Vintage Pulp Nov 3 2019
PARTY OF FIVE
When the going gets tough the smart leave town.


You see what we mean about roman porno posters? How can we not share something this pretty? And if we share the poster we have to watch the movie, at least to have an idea what the art is about. And the movies? Well, they've been a years-long exploration into some deep dark places. Other people's, not ours. This poster was made to promote Pinku saron: Kôshoku gonin onna, aka Pink Salon: Five Lewd Women, which premiered in Japan today in 1978. You've noticed by now that many of these films were based on novels. It wasn't just cinema that was delving into challenging themes during the ’70s. But this, surprisingly, is based on a work of anthological fiction written by Saikaku Ihara in 1686, during Japan's Edo period.

Broadly speaking the plot deals with the struggles of five women—Kyôko Aoyama, Erina Miyai, Eiko Matsuda, Machiko Ohtani, and Miyako Yamaguchi—who work in Tokyo's strip clubs, or pink salons. Obviously, the stories in Ihara's source material have been moved forward three centuries to the grey, concrete Tokyo you see in so many Japanese films from the ’70s. These pink salon workers aren't satisfied with their lives, and what develops is a sort of counterculture road trip film, as they and a few male companions drive from Tokyo to Otoko in a graffiti covered microbus. Do they find a better place in the world? You'll have to watch the movie yourself. But you can be certain that, as in most cinema about misfit dreamers and restless outcasts, the odds are against them and the errors of the past are not far behind.

Pink Saron has sex but no fetish, and violence but little gore, so we wonder if the age of the source material has anything to do with that. Nikkatsu Studios usually pushed its roman porno movies beyond the far edge of good taste, but not this time, and it was rewarded for its restraint. Pink Saron won Noboru Tanaka a Japan Academy Film Prize for best director—the first time a roman porno film had been thus honored. Yes, this movie is something a little different. We'd like to say it's appropriate for those seeking an entry point into the genre, but it's so different from most it would only mislead you. And next thing you know you'll find yourself watching women chained up in dungeons. So consider this a stand alone film. A pretty good one.

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Vintage Pulp Apr 15 2019
OSOE STRANGE
How many wrongs finally make a right?


This poster was made to promote a Nikkatsu Studios roman porno flick titled Osoe!, which in Japanese means “attack.” In typical roman porno fashion, the plot is pretty twisted. In brief, Erina Miyai plays a woman who wants revenge on a corporation for its role in the death of her parents. She goes to a disco and deliberately allows herself to be taken home and gangbanged, all for the purpose of later informing the guys who did it she'll accuse them of rape if they don't kidnap the corporation's CEO for her.

We'll say this much for Nikkatsu—their ideas were certainly creative. In this case, there's a subtext of turning male power against itself, which is all to the good, but of course things never come off quite how the protagonists intend in roman porno. Which is to say, Miyai's plot goes pear shaped. Osoe! is super obscure in the West but was a successful release and even played a few years ago at the famed Laputa Asagaya revival cinema in Tokyo. Its original premiere was today in 1978. 

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Modern Pulp Mar 15 2019
COLOR HER SAD
Pink and yellow are normally so cheery.


Zûmu in: Bôkô danchi, for which you see a poster above, is another Nikkatsu roman porno movie, with a serial killer/rapist on the loose dispatching women in baroque and horrible ways. The star of the movie, Erina Miyai, falls victim to a rapist early on but is not killed. When the murders start she wonders if it's the same man. That question is answered quickly, but mystery is not really the point here. The goal seems to be making a mash-up of Japanese pinku (pink film) and Italian giallo (yellow film).

For example, during one of the killings a woman is pursued past an apartment block, but in filmmaking terms she's running in place, which lends the scene the nightmarish quality characteristic of giallo. All the windows beyond her are illuminated, but as she screams for help the lights go out one by one. As far as mixing filmmaking palettes goes, it's nice work. As far as the message, was director Naosuke Kurosawa also trying to tell viewers Japan was becoming inured to violent crime? Perhaps.

Based on the existence of roman porno Japan was for sure becoming inured to violent movies. Zûmu in: Bôkô danchi is more violent than most, but with its deliberate attempt to transcend—however slightly—the requisites of roman porno, it's also better than most. Does that mean it's actually good? Not as such, but for serious film buffs it's worth a glance and a discussion. It premiered today in 1980. 

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Vintage Pulp Feb 18 2018
BRUTE FORCE
Erina Miyai's world is turned upside down.

Above is a poster for the Nikkatsu roman porno flick Hatachi no sei hakusho: Nokezoru, which premiered in Japan today in 1978. The literal translation of the Japanese title for this is so convoluted and crazy it's useless to even repeat it, but for its international release it was called Brute's Desire, which doesn't bode well. But we love the poster art, and we love Erina Miyai. If the concept of roman porno is new to you just click the keywords below to have all our posts on the subject at your fingertips. Hatachi no sei hakusho: Nokezoru premiered in Japan today in 1978.

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Femmes Fatales Jan 2 2018
HAPPY MIYAI
Here's hoping for a very good year.


Well, it's official now. We've reached a place we did not even imagine existed when we were children. Remember? You'd be like, “Wow I'd be (insert age) in 2018.” And then you'd turn your thoughts to something else because the idea was so bizarre it didn't even warrant further reflection. Well, we're there now. We have, shockingly, reached the far off year 2018. And there are no flying cars. That's the part that really kills. So to soothe our frazzled nerves, above is a photo of Japanese actress Erina Miyai on a January calendar page circa 1975, and her hint of a smile tells us everything will be fine this year, and hopefully beyond. More Miyai? Click here.

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Vintage Pulp Oct 27 2017
NOCTURNAL PERMISSION
Three may be a crowd, but it's also a lot of fun.


Above is another striking roman porno poster, this one for Tokyo eros senya ichiya. The title means “Tokyo One Thousand and One Nights,” referencing the famed collection of folk and erotic tales from the Islamic Golden Age. But in English the movie was called Eros Nights in Tokyo, which omits the Arabian Nights reference for some reason. We haven't seen this one, but it starred three of our favorite Japanese actresses—Izumi Shima, Megi Ayako, and Erina Miyai—which means we'll be looking for it. If we ever find it we'll revisit this subject. Tokyo eros senya ichiya opened in Japan today in 1979.

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Vintage Pulp Nov 26 2016
ERINA'S PLACE
Miyai's indoor escapades continue in installment eighteen of Nikkatsu's popular series.

This poster was made to promote the roman porno flick Danchizuma: Okasareta hada, known in English as Apartment Wife: Violated Skin, eighteenth entry in the Apartment Wife series launched by Nikkatsu Corporation in 1971. Erina Miyai stars again, and we can't imagine there are many surprises eighteen entries into the series, but we couldn't find a copy so all you get is the poster. And the promo photo below. Danchizuma: Okasareta hada premiered in Japan today in 1977. 

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Vintage Pulp Oct 9 2016
MIYAI'S SECRET
How do you juggle marriage and prostitution? By keeping them apartmentalized.

Didn't we just see Erina Miyai a couple of days ago? Indeed we did. Her prison pinku flick Onna keimusho opened two days ago in 1978, and this effort, Danchizuma maruhi shuccho baishun, aka Apartment Wife: Secret Call Girl, premiered today in 1976. It's about a blackmail ring that uses illicit photos of an unfaithful wife to force her into prostitution, pretty basic Nikkatsu roman porno, sixteenth of twenty-one entries in the Apartment Wife series, a moneymaking franchise that lasted from 1971 to 1979. This one was the first of three go-rounds with Miyai. Hard to find, but interesting to watch. 

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Vintage Pulp Oct 7 2016
RUN-ON SENTENCE
Everybody in the whole cellblock is in for a jailhouse shock.

Above, a nice poster with Erina Miyai and Natsuko Yashiro for Onna keimusho, aka Women's Prison, about a woman whose fiancée strays on their wedding day, prompting her to attack her romantic rival, leading to her being sentenced to a stint in the big house. Friends and enemies are made, sex and sexual assault occurs, and an escape leads to a showdown with the fiancée whose wandering dick started the whole mess in the first place. The photos below show Miyai and Yashiro in happier times, before they became hardened felons. Onna keimusho premiered in Japan today in 1978.

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Vintage Pulp Dec 23 2014
MEMOIRS OF AN INVISIBLE PERV
What would you do if you had the power of invisibility?

Tômei-ningen: okase! was known in English by two titles—Lusty Transparent Man, which sounds pretty innocuous, and Invisible Man: Rape!, which sounds horrible. We’re really more interested in sharing the poster, but with regard to the film what you get here is a Nikkatsu roman porno production about a college student who invents an invisibility elixir. At that point he clumsily pervs his way like a dirty Jerry Lewis from one voyeuristic entanglement to the next, bumbling his way inside the lady parts of the female leads. How do you shoot love scenes with an invisible man? You have the women writhe around by themselves. They’re all taken by surprise, but all end up enjoying themselves. There’s some doubt whether they even realize their partner is a man, rather than a horny ghost or a figment of their own imaginations, but in any case these encounters aim for laughs, not eroticism. The question is whether you think they’re funny. We didn’t. Tômei-ningen: okase! premiered in Japan today in 1978. 

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History Rewind
The headlines that mattered yesteryear.
November 21
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis.
November 20
1945—Nuremberg Trials Begin
In Nuremberg, Germany, in the Palace of Justice, the trials of prominent members of the political, military, and economic leadership of Nazi Germany begin. Among the men tried were Martin Bormann (in absentia), Hermann Göring, Rudolph Hess, and Ernst Kaltenbrunner.
1984—SETI Institute Founded
The SETI Institute, a not-for-profit organization dedicated to the search for extra-terrestrial intelligence, the discovery of extrasolar planets, and the habitability of the galaxy, is founded in California by Thomas Pierson and Dr. Jill Tarter.
November 19
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
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