|Vintage Pulp||Apr 3 2010|
Above is an unusual one-sheet for Robert Siodmak’s 1946 film noir Les Tueurs, aka The Killers, with Burt Lancaster and Ava Gardner. You may remember we showed you the colorful Swedish poster last year. This rather hazy French effort is unusual because it features a photo of one of the stars, which is a promotional technique that wouldn’t become popular until decades later, when retouched (later digitally tweaked) photography replaced handpainted images, forever to the detriment of the art world. We’ve talked about this before, and we still have the same question. Namely, what is it inside of us that made us divorce art from commerce? We’ve embraced the soulless in every form of promotional art from movie posters to book covers to billboards. Is it simply about money? Does capitalism drive us inexorably toward an artless pursuit of profit? We have our theories, but what do you think? Or is this a little too much to be dumping on you on a spring Saturday? Right, we can take a hint. Les Tueurs premiered in Paris today in 1947.
|Vintage Pulp||Mar 7 2009|
Here’s a colorful Swedish one sheet for The Killers, which is considered one of the most important noirs. Inspired by an Ernest Hemingway short story, and helmed by director Robert Siodmak, the movie opens with an unresisting Burt Lancaster being snuffed by two hit men, then follows an insurance investigator as he tries to figure out what possibly could have happened in this man’s life that would make him virtually offer himself to his murderers. All roads lead—as all roads must—to the femme fatale. In this case it’s the magical Ava Gardner, in her first starring role as the hard-as-nails Kitty Collins. The art here effectively tells the story of the film in a snapshot—we see Burt beset by his two killers as Ms. Gardner seems to burn in his breast. That pretty much sums it up. The film was a smash hit, and it remains a must-see. It first played in Stockholm today, in 1947.