Vintage Pulp Jun 27 2015
PARIS CONFIDENTIEL
Secrets, spies, and other tools of espionnage.


Here are a few scans from the cover and interior of Folies de Paris et de Hollywood #174, which appeared in 1960. It’s a “numéro exceptionnel,” or special issue of the magazine, and is devoted secrets and spies. All that means is that the photo features are entitled things like “Paola Mystere,” and “Le Rendez-vous Secret.” You get the usual assortment of glamour models, including Sally Douglas, who we've featured before, and lots of showgirls. We bought twenty of these a while back but have been lazy about sharing them because, well, it’s really time intensive. We have to scan each page in two halves, which already amounts to twice the normal work, then Photoshop the pieces together, which is a whole new realm of effort. But we’ll get more issues up soon. In the meantime you can our previous shares by clicking here. 

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Vintage Pulp Oct 9 2014
SPECIAL INVITATION
Sometimes a look says everything words can’t.


Below you see an issue of Folies de Paris et de Hollywood that was published yesterday in 1966. The cover star is popular glamour model Margaret Nolan, aka Vicki Kennedy, who also appears inside. More on her and Folies later.
 


 
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Vintage Pulp Jul 2 2014
BELLS AND STARRS
Folies de Paris et de Hollywood hits readers over the head.


You know when you get hit on the head real hard and your hear bells and see stars? Today, you don’t have to risk a concussion—this issue of Folies de Paris et de Hollywood, which is number 200 and was published in 1960, has rare photos of burlesque dancers Virginia Bell and Blaze Starr. Both women rose to prominence in the 1950s, both appeared in movies, and Starr then became entangled in a political scandal by bedding the governor of Louisiana. We talked about that a few years ago when we shared a cover of Hush-Hush that featured her. We also had something quite interesting about her sent in by a visitor to Pulp Intl. and we recommend you take a look at it here. Folies de Paris et de Hollywood also offers a great but unidentified cover model, and the usual assortment of showgirls and models in the interior, whom you can see along with Bell and Starr below.


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Vintage Pulp Mar 16 2014
BAMBOO SHOOT
Take... picture quick. Can’t hold this pose… much longer.


Above, a familiar looking but as yet unidentified model posing for one of Corp. A. Fox’s Technicolor pin-ups. This makes the eleventh one of these we’ve shared and you can see the others by clicking its keywords below.

Update: It's Madeline Castle, who was a Playboy Playmate of the month back in October 1954 and a popular pin-up model for many more years. The shot above isn't the most flattering of her, so we've uploaded another one below, from Folies de Paris et de Hollywood #288, 1964. Yes, we know the two look like different women entirely, but they aren't, we promise. She just looks better below, and as a bonus she's smiling instead of grimacing.
 
Update on our update: Turns out she was under our noses the entire time. We shared a Man's Life featuring Castle back in January 2013. You know when you have so much stuff you can't keep track of it? Yeah, exactly.
 
 
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Vintage Pulp Aug 31 2013
AIRBRUSHED ASIDE
The case of the missing genitalia.


Published this month in 1966, this issue of the French pin-up magazine Folies de Paris et de Hollywood features the usual assortment of burlesque queens from Parisian cabarets, except with their private parts airbrushed away even more drastically than usual. But it was flirting with an obscenity charge to show pubic hair in French magazines in 1966, so the editors had little choice, though we suspect pubes may have been accepted in art circles. Not sure about that.

It’s a bit amazing to us that the editors can find so much to say about each of these dancers, literally paragraphs of info about Gladys, Lisette, Penny, Ursula, et. al., their habits, their ambitions, their likes and dislikes. We wonder if one of those dislikes was encountering men at their shows who were armed with all this biographical information: “Ursula, I tell you, we are truly peas in a pod, because I love being kissed on the backs of my knees too! Quelle coïncidence!” Fifteen scans below.

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Vintage Pulp Jul 18 2013
HEART OF PARIS
Folies de Paris et de Hollywood shows readers where to get their kicks in '66.

Folies de Paris et de Hollywood often published themed issues, and this one—Vedettes du Strip-Tease 1966—is reserved entirely for dancers from Paris cabarets such as Clair de Lune (Moonlight), La Boule Noire (The Black Ball), Moulin a Poivre (The Pepper Mill), La Tomate, and Alain Bernardin’s famed Crazy-Horse Saloon. We love some of the dancers’ stage names (aspiring strippers take note)—there’s Franca Germanicus, Kitty Tam-Tam, Salammbo, Dailly Holliday, cover star Bijoux, from club Sexy, and Bella Remington, who occupies the coveted centerfold position and two more pages later in the issue. We researched all of them, and the only dancer mentioned online more than in passing was Dailly Holliday. She had already appeared on a Folies de Paris et de Hollywood cover from 1962, and was written of in a New Yorker article in October 1966, having apparently moved on from Moulin a Poivre to dance at a club in Montparnasse called Dolce Vita. Kitty Tam-Tam was briefly mentioned in François des Aulnoyes’ book Histoire et philosophie du strip-tease, and Bella Remington’s name appeared in an online list of former Crazy Horse dancers, but those instances hardly count because no actual information was attached. With the exception of Holliday there were no photos out there at all. We’ve remedied that today, and we were happy to do our part for history. We didn’t scan the entire issue, because the dimensions of the magazine meant scanning the pages in two pieces and joining them in Photoshop. But we did manage nineteen of the thirty-two pages before we gave up. All below.

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Vintage Pulp Apr 30 2013
THE BRIGHT WHITE LINE
They say once we cross it the end is near.


Today on Britain’s respected Guardian webpage, writer Mariella Frostrup muses about the prevalence of pornography in modern society and asks whether it’s harmful. At Pulp Intl., with few exceptions, our nude images are merely quaint, which raises the questions of whether they were ever considered harmful, and if so, why and when they came to be seen as artful. We are well aware that the airbrushing away of womens’ genitalia—something that was general practice at the time these images appeared—was seen by many rights advocates as a type of violence against women. After all, what was so dirty about female genitalia? Didn’t their erasure peel back the mask from a male-dominated society’s desperate efforts to control female sexuality?

Then along came Playboy, which challenged archaic laws designed to prevent mass production and mass mailing of pornography. Compared to what you see here today, Playboy represented a quantum leap. Its women looked less like Renaissance paintings and more like real human beings. By increments it beat back legal challenges, and eventually Penthouse, Playboy, and other newsstand magazines began toshow pubic hair, and then actual sex organs. Playboy publisher Hugh Hefner was hailed as a First Amendment hero as well as a defender of womens' right to control their own sexuality. But pretty soon it was clear that women had won only the right to sell their sexuality—the control remained exclusively male.

Mariella Frostrup’s Guardian piece is like others written before. It suggests, like all those articles from earlier decades, that there’s a bright white line in erotica that has been crossed and that society is suffering for it. We can’t comment on the harm aspect, but we do see a line. Basically, old porn, because of its paper format, depended upon the labor of dozens of outside people—printers, film developers, pre-press personnel, postal workers, newsstand owners—and required such an investment of capital that 95% of its producers served the middle ground of taste and depicted acts that, with perhaps the added twist of one or two extra participants, were taking place in private anyway.

The internet changed all that. So if there’s a bright line, it lies where the internet atomized porn and turned much of it into a performance art, a sideshow that somehow has taken over center stage with acts that are most certainly not already occurring in private. Call us crazy, but even though these images were produced before we were born weprefer them to the new stuff. They don’t depict merely bodies or an act, but an entire lifestyle of beaches and gardens and all the warm thoughts and simple desires such places entail. This issue of Folies de Paris et de Hollywood appeared today in 1966. If it was ever offensive or harmful it isn’t anymore, so enjoy it as an artifact of an earlier age—not a better one by any means, but certainly a more artful one.

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Vintage Pulp Mar 2 2013
GOOD GOLLY MISS FOLIES
Paris showgirls model the latest in wedding veils, white wigs, and boxing gear.

Above and below, the cover and a few of the more interesting interior images from Folies de Paris et de Hollywood #202, 1956. Inside you get showgirls, showgirls, and more showgirls, including Ginette, Maggy (who has a space-time anomaly where her crotch should be), Gloria (who we’re told has “zeppelins dans le corsage” or “zeppelins in her bodice,” and Magdelena, whose disappeared genitals would almost distract you from the fact that she’s cradling a kitten. Check the poor creature's expression: “Can’t. Breathe. Choking.” More French magazines to come soon.

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Vintage Pulp Jan 4 2013
YOUTHFUL FOLIES
Last time I pole danced I got splinters in the craziest places, so this time I’ll just stand here and smile.

Above, the cover and ten interior scans from Folies de Paris et de Hollywood #50, published 1955. Hard to believe it’s been almost a year since we posted one of these. It’ll be a lot sooner than that when we post our next. 

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Vintage Pulp Feb 24 2012
SIGHS OF THE ZODIAC
Suddenly the future is looking brighter.

Folies de Paris et de Hollywood gets a little more naked than usual in this issue dedicated to the zodiac. This was issue #228, published in 1961, and in addition to the 28 pages of interesting and provocative unknown models—some of whom have received the ole disappearing pubes treatment—you get an Anita Ekberg cover and a nice final image of French film star Mylène Demongeot. We especially like the Demongeot shot, because its cuteness stands out in what is a rather racy collection. See for yourself, below. 

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History Rewind
The headlines that mattered yesteryear.
May 28
1937—Chamberlain Becomes Prime Minister
Arthur Neville Chamberlain, who is known today mainly for his signing of the Munich Agreement in 1938 which conceded the Sudetenland region of Czechoslovakia to Nazi Germany and was supposed to appease Adolf Hitler's imperial ambitions, becomes prime minister of Great Britain. At the time Chamberlain is the second oldest man, at age sixty-eight, to ascend to the office. Three years later he would give way to Winston Churchill.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
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