Don't look. Don't move. Don't even breathe.
Here's a U.S. promo for Fritz Lang's film noir The Woman in the Window, which premiered today in 1944. The poster is unattributed, but it's fantastic work. There's normally a white border, but the version you always see online omits that. It's also highly saturated. We don't know if the color was the work of an industrious Photoshop user, but we do like it. However, a version that shows its real age—slightly less vibrant but still very nice—appears below. There are other differences too, such as the color of the figures and some of the lettering.
The Woman in the Window was headlined by star supreme Edward G. Robinson, who we love more with each movie we see. In this one he plays an everyman who gets into a nightmare situation over his head. That would be five feet, five inches for Robinson because he was such a diminutive guy, but the tallest man in the world would still be in deep trouble. You have to watch the movie to find out why, but you can read a little more about it and see a Swedish poster here, and a French poster here.
Wronged husband takes a shot at his rival.
Above is an interesting composite photo of the style that was sometimes produced by newspapers during the mid-century period. These old composites are pretty cool. We can imagine a museum or gallery exhibit of them. We've seen many, but have only featured one other, which you can see here. This one came from the Los Angeles Herald/Examiner archive and shows Jennings Lang, Walter Wanger, and Joan Bennett in 1951, and was made after Wanger shot Lang.
What was it all about? Wanger and Bennett were married to each other, and Wanger thought Lang was trying to get in Bennett's panties. Some sources say an affair was never consummated, but we think it was—and Benett was an expert at attracting men. The shooting happened today, with the news coverage running through the event, immediate aftermath, and sensational trial. You notice the composite also features a gun? That's the real gun Wanger used. We talked about it last year, and the short version is: the fact that the shooter is named Wanger is ironic in the extreme.
Below you see Lang's wife, at her husband's hospital bed, and we imagine her saying, “You're thinking about that fucking actress again, aren't you?” And Lang is thinking, “Switch two of those words and you're absolutely right, baby.” The previous bit we posted on their love triangle with Lang is at this link, and if you venture over there, take a look at the last photo and ask yourself if Wanger is a guy you'd want to cross. We think Lang had a death wish.
Only perfect manners can snare the perfect man.
This item caught our eye. How To Be Attractive was written by Hollywood actress Joan Bennett and, as its title indicates, is designed to help the modern mid-century woman negotiate the fraught dating scene. We've seen a few bloggers rip this book to shreds, but that's easy do with something written in 1943. We've read a few excerpts of it and it strikes us as a harmless artifact of an earlier age. Nobody was hurt in its writing, manufacture, or sale, and some of the advice—which veers into such realms as throwing parties and befriending other women—seems pretty practical to us. On the other hand, there's definitely a boys-will-be-boys theme running through it, the idea that if guys get the wrong idea from a woman's behavior or dress it's entirely her responsibility. We daresay most people have grown up a little since then, are still doing it, and will keep at it. We've seen a few other celebrity authored books, so maybe we'll post some of those later. Below, Bennett shows she'd be attractive, with or without the help of a book.
The beach is always fun and games until someone gets burned.
What a coincidence. We were just talking about Joan Bennett a couple of days ago. You remember the story. Her husband tried to shoot her lover in the balls. Or unit. Or really anywhere in the vicinity of his reproductive organs. And he succeeded in hitting the vicinity, but missed all the crucial plumbing. It was a Hollywood love triangle that ended in blood and violence. Woman on the Beach stars Bennett, Robert Ryan, and Charles Bickford, and is also a love triangle that causes violence. The plot concerns a Coast Guard officer who becomes infatuated with a married woman. The woman's husband is an artist who lost his sight in an accident, but the Coast Guard officer becomes convinced the artist isn't really blind, but rather is using it as an excuse to hang onto his wife. Under the careful direction of French auteur Jean Renoir, Woman on the Beach makes for a decent ninety minutes of entertainment. We don't consider it a film noir, by the way, as some crowdsourced sites and blogs suggest. It just doesn't meet the requirements, in our view. AFI.com agrees, and calls it drama. It premiered in New York City today in 1947.
Sparks fly when Hollywood bigshots tangle.
The above photo, which was made today in 1952, shows Los Angeles film producer Walter Wanger entering the L.A. Hall of Justice. Wanger was one side of a Hollywood love triangle, and perpetrator of one of Tinseltown's most storied crimes. He had learned that his wife, actress Joan Bennett, was cheating on him with her agent Jennings Lang. Wanger decided to deal with the issue by trying to shoot Lang in his wanger. Stories vary concerning whether he actually managed to Jake Barnes the guy, but most reputable sources say he missed his target and instead hit Lang in the thigh, groin, or both, depending on which account you read. That was in December 1951. Wanger would be arrested for assault with intent to commit murder.
In the photos below, also from today 1952, you see Wanger inside the courthouse preparing to answer for those charges. At his side is Hollywood superlawyer Jerry Giesler. You'd think even a superlawyer would have a difficult task defending a client who tried to to eunuch a guy, but this was Giesler. Beating impossible odds was his calling card. He opted for the temporary insanity defense, and thanks to him, Wanger drew a mere four months at a country club jail called Castaic Honor Farm—fitting for an inmate who claimed to be defending his honor. There Wanger worked in the sun planting cabbages and probably pondered what had gone wrong in his marriage leading up to that fateful 1951 shooting. Some accounts claim Wanger merely suspected Bennett of cheating, but others claim convincingly that Wanger knew it for a fact, because he'd hired a detective who found that the lovebirds had met in New Orleans, the Caribbean, and in a Beverly Hills apartment owned by one of Wanger’s friends, the agent Jay Kanter. Despite his wife's transgressions, Wanger must have found some form of peace out there under the Castaic sun, because he remained married to Bennett for fourteen more years. The wounded Lang recovered fully, and presumably used his wanger on safer partners. A few years after his near miss he married and stayed married until he died. As for Bennett, her career declined sharply, and she believed it was because of the shooting. She felt she had been blacklisted. She once said, “I might as well have pulled the trigger myself.”
The more it comes into focus the clearer the danger is.
Above, a beautiful promo by Roger Rojac for La femme au portrait, known in English as The Woman in the Window. It premiered in the U.S. today in 1944, but didn't reach France until today in 1947. We talked about this one a long while ago—Edward G. Robinson is bored with his life, but gets more than he bargained for when he helps a damsel in distress. Solid film noir, disliked by many for its ending, but with a French poster disliked by none.
She's a nightmare on Scarlet Street.
This beautiful photo features U.S. actress Joan Bennett and was made as a promo for her 1945 drama Scarlet Street, in which she plays a con artist who steals credit from a struggling artist for his critically acclaimed paintings. Directed by Fritz Lang and starring Edward G. Robinson and Dan Duryea, it's a solid film noir, well worth seeing. Check out its promo poster at this link.
Nice guys finish last—until they're pushed too far.
The 1945 film noir Scarlet Street is one of the bleaker offerings from a generally bleak genre. Edward G. Robinson plays an aspiring painter in a loveless marriage whose need makes him a perfect mark for a pair of hustlers, played by Joan Bennett and Dan Duryea, who shake him down for money, a free apartment, and even his recognition as an artist. The main treat here is seeing tough guy Robinson play a mild-mannered everyman, the sort of terminal pushover he also portrayed to great effect in the noir The Woman in the Window. The thing is, some people can only take so much abuse.
Edward G. Robinson learns to be thankful for what he’s got.
Above is a Swedish promo poster for Kvinnan i fönstret , better known as The Woman in the Window, from German expressionist master Fritz Lang. Anything from the director who gave us Metropolis is must-see, however, we have to warn you that the finale to this one may come as a let-down, or more accurately a cop-out. But don’t blame Lang—blame the censors of the day, who wouldn’t let him use the ending from the source material, J. H. Wallis’s novel Once Off Guard. If judged in the forgiving frame of mind that the ending shouldn’t be held against it, The Woman in the Window can’t be considered anything but a top-notch effort. Basically, it’s worth it just to see Edward G. Robinson in the lead as a stuffy college professor who wishes for more excitement in his life. He learns the hard lesson—thanks to femme fatale Joan Bennett—that he isn’t built for adventure. So the film is a cautionary tale. It warns middle-aged men that stable lives may be boring, but hot young women lead to directly to trouble, terror and tragedy (best case scenario: after a lot of screamingly good sex). The Woman in the Window opened in Sweden today in 1947.
The headlines that mattered yesteryear.
1959—Holly, Valens, and Bopper Die in Plane Crash
A plane crash near Clear Lake, Iowa kills American musicians Buddy Holly, Ritchie Valens, and The Big Bopper, along with pilot Roger Peterson. The fault for the crash was determined to be poor weather combined with pilot inexperience. All four occupants died on impact. The event is later immortalized by Don McLean as the Day the Music Died in his 1971 hit song "American Pie."
1969—Boris Karloff Dies
After a long battle with arthritis and emphysema, English born actor Boris Karloff, who was best known for his film portrayals of Frankenstein's monster and the Mummy, contracts pneumonia and dies at King Edward VII Hospital, Midhurst, Sussex, England.
1920—Royal Canadian Mounted Police Forms
In Canada, The Royal Canadian Mounted Police, aka Gendarmerie royale du Canada, begins operations when the Royal Northwest Mounted Police, founded 1873, and the Dominion Police, founded 1868, merge. The force, colloquially known as Mounties, is one of the most recognized law enforcement groups of its kind in the world.
1968—Image of Vietnam Execution Shown in U.S.
The execution of Viet Cong officer Nguyen Van Lem by South Vietnamese National Police Chief Nguyen Ngoc Loan is videotaped and photographed
by Eddie Adams. This image showed Van Lem being shot in the head, and helped build American public opposition to the Vietnam War.
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