power against itself, which is all to the good, but of course things never come off quite how the protagonists intend in roman porno. Which is to say, Miyai's plot goes pear shaped. Osoe! is super obscure in the West but was a successful release and even played a few years ago at the famed Laputa Asagaya revival cinema in Tokyo. Its original premiere was today in 1978.
|Modern Pulp||Mar 15 2019|
Zûmu in: Bôkô danchi, for which you see a poster above, is another Nikkatsu roman porno movie, with a serial killer/rapist on the loose dispatching women in baroque and horrible ways. The star of the movie, Erina Miyai, falls victim to a rapist early on but is not killed. When the murders start she wonders if it's the same man. That question is answered quickly, but mystery is not really the point here. The goal seems to be making a mash-up of Japanese pinku (pink film) and Italian giallo (yellow film).
For example, during one of the killings a woman is pursued past an apartment block, but in filmmaking terms she's running in place, which lends the scene the nightmarish quality characteristic of giallo. All the windows beyond her are illuminated, but as she screams for help the lights go out one by one. As far as mixing filmmaking palettes goes, it's nice work. As far as the message, was director Naosuke Kurosawa also trying to tell viewers Japan was becoming inured to violent crime? Perhaps.
Based on the existence of roman porno Japan was for sure becoming inured to violent movies. Zûmu in: Bôkô danchi is more violent than most, but with its deliberate attempt to transcend—however slightly—the requisites of roman porno, it's also better than most. Does that mean it's actually good? Not as such, but for serious film buffs it's worth a glance and a discussion. It premiered today in 1980.
|Vintage Pulp||Feb 18 2018|
|Femmes Fatales||Jan 2 2018|
|Vintage Pulp||Oct 27 2017|
|Vintage Pulp||Nov 26 2016|
This poster was made to promote the roman porno flick Danchizuma: Okasareta hada, known in English as Apartment Wife: Violated Skin, eighteenth entry in the Apartment Wife series launched by Nikkatsu Corporation in 1971. Erina Miyai stars again, and we can't imagine there are many surprises eighteen entries into the series, but we couldn't find a copy so all you get is the poster. And the promo photo below. Danchizuma: Okasareta hada premiered in Japan today in 1977.
|Vintage Pulp||Oct 9 2016|
Didn't we just see Erina Miyai a couple of days ago? Indeed we did. Her prison pinku flick Onna keimusho opened two days ago in 1978, and this effort, Danchizuma maruhi shuccho baishun, aka Apartment Wife: Secret Call Girl, premiered today in 1976. It's about a blackmail ring that uses illicit photos of an unfaithful wife to force her into prostitution, pretty basic Nikkatsu roman porno, sixteenth of twenty-one entries in the Apartment Wife series, a moneymaking franchise that lasted from 1971 to 1979. This one was the first of three go-rounds with Miyai. Hard to find, but interesting to watch.
|Vintage Pulp||Oct 7 2016|
Above, a nice poster with Erina Miyai and Natsuko Yashiro for Onna keimusho, aka Women's Prison, about a woman whose fiancée strays on their wedding day, prompting her to attack her romantic rival, leading to her being sentenced to a stint in the big house. Friends and enemies are made, sex and sexual assault occurs, and an escape leads to a showdown with the fiancée whose wandering dick started the whole mess in the first place. The photos below show Miyai and Yashiro in happier times, before they became hardened felons. Onna keimusho premiered in Japan today in 1978.
|Vintage Pulp||Dec 23 2014|
Tômei-ningen: okase! was known in English by two titles—Lusty Transparent Man, which sounds pretty innocuous, and Invisible Man: Rape!, which sounds horrible. We’re really more interested in sharing the poster, but with regard to the film what you get here is a Nikkatsu roman porno production about a college student who invents an invisibility elixir. At that point he clumsily pervs his way like a dirty Jerry Lewis from one voyeuristic entanglement to the next, bumbling his way inside the lady parts of the female leads. How do you shoot love scenes with an invisible man? You have the women writhe around by themselves. They’re all taken by surprise, but all end up enjoying themselves. There’s some doubt whether they even realize their partner is a man, rather than a horny ghost or a figment of their own imaginations, but in any case these encounters aim for laughs, not eroticism. The question is whether you think they’re funny. We didn’t. Tômei-ningen: okase! premiered in Japan today in 1978.