| Vintage Pulp | Oct 11 2019 |
They say you can't have everything but To Have and Have Not comes close.
This one has been a long time coming to Pulp Intl. To Have and Have Not. We love this flick. We never bothered to highlight it because it's so familiar to so many, but with the Pulp Intl. girlfriends out of town (did we mention that yet?) we decided to revisit a few movies we've seen often. First off, we get it, Hemingway fans. The film mutilated his 1937 novel. But what a shock—Warner Brothers was not going to make a Marxist themed movie in 1944. Hemingway may have, we like to imagine, wanted to keep the book out of Hollywood's hands for that very reason. But when Warners came across with a fat offer he was like, “Well, sure, okay, I suppose that amount of money will take the sting out of you whitewashing my Marxist opus.” You, see everyone has a price.
Howard Hawks directed, and Jules Furthman and William Faulkner wrote a screenplay that changed the location of the novel, its time period, its subtext, and its characters. Basically, Warners wanted a follow-up to Casablanca, and that's exactly what they got, though To Have and Have Not differs from Casablanca by being light-hearted in general, and wickedly comical in parts. But there are also thrills aplenty. The basic idea is Humphrey Bogart plays a diffident charter boat captain in French Martinique who finds himself drawn into World War II thanks to an idealistic anti-Vichy cabal that plans to rescue a French patriot imprisoned on Devil's Island. Everything and everybody in the film is great. Lauren Bacall, in her debut, brings just the right tone to her character Marie Browning, Walter Brennan puts on a physical acting clinic as Bogart's alcoholic sidekick, and as the Vichy administrator of Martinique, Dan Seymour channels Major Strasser from Casablanca, adding a touch of torpor meant to disguise his snake-deadly nature. The film also adds great music performances in the down and dirty Bar du Zombie and the café of Hotel Marquis, with Hoagie Carmichael taking on the Sam role from Casablanca. To Have and Have Not is so iconic it has been studied in university courses and written of in modern treatises about race. The latter is a lot to pile onto this lightweight adventure. Set in the Caribbean, it tries to at least portray a high level of racial inclusiveness, though not perfectly.
There's one more reason to watch the movie. We've seen it so much we've developed a drinking game from it. We've developed lots of drinking games from movies, but don't generally play them when the Pulp Intl. girlfriends are around (did we mention they're out of town?). Take a shot every time someone throws something in the water. That's it. Bottles, matches, whatever. If you're really brave, take a shot every time someone litters, whether at sea, on land, or indoors. It's interesting to observe littering behavior from an era when the environment was thought to be boundless and impossible to ruin. As members of a generation trained to get our garbage in a receptacle at all costs, the polluting here is really funny to see. 10 out of 10 for this movie. Watch it. Love it. Watch it again. It premiered in the U.S. today in 1944.
There's one more reason to watch the movie. We've seen it so much we've developed a drinking game from it. We've developed lots of drinking games from movies, but don't generally play them when the Pulp Intl. girlfriends are around (did we mention they're out of town?). Take a shot every time someone throws something in the water. That's it. Bottles, matches, whatever. If you're really brave, take a shot every time someone litters, whether at sea, on land, or indoors. It's interesting to observe littering behavior from an era when the environment was thought to be boundless and impossible to ruin. As members of a generation trained to get our garbage in a receptacle at all costs, the polluting here is really funny to see. 10 out of 10 for this movie. Watch it. Love it. Watch it again. It premiered in the U.S. today in 1944.
MartiniqueDevil's IslandWorld War IITo Have and Have NotHumphrey BogartLauren BacallHoagie CarmichaelWalter BrennanDolores MoranDan SeymourErnest HemingwayHoward HawksJules Furthmanposter artcinemafilm noir
| Vintage Pulp | Jul 2 2019 |
Woman, 20, seeks man any age. Must be open minded. Sex guaranteed. No commitment. Emotional masochist preferred.
Above is a West German poster for the French sexploitation flick Laura, originally titled Laure, starring the sexiest elf in cinema history, Annie Belle, in the tale of a minister's libertine daughter trekking around the Philippines, getting laid with whomever while her boyfriend-later-husband watches and sometimes films. We talked about this one in detail a while back but wanted to share this nice poster. Notice Emmanuelle Arsan is credited as the director? What happened was the actual director Louis-Jacques Rollet-Andriane quit and refused to allow his name to be attached to the film because he didn't get to delve more deeply into his philosophy of freedom and swinging. Which is funny because the movie is almost entirely about freedom and swinging. But give a Frenchman six inches and he'll demand a mile. Read more here. Laura premiered in West Germany today in 1976.
West GermanyPhilippinesLaureLauraAnnie BelleAnnie BrillandLouis-Jacques Rollet-AndrianeEmmanuelle Arsanposter artcinemasexploitation
| The Naked City | May 5 2019 |
An errant pass leads to an infamous court case.
The National Insider takes on a controversial subject with this issue that hit newsstands today in 1963. The gist of the story is that forty-something George Brinham invited sixteen-year-old Laurence Somers to his London flat, made a pass by saying, “Give us a kiss,” and got clocked on the head by a shocked Somers with a wine decanter. Brinham died, and Somers went on trial for murder. As the details came out, the British public learned that Somers didn't merely hit Brinham once, but three or four times. He then dragged Brinham's body into the bedroom, hit him once more for good measure, and tried to stage the apartment to look as if a burglar had been the assailant. But haste makes waste—he left his coat and a pair of gloves in Brinham's flat. Police caught up with him shortly thereafter and he was arrested and charged with murder.
The case was fascinating. The judge immediately reduced the charges from murder to manslaughter. Defense attorneys portrayed Brinham, a former Labor Party official, as predatory and decadent. A pathologist testified that his body showed “physiological indications of the practice of homosexuality,” and added that his skull was “half the normal thickness.” Meanwhile, Somers' virility and youth was played up, how he once swung a sledgehammer in an abattoir and became unusually strong. At the end of the trial the judge flatly directed the jury to find Somers not guilty, stating: “[Brinham] attempted to make homosexual advances. I think that is about as clear a case of provocation as it is possible to have.” In the end the jury indeed set Somers free.
In general, bludgeoning someone to death for making a non-violent pass, further damaging the body, tampering with the scene, attempting a cover-up, and failing to report a death should result in some charge or other sticking. But not this time. Insider's take on the event pretends journalistic impartiality, but in reality weights the scales. Somers gets the final word: he discusses his incredulity at “setting out for an innocent Saturday night and finishing up a killer.” He'd heard about homosexuals, he says, but never met one. The same could be said of the British public. But after George Brinham was outed, it thought it had. The case confirmed mainstream Britain's toxic prejudices against gay men. But Somers was never forgotten by friends and advocates—his murder became a spark for the gay rights movement of the 1970s.
In general, bludgeoning someone to death for making a non-violent pass, further damaging the body, tampering with the scene, attempting a cover-up, and failing to report a death should result in some charge or other sticking. But not this time. Insider's take on the event pretends journalistic impartiality, but in reality weights the scales. Somers gets the final word: he discusses his incredulity at “setting out for an innocent Saturday night and finishing up a killer.” He'd heard about homosexuals, he says, but never met one. The same could be said of the British public. But after George Brinham was outed, it thought it had. The case confirmed mainstream Britain's toxic prejudices against gay men. But Somers was never forgotten by friends and advocates—his murder became a spark for the gay rights movement of the 1970s.
| Vintage Pulp | Dec 23 2018 |
Bogart and Bacall arrive in Italy in Grande style.
Above, a beautiful poster for Il grande sonno, better known as The Big Sleep, with Humphrey Bogart and Lauren Bacall. Was Bacall a redhead? Well, she was in Italy. At the top of the poster you see that this played at the Politeama cinema. Rome? Naples? Palermo? Genoa? Cinemas with that name abounded, so we have no way of knowing exactly where the poster was displayed. You'll see the art attributed to Luigi Martinati on various websites, but we don't think so. It doesn't look like his work, and it's actually signed “Nico” near Bacall's right thigh. Martinati did paint a couple of posters for this movie, though, which we may upload later. We've talked about The Big Sleep—as has every other film noir related site on the internet. We don't have any special insights, but if you're curious what we said anyway, check here. After opening in the U.S. in 1946, The Big Sleep arrived in Italy today in 1947, which the poster tells us was martedì—a Tuesday.
| Vintage Pulp | Oct 9 2018 |
When the Belle rings it's time for everyone to get it up.
Above is a Japanese poster and a pamphlet front for the French sexploitation flick Laure, aka Forever Emmanuelle, which premiered in Japan today in 1976 after opening in Italy nine months earlier. We watched it, and first of all the movie looks great. It's crisp, bright, and colorful—three things you really want when Annie Belle is the star. We gather that the palpably high budget was due to an infusion of big studio money from Twentieth Century Fox via Cinecittà Studios, as they tried to cash in on the 1970s sexploitation phenomenon. None of this means the movie is good. Emmanuelle flicks are chaste and atmospheric, more romance than raunch, and Laure is no exception. Belle plays a highly sexed minister's daughter running wild in the Philippines, from Manila to the jungly outer reaches. There's a plot having to do with searching for the isolated Mara tribe, but the movie is more a series of swinger lifestyle lectures and sexualized vignettes, such as when Belle drops her skirt so she can walk around in public wearing nothing but a shirt that flashes her muff, and when she gets laid in a bamboo hut that's being dragged through the woods by a dozen Filipino workers. She's wanted by everyone whose path she crosses, but it's Al Cliver who piques her interest, thanks to his unwillingness to attempt caging her or cooling her hot blood. At one point he announces, “Jealousy is an obscenity.” It takes quite a man to watch the woman he loves have explosive orgasms with every stranger who happens along.
Of special note is a co-starring turn from Thai/French personality Emmanuelle Arsan, who in 1959 anonymously published the book Emmanuelle, source of the film franchise. Or at least she was thought for years to have been responsible for the book. Her husband Louis-Jacques Rollet-Andriane is now considered the author. Arsan was also credited with directing Laure, or at least co-directing it, but that was Rollet-Andriane again, whose name isn't on the film for reasons too involved to go into here. Well, it's definitely Arsan playing the role of Myrte, adding to the film's visual allure by looking great naked at age forty-four. She can't act, but she's good at giving wise looks and secretive smiles. She's easy to buy as the source—or at least inspiration—for Emmanuelle, because she's a very sexy woman. Despite all the film's beauty, we aren't going so far as to recommend it generally, but for lovers of globetrotting softcore or fans of Annie Belle it's mandatory.
Of special note is a co-starring turn from Thai/French personality Emmanuelle Arsan, who in 1959 anonymously published the book Emmanuelle, source of the film franchise. Or at least she was thought for years to have been responsible for the book. Her husband Louis-Jacques Rollet-Andriane is now considered the author. Arsan was also credited with directing Laure, or at least co-directing it, but that was Rollet-Andriane again, whose name isn't on the film for reasons too involved to go into here. Well, it's definitely Arsan playing the role of Myrte, adding to the film's visual allure by looking great naked at age forty-four. She can't act, but she's good at giving wise looks and secretive smiles. She's easy to buy as the source—or at least inspiration—for Emmanuelle, because she's a very sexy woman. Despite all the film's beauty, we aren't going so far as to recommend it generally, but for lovers of globetrotting softcore or fans of Annie Belle it's mandatory.
JapanPhilippinesFranceThailandManilaCinecittà StudiosTwentieth Century FoxLaureForever EmmanuelleAnnie BelleAnnie BrillandAl CliverEmmanuelle ArsanLouis-Jacques Rollet-Andrianeposter artcinemasexploitationnuditymovie review
| Vintage Pulp | Aug 22 2018 |
Some days you wish you'd never gotten out of bed.
The Big Sleep is certainly in the conversation for best film noir ever made, but as a friend always used to say—it's ain't a competition. The Big Sleep is merely a very good film, a moment when the film noir form came into full flower. It's complex, and lovers of vintage cinema often cite it as proof that people today can't follow a difficult plot. But the truth is the movie was criticized as too complex even when it was released. That said, it's definitely a tough follow for people when they're being interrupted by texts and ringtones. We recommend giving it a watch with all your devices turned off. It's fun, engrossing, and totally amazing. The Big Sleep premiered in the U.S. today in 1946.
The Big SleepHumphrey BogartLauren BacallMartha VickersDorothy Maloneposter artcinemafilm noirmovie review
| Femmes Fatales | Mar 27 2018 |
It gets awfully boring waiting for your big break.
Lauren Hutton was one of the first supermodels, back when every semi-famous woman walking the runway wasn't bestowed with that term. Hutton shot a series of nudes in 1963, when she was twenty years old and an unknown in New York City, still several years from her first professional contract. We've seen many photos from this session but the above shot, which has been bouncing around online for a few months, seems to us by far the best.
| Musiquarium | Sep 26 2017 |
Raymond Brenot proves he's one of the top album sleeve artists of his era.
Above, more pin-up style vinyl sleeves from French artist Raymond Brenot, aka Pierre-Laurent Brenot, for records pressed in France during the 1950s and 1960s. We have a previous sleeve from him here, and you can see more of his art in general by clicking his keywords below.
| Intl. Notebook | Apr 8 2017 |
Tiki bra offers support where others fear to venture.
Last month we showed you a piece of art by Raymond Brenot and noted the eclectic industries for which he worked. Well, he also painted advertisements. The ad above is a very nice piece of tropical themed art, apparently for the technologically advanced Tiki bra, designed according to LOU guidelines, whatever those are, and incorporating innovative side straps, whatever those are. No, we don't know much about bras. But thanks to this ad we learned that one would be called in French a soutien-gorge. At least back then. To us that sounds like some sort of surgical procedure you have on your digestive tract. And in fact if you break the word apart, soutien translates as “support,” which is encouraging enough, but gorge translates as “throat,” which raises terrifying images. Love this piece of south seas island art, though. It's, erm, gorgeous.
| Musiquarium | Mar 1 2017 |
One good turn deserves another, and another, and another...
French illustrator Raymond Brenot, aka Pierre-Laurent Brenot painted many magazine covers and pin-ups, and a few paperback fronts, as well. He also painted sleeves for numerous records. You see a beautiful example above for French trumpeter Fred Gérard's Si nous dansions... en 16 tours. The close-up image shows the unique aspect of the art—its mise en abîme element, or what the Dutch call a Droste effect, an identical image within the image, with infinite repetitions implied.
The title of the record translates to “If we danced... 16 turns,” which is weird because there are actually twenty songs. The tunes cover various dance styles, such as mambo, Charleston, foxtot, etc., and we know what you're thinking. You're thinking
sixteen dance styles must be covered. No—only nine styles are played, so the 16 tours part of the title is a mystery to us. If you know the answer to the riddle, you know how to reach us. But don't expect an immediate response—we'll be busy foxtrotting.
Update: It is incredibly informative having readers from all over the world. The answer came from Jo B. in France, who informed us: "16 tours is the rotation speed of the record in 1 minute."
