| Modern Pulp | Nov 27 2017 |
Junko Mabuki starts a chain reaction.
Junko Mabuki is an important actress of second generation Japanese S&M movies, and that's her above on a poster for Dan Oniroku onna biyoshi nawa shiku, aka Female Beautician Rope Discipline. What you see is what you get here. Junko meets a photographer who shoots bondage and discipline. At first she's repulsed, but, this being a roman porno flick, the thought of it grows in her mind. Meanwhile we meet Izumi Shima, one of the photog's bondage subjects. Junko soon crosses paths with Izumi and is attracted to her—and who wouldn't be?—but it's just the beginning of a descent into degradation, jealousy, and serious male-driven pee-version.
We're still trying wrap our heads around the various forms of Japanese cinema. Toei's pinky violence films usually had cool ’70s street action and ass kicking gang girls, whereas Nikkatsu's roman porno had submissive women and sexual subjugation. They're all generally considered to be pink films, along with output from OP Eiga and other studios, but to us they're night and day. Pinky violence and roman porno represent two big studios in competition with each other, but more and more the patriarchy smashing ethos often embedded in the former versus the sexist subjugation usually present within the latter feel like a corporate level political divide writ large. In this one, though, the sadistic photographer gets his—spoiler alert!—head deservedly bashed in. So lines were occasionally crossed. Dan Oniroku onna biyoshi nawa shiku premiered in Japan today in 1981.
We're still trying wrap our heads around the various forms of Japanese cinema. Toei's pinky violence films usually had cool ’70s street action and ass kicking gang girls, whereas Nikkatsu's roman porno had submissive women and sexual subjugation. They're all generally considered to be pink films, along with output from OP Eiga and other studios, but to us they're night and day. Pinky violence and roman porno represent two big studios in competition with each other, but more and more the patriarchy smashing ethos often embedded in the former versus the sexist subjugation usually present within the latter feel like a corporate level political divide writ large. In this one, though, the sadistic photographer gets his—spoiler alert!—head deservedly bashed in. So lines were occasionally crossed. Dan Oniroku onna biyoshi nawa shiku premiered in Japan today in 1981.
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