At first we cropped this image of Japanese actress Miki Sugimoto frolicking on a mooring rope or hawser, but then we decided to upload it in the dimensions it appeared where we found it—in a 1972 issue of Heibon Punch. She made this to promote her role in the pinky violence actioner Sukeban, aka Girl Boss Revenge: Sukeban, in which she starred with fellow heroine Reiko Ike. It’s an iconic entry in Japanese pinku cinema, and this is an iconic shot. We have more from this aquatic session we’ll share later.
Tokugawa onna keibatsu-shi was known in English as Shogun’s Joy of Torture. What you get is a film featuring three vignettes highlighting cruel methods of punishment used in Edo (later known as Tokyo) during the shogun era. In the first segment an indebted worker tries to keep his sister, who he’s in love with romantically, from paying his creditors with her body. When he fails, shame and jealousy drive him to suicide, a move that totally backfires when his sister is accused of his murder. In the second segment, a nun, an abbess, and a monk in are a love triangle that leads to jealousy, followed by consequences for everyone in the nunnery. And the third segment involves a famed tattoo artist whose pieces depict violence, and who goes to shocking extremes in order to complete a masterwork.
In all three instances the local shogun, who has a function similar to that of a circuit judge, shows up to mete out punishment, and various cruel methods of execution are on display (being torn in half by oxen occurs in a prologue sequence). So what you have here in the end is basically a bdsm fetish film cranked up to ten. It isn’t something we can recommend. We should note though, that the believability of the torture scenes relies more on good acting than gore, so the movie probably wouldn’t be considered unwatchably bloody by most people. Take that for what it’s worth, and we’ll mark another cult Japanese classic down as watched. Tokugawa onna keibatsu-shi premiered today in 1968.
Brigitte Bardot’s ninetieth birthday is upcoming Saturday. Above is a double-sided Japanese poster advertising a film retrospective meant to coincide with that event. Eleven of Bardot’s films are on the slate in Tokyo at the Shinjuku Musashinokan Cinema and the Human Trust Cinema Yurakucho, as well as at other venues across the country. This began last Friday and runs through October 18, with not only screenings, but talks and panels. Scheduled movies include 1956’s En effeuillant la marguerite, aka Plucking the Daisy, 1957’s Une parisienne, aka A Parisian Woman, 1962’s Vie privée, aka A Very Private Affair, and even 1971’s Boulevard du Rhum, aka The Rum Runners. If you happen to be in Japan the next week or so, you’ve now been duly informed.
Let's see how it looks out there this morning. Nope, still no compelling reason to seize the day.
Every day we live the same moment Japanese actress Reiko Ike is living in this photo. In or out? Stay or go? Cue the Pulp Intl. girlfriends: “You mean there’s actually a decision-making process behind not leaving the house?” Indeed there is, but it’s not as if we don’t have fun indoors. We don’t know the date on this shot, as it came to us a single page with no information attached, but we’d guess it’s from around 1972. As we mentioned last time Reiko appeared here, we’re not likely to run out of rare images of her. We’ve had this one sitting around for twelve years, but today we finally found a moment to get it uploaded, and that wouldn’t have happened if we’d gone outside.
This beautiful poster was made for the Japanese run of the Italian movie O.K. Nerone, known in Japan as O.K. ネロ, and in English as O.K. Nero. Plotwise, two madcap Yanks sort of project themselves back to the time of the Roman emperor Nero. Incidentally, historians say he probably didn’t fiddle while Rome burned. The movie sounds interesting, and with Silvana Pampanini and burlesque dancer Jackie Frost in the cast it was tempting, but it’s listed as a comedy, and vintage Italian comedies are usually excruciating, so we didn’t watch it. But we love the art and decided to share it. It’s uncredited, and unseen online before today. O.K. Nerone premiered in Italy in 1951 and in Japan today in 1954.
We have a tremendous amount of material on burlesque in Pulp Intl., yet it’s been eight years since we put together a full collection of mid-century burlesque dancers, go-go girls, and strippers. That day has arrived again. Above and below you see some of the better shots we’ve run across of late, featuring the famous and the obscure, the restrained and the explicit, the domestic and the foreign, and the blonde, red, brown, and brunette. Where possible we’ve identified the performer, such as above—that’s Carol Ryva, sometimes known as Carol Riva, Carole von Ryva, Cara Rive, et al, a French dancer who rose to fame during the early 1960s. Other familiar faces you’ll see are Lilly Christine, Maria Tuxedo, Gay Dawn, Yvonne Ménard, and Virginia Bell.
Occasionally, when we post something that contains nudity, we feel, in this age of new puritanism that we should comment about it. We saw a survey recently indicating that a large percentage of Gen Z’ers think nudity in movies is unnecessary in all circumstances, especially sex scenes. And we’re like, really? The wonderful thing that virtually every person does, or which practically everyone wants to do, and which is how nearly all of us came to be here on the planet, is somehow taboo, but the horrible thing that virtually none of us do—kill—must be part of nearly every film, book, and television show? Programming works. If you sell sexual shame unceasingly new generations will absorb it, and believe they’ve come to their views organically.
The reality is that sex and nudity are freeing. Burlesque and erotic dance are valuable because they take our DNA driven sexual desire and package it as an art form, fit for public consumption and contemplation. Moving one’s body rhythmically feels good, and watching those who work so very hard but make look so easy the pushing of their physical limits within the realm of such expression is pleasing to the eye and psyche. That’s why we love erotic dance. Our two previous burlesque collections, “Infinite Jest,” and “Dancers Gotta Dance,” are here and here, and we have some notable smaller burlesque forays here, here, and here. But if you want to kill some time for real, instead click the keyword “burlesque” at bottom, then scroll, scroll, scroll. Make sure you pack a lunch.
Japanese actress Noriko Yamamoto was a minor player onscreen, but she’s a major player on this log in a photo published in a 1980 issue of Heibon Punch. It’s a nice image, part of an essay shot in Alaska, of all places. Here’s what she said about it (so claimed the editors): “The clock is pointing to 11 PM, but the red sun is bright and beautiful. Anxiety crossed my mind as to whether I would be able to survive in this great outdoors. Fishing with a lure for the first time after setting up the tent. And the feeling of a king salmon coming into my hand. A river as wide as a lake. I don’t know when bears will come out, making my heart flutter.” Despite her fears she survived, there were no bears, and most importantly she suffered no splinters. Bonus: she got to hold a humungous fish.
Nice for the camera but very hard on the circulation.
Every time Miki Sugimoto stars in a promo photo we can barely believe our eyes. Here the cult action actress is squeezing her frame—or part of it anyway—into a tight space to get this wonderful shot. Wonderful for who? Certainly not her. She played some difficult roles, but this may have been her hardest. By the time she finished riding the rails for this image we bet she felt like her bottom was full of novocaine. Sometimes, though, you have to go above and beyond in the pursuit of art. Click her keywords below to see amazing promo shots and movie posters.
Japanese beauty Rino Katase began acting in the late 1970s, hit her stride during the eighties, and hasn’t looked back since. Some of her nearly one hundred credited roles include performances in such films as 1987’s Yoshiwara enjô, aka Tokyo Bordello, 1986’s Gokudô no onna-tachi, aka Yakuza Ladies (plus seven sequels), and 2022’s Bad City. This hot shot of her goes to back to before her first acting roles. We found it in an issue of Weekly Playboy from 1976.
The now-cult movie Gone in 60 Seconds is remembered partly because the 2000 Nicolas Cage remake rekindled interest, but also because a man named H.B. Halicki is famous for being the producer, writer, star, director, and stunt coordinator. He’s a classic example from an earlier era of Hollywood of a guy with knowledge specific to an industry who dreamt up a story then cobbled together the funds to put his vision on the screen. He was a car mechanic who for years had been owner of a Southern California junkyard. In his work life he’d conceived or learned of a foolproof method for stealing and reselling cars. It involved boosting cars that were identical to wrecks, then swapping vehicle identification numbers and other elements so the stolen car disappeared and the wreck was reborn as a new ride. The technique became well known eventually, but back then it wasn’t. That idea provided Halicki’s entree into the world of moviemaking.
You see a Japanese poster above, with one more plus promo shots below. The movie opened in the U.S. in 1974, and premiered in Japan today in 1975. It’s what some people these days like to call car porn, as audiences get to see formula one cars, custom sports cars, limousines, and a customized Ford Bronco owned by Parnelli Jones, who has a cameo in the film. The centerpiece (really more like the endpiece) is a forty minute chase sequence that in order to film allegedly resulted in ninety-three wrecked cars. Storywise, it’s about an insurance investigator who moonlights as a professional car thief, who accepts a contract from a South American drug cartel to provide forty-eight luxury cars by week’s end. The task seems impossible, but failure isn’t an option. Several complications arise. Halicki, playing a character named Maindrian Pace, is called upon to investigate the very thefts his ring is perpetrating. When one of his crew steals a car packed with heroin things start to get really complicated.
That’s all fine and fun, and Halicki’s personal Hollywood success story is an inspiring one, but the movie does still have the touch of amateurism about it, particularly in the acting. That’s to be expected with a quickly mounted production, starring a first-timer who also cast various family members and amateurs in small roles. In the writing area, the characters are mere sketches, which worked fine in other indie flicks from the period like Two-Lane Blacktop, but somehow doesn’t quite come to fruition here. The great director John Huston once said Hollywood had a bad habit of remaking good movies. They should remake the bad ones, he advised. Since the remake wasn’t as good as it could have been either, Gone in 60 Seconds could probably still use a revamp, but until that time comes audiences will have to make do. Halicki thought outside the box (did we mention the forty minute car chase?) which means his original Gone in 60 Seconds is the only one to watch.
LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.
1945—Hollywood Black Friday
A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.
1957—Sputnik Circles Earth
The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.
1970—Janis Joplin Overdoses
American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.
1908—Pravda Founded
The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means “truth” and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.
1957—Ferlinghetti Wins Obscenity Case
An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg’s poetry collection Howl is not obscene.
1995—Simpson Acquitted
After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.
