I'll run for help! Have you seen my red slingback pumps?
Our ongoing showcase of Italian artist Benedetto Caroselli continues with the above cover for Crise Pounds' novel Faust “61,” a horror update of the classic German folk legend. It was published in 1961 by Grandi Edizioni Internazionali for its series I Capolavori della Serie KKK Classici dell’Orrore. Pounds was a pseudonym used by Maria Luisa Piazza, who wrote three other novels for Grandi Edizioni Internazionali. Caroselli's cover work here shows his command of both subject matter and color. And fashion, as his stylish bystander looks on in terror.
Where there's a will-o'-the-wisp there's a way.
We probably should have shared this cover from Grandi Edizioni Internazionali's series KKK Classics around Halloween, because it's a bit scary. Then again, maybe now is better, because Christmas is possibly even a little scarier. The art here, from Benedetto Caroselli, has a red-eyed cover figure sitting atop what is supposed to be a giant skull, which, again, is a bit scary. However, if you look at it the right way she could be sitting on a giant nose. Again, possibly even scarier.
Inside the book you get two tales—the introductory “Welcome to Blackstone, Mister Clift,” by Silvano Alessandrini, followed by the full length title story. Fuochi fatui, by the way, translates as “fatuous fires.” What the hell does that mean? Fuochi fatui are basically analogous to will-o'-the-wisps, alluring lights in the wilderness that prove eternally elusive and lead to frustration and possibly danger. You can fill in your own Christmas shopping metaphor here.
Author Sean Alexander was aka Silvano Alessandrini. The pseudonym thing with French and Italian authors back in the day is a bit strange. Since they were selling to their home markets you'd think indigenous names would be an advantage, but it's clear that the type of mayhem and terror they were going for were thought to be more credible if written by Americans. Which when you think about it is possibly the scariest thing of all. Anyway, the copyright on this is 1969, and it's beautiful.
“The Thing” that wasn't there.
We've shared several covers from Grandi Edizioni Internazionali's horror collection I Capolavori della Serie KKK but this one is kind of special. Translated into Italian by Fernanda Adami, this is a collection of horror master Robert Bloch's early short stories. In case he isn't familiar to you, he wrote Psycho. This book is called La Cosa, or The Thing because Bloch's first story, a piece called “The Thing” appeared in his school magazine in 1932 when Bloch was only fourteen. But guess what? “The Thing” isn't one of the stories in The Thing. Instead the book consists of four tales—“Colui che apre la via,” “Ritorno a Sabbath,” “Il segreto di Sebek,” and “Enoch.” In English these are “The Opener of the Way,” “Return of the Sabbath,” “The Secret of Sebek,” and “Otis.” Just kidding—it's “Enoch.” Lovecraft fans probably already know of the first three stories because they appeared in Bloch's Lovecraft inspired collection The Opener of the Way in 1945 and remain widely read pieces of Lovecraftian lore. So that makes this paperback a bit of a collector's item. As if the great art by Benedetto Caroselli didn't already do that. Yes, he painted a misleading illustration for a horror anthology but Caroselli and Grandi Edizioni Internazionali specialized in that. Want to see a particularly brazen example? Check here.
Even the Prince of Darkness needs love.
Italian illustrator Bendetto Caroselli painted this cover for Cuori per Satana, which means “hearts for Satan,” and it was written by Silver Ales for I Capolavori della Serie KKK's series Classici dell'Orrore, and published by Edizioni Periodici Italiani in 1968. Silver Ales was a pseudonym used by Silvano Alessandrini, a prolific poet, playwright, author of twenty-six detective novels, and longtime school teacher. His weird pen name sounds like a category of fancy microbrews, but we approve—it definitely sticks in the head. And of course Benedetto Caroselli was an artistic genius, which you can confirm yourself by looking here and here.
This is a mean old world, baby, to live in all by yourself.
Above, the cover of Gli Amante Perduti, which means “the lost lover,” published 1962 by Grandi Edizioni Internazionali. The author, Horace Robinson, was in reality the prolific Maria Luisa Piazza, and the evocative cover art, showing a woman distressed and alone against a backdrop of blackness, is by the incomparable Benedetto Caroselli.
Artist C. Renè makes a bold statement in blue.
Finally, an Italian horror novel that wasn’t illustrated by the incomparable Benedetto Caroselli. This time the artist is someone billed as C. Renè, and he/she’s created a beautiful blue cover for Mark Hawk’s Morbo Azzurro (Blue Disease), opting to show a very detailed eye and set of lips rather than a whole face. Very effective work, we think. This appeared in 1961 and was a ristampa—a reprint—of a 1960 release.
You can eat an apple a day but it won’t keep this doctor away.
Above is I Capolavori della Serie KKK Classici dell’Orrore number 127, entitled Gli esperimenti del Dott. Hass, aka The Monster, published in 1969, written by Patty North, who was really Franco Marotta. And of course the brilliant art is by Benedetto Caroselli, whose work you probably recognize by now. Marotta also wrote Il robotto maledetto, which means so far he’s written about an evil doctor and an evil robot. The book also has a short story beginning on page 121 called “Violenza,” which was penned by Roland Greaves, who was really Renato Carocci. That’s a lot of entertainment for just a few euros, and well worth it.
He’s everything a man is, except he turns on only when you want him to.
Above, Edizioni Periodici Italiani’s Il robot maledetto, 159 in the I Capolavori della Serie KKK Classici dell'Orrore, written by Dyana Evan, a psuedonym of Franco Marotta, 1971. The art featuring a lingerie clad woman and a phallic robot is more suggestive of romance or sleaze than horror, but it’s great work by Benedetto Caroselli, who you can see more of here.
When the wolf is on the prowl.
Above, the cover of Ken Atkins’ 1965 werewolf novel Belva nella notte, aka The Wolf in the Night. This was published for Edizioni Periodici Italiani’s I Capolavori della Serie KKK Classici dell’Orrore, and Atkins was a pseudonym owned by Domenico Dubbini, who also wrote as John Durbin, John Lane, Hassan Mills, Perry Rock, and other names. The art is by Benedetto Caroselli, who we knew nothing about until a couple of years ago, but who we’re now obsessed by, as evidenced by our posts here, here, and here. We have even more to share from Benedetto, so stay tuned.
That dream she keeps having about an icy hand at her neck? Not a dream.
Above is another cover by Benedetto Caroselli for I Capolavori della Serie KKK Classici dell’Orrore. That’s a real mouthful, but really it just means “KKK Masterpiece Series Horror Classics.” This one, number 116 from 1969, is entitled Il vampiro and it was written by Liz Lawrence, who was a pseudonym of Franco Marotta. We don’t know if it’s the same guy, but a Franco Marotta wrote for Italian cinema for forty years, and among his work was the original Inglorious Basterds. Probably the same guy. Anyway, brilliant piece of art from Caroselli here, featuring the menacing shadow of a vampiric hand looming over a sleeping nude. See more Caroselli by clicking his keywords below.
The headlines that mattered yesteryear.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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