You're not seeing double. This cover for Gene Harvey's The Loves of Alice Brandt is almost identical as the Howell Dodd art from Luther Gordon's Free and Easy, which we showed you recently. This novel, published in 1951, is aka Office Hussy, 1957, by John Hunter. Both Hunter and Harvey were pseudonyms of Jack Hanley. The art is unattributed, but it isn't by Dodd unless he was in a rush. Everything is a bit less detailed, a bit less dimensional—the hair, the dress, the background. But as a brazen copy of Dodd, you have to admire the mystery painter's bolas. You see the original art below.

When does a growth spurt occur in a typical business? In mid-century sleaze fiction, it happens whenever secretary and boss agree, as suggested in this brilliant cover by George Gross for John Hunter's 1957 novel Office Hussy, previously published in 1951 as The Loves of Alice Brandt and credited to Gene Harvey. We like to interpret this as the woman being the boss, having just told her subordinate to pour a couple of tall bourbons, and be damned quick about it. But it can be seen the other way if you wish. Doesn't matter, because when consenting parties get together everybody gets a bonus. You already know George Gross was close to the best paperback artist ever, but if you're unfamiliar with him, check here, here, and here. 

This amazing cover was painted by Warren King. We'd give just about anything for a lithograph of this. Hot Lips is about an “all-girl" orchestra called the Musical Queens and the things they do when boys aren't around. Which we can understand. Just look at the male figure here, whose name is Pete. What exactly does he bring to this party? A sense of brooding entitlement? A vague homophobic hostility? The latter, for sure, since he lost his wife to another woman and is dismayed to find himself in sexual competition with the band's man-hating sax player. Why does saxy Mona hate men? Because her husband turned out to be a drag queen. But all Pete has to do is wait a bit, because while the wholesome, virginal object of desire in this, Althea, may be tempted by wild musical lesbians, such assignations are never permanent in mid-century genre fiction. It's heteronormativity or death—literally, sometimes. Put Hot Lips in the lesbians-are-bad bin with a pile of other novels from the period. We'll keep an eye out for more cover work from Warren King, because this is just great. It's copyright 1952. 

Above is the cover of Jack Hanley’s New York Model, from the Designs Publishing Corporation, entry 37 in its Intimate Novels line, 1953. And indeed, his take on the fashion industry must have been intimate because it was banned in Australia. Hanley wrote other racy books such as Stag Stripper, Star Lust, and Very Private Secretary, but his crowing achievement might be 1937’s hound dog instruction manual Let’s Make Mary, which is subtitled Being A Gentleman’s Guide to Scientific Seduction in Eight Easy Lessons. Hanley died relatively young in 1963 at age fifty-eight. No info on whether an angry husband, boyfriend or father had anything to do with it.