|Vintage Pulp||Nov 23 2021|
|Vintage Pulp||Jun 25 2019|
That story, by the way, was penned by Jane Dolinger, a trailblazing travel writer who ventured everywhere from the Sahara to the Amazon and wrote eight books, but is perhaps a bit forgotten today. The editors make sure readers know Dolinger is hot by publishing a glamour photo of her, which is a pretty sexist move, though she posed for provocative shots often. Meanwhile her framing of other cultures' sexual practices as abnormal is textbook racism. Abandon all hope ye who enter this magazine!
|Vintage Pulp||Mar 24 2018|
We've been trying to score a copy of Man's Epic for quite a while, and today, finally, we received this great Australian men's magazine via the international mails. We were so excited we immediately scanned a bunch of pages and have nothing more to say.
|Vintage Pulp||Feb 6 2017|
We're very interested in Australian men's magazines. Today we have a new entry for you—Cavalcade, published by Kenneth G. Murray, the same person that gave the world Adam. This issue from February 1956, has a killer cover—uncredited, which is par for K.G. Murray Publishing. There aren't many art or photo pages inside, but we've posted the ones that were there. You may have noticed the somewhat weird slogan “The Know Yourself Magazine.” We guess the idea being peddled is that Cavalcade helped men become better versions of themselves. It sounds almost zen, almost like the Buddha would say it. But then you open it and see all the raunchy cartoons and bikini beauties and realize—no, it's just a regular men's magazine. And if you bought it, you probably knew yourself quite well already. We may get back to this one a bit later.
|Vintage Pulp||Nov 9 2012|
Above is the cover of the November 1976 issue of Australia’s Adam magazine, with art for Philip Gould’s short story “Flight from Shadow.” Also in this issue is a tale from Mike Rader entitled “Wall of Fear,” a nice piece of Cold War fiction about a reporter in Germany who gets on the trail of what he thinks may be the story of his career. Unfortunately the clues lead to East Berlin and plenty of complications. We talked about Rader here and have corresponded with him, so it was nice to be able get hold of more of his fiction. It’s a shame K.G. Murray Publshing Co. never (as far as we know) collected the tales that appeared in Adam into a reader or anthology. Forty years of stories is a lot of literary output and it really needs a wider audience, not just for the entertainment value, but because the writing is an interesting window into the past. For instance Rader’s story, with its crossing into East Berlin, brings to life some details of that time that you don’t really get from just reading about the Berlin Wall. We also like the stories set in Australia and the vast spaces and isolation some of them describe. They make us want to fly down there. Anyway, below are about forty scans of the magazine’s interior, with its great illustrations, cartoons, and erotic photography. This makes twenty-five issues of Adam we’ve posted, and all of them have been a treat. We’ll have more from this excellent publication soon.
Update: This last model, just above, is German actress Andrea Rau. Didn't recognize her at first, but it's defnitely her.
|Intl. Notebook||Oct 5 2012|
We’re excited today. The international mails worked as advertised and we have secured a new stack of Adam magazines, which you know, if you follow this site, is our favorite of the post-pulp publications. It was launched in Sydney, Australia by Kenneth Gordon Murray, whose company K.G. Murray Publishing also produced Man, Man Junior, Foxylady, Eves From Adam, Laughs and Lovelies, Girls and Gags, and a raft of comic book titles as well. We had been looking for more K.G. Murray output for more than a year, but the prices were simply too high on the few items we found. This batch, we think, was fairly priced. Since the last issue we bought disappeared into the postal ether, we had little hope that a package this size would arrive safely. But arrive it did, and perhaps it teaches a lesson—maybe people are afraid to steal bigger packages because it seems more likely to produce consequences. Just a theory. Incidentally, we’re not putting down our lovely hosts here. We never had more mail disappear than when we lived in the U.S. and worked at a certain famous company that has a bunny logo. Instead of the company name, we used PEGI on those packages—that’s how likely our mail was to vanish otherwise. Anyway, look for many more appearances from Adam on Pulp Intl. to go with our already large collection—24 issues posted and counting. See those by starting here.
|Vintage Pulp||Feb 5 2012|
From Sydney, Australia’s Kenneth G. Murray, who is the same person who published the great magazine Adam, here’s his earliest mass market imprint—the succinctly named Man. The name leaves no doubt what the magazine is about, and indeed this issue from February 1950 features cover art of an available woman strutting her stuff for some virile sailors, and inside you get pin-ups, pulp style illustrations, fiction, and humor. We found this Man and a few others in an online archive. Below are some scans from today's, including a black and white photo about midway down of American actress Angela Greene. We'll have more coming from the others later.
|Vintage Pulp||Sep 23 2011|
This issue of Kenneth G. Murray’s Adam from September 1963 has a lovely cover illustration for W. H. Percival’s tale of danger and treasure hunting in Ceylon, “Cult of the Snake God,” as well as plenty of nice treats inside. As for the cover girl’s inappropriate crypt digging garb, well, she’s a slave and as any pulp aficionado knows, they’re usually sexy and very rarely have enough clothing to wear. In the story, the main character (with the unlikely name Rex Scarbe) decides to rescue the girl Mora from her evil master, but it turns out she’s setting a trap to sacrifice him to a giant python. Scarbe kills the python only to have Mora try to stab him in the heart. So the lesson is that the trustworthiness of a woman is directly proportionate to the amount of clothing she wears. Like you didn't already know that.