Chorus line turns to picket line for L.A. dancers.
Today in 1938 a group of Carroll Girls—dancers employed by famed theatrical producer Earl Carroll—staged a protest outside the Musicians Union Hall in Los Angeles, an event discussed in the above clipping from Life magazine. The picketing was the result of a spat between Carroll and bandleader Roy Cavanaugh. Apparently Carroll had reneged on a booking and Cavanaugh had appealed to the musician's union and won their backing. The dancers, caught in the middle, took to the sidewalk to denounce the union for being unwilling negotiate a solution that would let the show go on, and let the dancers get paid.
You will notice in the wider shot below that the meat cutters union Local 421 is in the background. We can't explain that, except to guess that the musicians and butchers unions were located in the same area. You'll also notice a lot of musicians playing. Presumably, they're union guys, and presumably they shouldn't be playing—i.e. helping to publicize the picket against their own union. But then again, nothing will divide your loyalties like a woman. Just saying. Been there, lived that.
All told, this looks like the most entertaining protest in history. We picture an epic barbecue thanks to the meat cutters union, and killer tunes thanks to the (soon to be punished) musicians. We'd love to tell you how the Carroll Girls fared with their demands, but we don't know. However, Carroll's stellar run as a show business impresario continued until his death in 1948, so we suspect that even if the Cavanaugh show didn't happen the dancers got over that speed bump and kept working steadily for a long while.
Photographer fatally shot by movie star while staging publicity photo.
This unusual triptych shows actress Natalia Nikolaevna Zakharenko, better known as Natalie Wood, not watching as she fires off a round. You'll see these photos described simply as Wood shooting a pistol, as if she used a real gun, but we doubt it's real. We don't think the photographer Ralph Crane would have risked having her fire a real gun anywhere in the direction of either himself or an expensive remote operated camera—especially considering the shaky aim involved.
Wood is almost certainly using a Hollywood prop pistol designed to shoot blanks. Crane probably set up about thirty feet away, where he'd be at no risk from superheated gases, blank cartridge debris, etc. On the other hand, maybe the bullet was real—because you never know what sort of crazy shit someone will do with a gun.
Second matter that needs clearing up—some websites say this isn't Natalie Wood. They're wrong. She was eighteen when the photos were made, and was already a big star thanks to 1955's Rebel without a Cause. We mention the film only because Wood's fame means there were hundreds of photos of her from the period, and we've uploaded a nice color one here as well. There's zero doubt. Same eyes. Same haircut. Same mouth. Natalie Wood.
The shooting photos first appeared in Life magazine, and both those and the color image are from 1956. As we've noted in the past, sometimes the narrow column width on Pulp Intl. means images are smaller than we'd like them to be, so we took the liberty of rearranging the black and whites vertically in order to offer a better look at them, and you see the result below. Interested in seeing more rare Wood images? Look here, here, and here.
Hayworth enjoys a not-so-light snack in Santa Monica.
Published today in 1941, we love this Life magazine cover of Rita Hayworth on the beach in Santa Monica, California. But we love the second photo even more. Movie stars will do just about anything to avoid being photographed unhinging their jaws to cram in a pile of food. You can't blame them. Paparazzi lurk in hope of getting exactly this type of shot, which they sell for big money to websites that specialize in making celebs look bad. Hayworth turns the idea into comedy while simultaneously looking appetizing herself. That's star power for you.
Gloria Grahame's three-step plan for dealing with a problem—aim, fire, assess.
These photos of U.S. actress Gloria Grahame come from one of our favorite old movies, the film noir The Big Heat, in which she starred with Glenn Ford. How many good films was Grahame in? Plenty, including The Bad and the Beautiful, Crossfire, the amazing In a Lonely Place, Human Desire, The Glass Wall, and Odds Against Tomorrow. Outside the drama/noir genres, she was also in It's a Wonderful Life, which is one of the most watched U.S. films of all time, and Oklahoma!. In The Big Heat she plays the prototypical film noir bad girl who wants to be good but has a hard time getting there. We won't say more. Just check it out. The photo is from 1953.
It's unorthodox for the beach, but in case you haven't noticed, I can wear anything and look good.
Above is a photo of U.S. model Naomi Sims, a pioneering figure in the world of fashion who achieved global recognition in the 1960s while still a teenager. She was the first black model to front publications as diverse as Life and Ladies' Home Journal. Hollywood of course came calling. She was offered the lead in Cleopatra Jones but turned it down because she saw it as racist. She had a point. Blaxploitation movies are culturally significant and most are fun, but they hinge on crime stereotypes. In a country where so many are willing to see the stereotypes as encompassing of an entire people the argument could be made that the films were harmful. Sims wasn't the first or last to say so. In any case, that was the end of her flirtation with Hollywood, but she went on to author books on health, beauty, and the modeling industry. This photo dates from 1971.
Bankhead and Co. try to deal with an ocean of differences.
The best thing about Lifeboat is Tallulah Bankhead. Simple as that. Top billed, tasked with bringing a complex character to life, and working in a film with huge expectations because it was written by literary laureate John Steinbeck and helmed by internationally renowned director Alfred Hitchcock, she delivers the goods. If you haven't seen it, it's an adventure and character study about a group of cruise ship passengers who survive a German u-boat attack and find themselves adrift on the Atlantic Ocean. There's a tinge of war propaganda to it, a touch of we're-humans-and-the-other-side-aren't, but when you consider that Germany was a genocidal regime, and news reports had been touching on this fact for two years (though visual evidence wouldn't appear until after May 1945) Lifeboat is remarkably subtle in that regard.
Anyway, if you ever want to see a star go full nova, check this film out—Bankhead is funny, bitter, sly, ironic, desperate, and more, helped along by reliable old William Bendix, as well as Hume Cronyn, Mary Anderson, and Walter Slezak in a pivotal role. And I guess we don't have to tell you one of Hitchcock's most famous stories came from this movie, the one about his camera accidentally getting upskirt shots of a pantyless Bankhead, and the question of whether the problem was one for hair, make-up, or wardrobe.
The poster above is a really nice piece of mid-century promo art and we spent a lot of computer time trying to discover who painted it, but to no avail. That wasn't a surprise, though. It's a painted version of the photo-illustration used on the panel length promo you see below, which means it's basically a copy job that numerous artists could have executed. But it's still nice compositionally, with its beautiful blue coloration, bright yellow title, and diagonal arrangement of faces. Lifeboat premiered in the U.S. today in 1944.
Come on in boys. I've got hot lead sandwiches for everybody.
This November 1958 cover of Man's Life magazine is uncredited in the masthead, but it was painted by Wil Hulsey and illustrates the story “The Girl Who Made War Hell for Gen. Sherman” by Gene Channing. The girl is Maryellen Stone, and she stalls Sherman's advance scouts using bullets, brainpower, and her body. The story is written in a biographical style, but we found no record of such a person. Even if she existed, the tale still falls into a category of fantasy fiction about a mythical non-aggressive South and how its way of life was cruelly obliterated. This narrative is astounding, not only because it overlooks the aggression of forced bondage against millions and how that caused the South to go to war, but also because southern leaders had formulated plans to invade Latin America.
Destabilization operations were staged in Mexico and a war mapping expedition was sent to Brazil. These were mere forays, but high ranking Southerners made their opinions crystal clear in hundreds of speeches and newspaper editorials. Calls to invade Cuba were constant. Influential Mississippi Senator Albert Gallatin Brown wrote in 1858: “I want Cuba, and I know that sooner or later we must have it. If the worm-eaten throne of Spain is willing to give it for a fair equivalent, well— If not, we must take it. I want Tamaulipas, Potosi, and one or two other Mexican States; and I want them all for the same reason—for the planting and spreading of slavery.” The imperative to expand was even written into the Confederate Constitution, and Confederate president Jefferson Davis was careful to select only pro-expansionists for his cabinet. We wouldn't call any of that peaceful.
Man's Life throws peace aside as well by going heavy on murder with profiles of Theresa Maguire, Leona Vlught, Thelma Rabail, and other women who died at the hands jealous men—and one jealous woman. The story is titled “Kiss Me or Die” and it comes with some pretty explicit photos. There's a lighter side to the magazine too. “Female Skippers Turn Waterways into New Lovers' Lanes” regales readers with tales of boatborne sexploits on the lakes and coastlines of the U.S. It's amusing stuff, as much of a fantasy as the Civil War story, but with happy endings for everyone involved. Elsewhere in the issue you get more adventure fiction, an extensive photo feature on model Ann Edmondson, and the usual ads and comics. We have several more entries on Man's Life in the website, and you can see two of them here and here.
A dozen bloody reasons to love Halloween.
This poster is a special edition promo painted by Nanpei Kaneko for The Texas Chainsaw Massacre, which was showing at the Tokyo International Film Festival on its fortieth anniversary in 2014. The Japanese title 悪魔のいけにえtranslates to “devil sorrowfully” or “Satan sorrowfully,” and that's a mystery to us, as we're sure there are chainsaws in Japan, as well as the concept of massacres, and some general inkling about Texas, but whatever. Sorrowfully it is—the poster is amazing.
Below, in honor of Halloween, which is becoming more and more of an event here overseas where we live, we have eleven more Japanese posters for 1970s and 1980s U.S.-made horror films. They are, top to bottom, The Prowler (aka Rosemary's Killer), The Fog, Lifeforce, An American Werewolf in London, Bug, Halloween II (aka Boogey Man), Let Sleeping Corpses Lie,Torso, The Evil Dead, Link, and Death Trap.
We've put together horror collections in the past. We have five beautiful Thai posters at this link, fifteen Japanese horror posters we shared on Halloween two years ago here, and we also have a collection of aquatic creature feature posters we shared way back in 2009. And if those don't sate your appetite for the morbid and terrible, just click the keyword “horror” below, and you can see everything we've posted that fits the category. No tricks. Only treats.
In some ways she's a non-traditionalist.
Above, a nice geisha themed promo photo of Japanese actress Junko Fuji, star of scores of films spanning forty-five years. Among them: Kyokotsu ichidai, aka The Chivalrous Life, Bakuchi-uchi: socho tobaku, aka Big Time Gambling Boss, and the popular Hibotan bakuto aka Red Peony Gambler series. Fuji's showed no signs of slowing down and has another film on the slate for 2018. We don't have a date on this image, but figure late 1960s.
Whoa... is the floor swaying or is that me?
Audrey Totter isn't as well known today as she should be, considering she appeared in The Postman Always Rings Twice, The Lady in the Lake, F.B.I Girl, The Unsuspected, The Set-Up, Main Street After Dark, and Tension, but she was well appreciated in her day as a bad girl and film noir stalwart. Her career spanned radio, cinema, and television, and her life spanned ninety-five years, a good run on both counts. This promo photo of her in the typical bad girl's natural habitat—the local gin mill—was made in 1946 and appeared in Life magazine.
The headlines that mattered yesteryear.
1964—Soviets Shoot Down U.S. Plane
A U.S. Air Force training jet is shot down by Soviet fighters after straying into East German airspace. All 3 crew men are killed. U.S forces then clandestinely enter East Germany in an attempt to reach the crash but are thwarted by Soviet forces. In the end, the U.S. approaches the Soviets through diplomatic channels and on January 31 the wreckage of the aircraft is loaded onto trucks with the assistance of Soviet troops, and returned to West Germany.
1967—Apollo Fire Kills Three Astronauts
Astronauts Gus Grissom, Edward White and Roger Chaffee are killed in a fire during a test of the Apollo 1 spacecraft at the Kennedy Space Center in Florida. Although the ignition source of the fire is never conclusively identified, the astronauts' deaths are attributed to a wide range of design hazards in the early Apollo command module, including the use of a high-pressure 100 percent-oxygen atmosphere for the test, wiring and plumbing flaws, flammable materials in the cockpit, an inward-opening hatch, and the flight suits worn by the astronauts.
1924—St. Petersburg is renamed Leningrad
St. Peterburg, the Russian city founded by Peter the Great in 1703, and which was capital of the Russian Empire for more than 200 years, is renamed Leningrad three days after the death of Vladimir Lenin. The city had already been renamed Petrograd in 1914. It was finally given back its original name St. Petersburg in 1991.
1966—Beaumont Children Disappear
In Australia, siblings Jane Nartare Beaumont, Arnna Kathleen Beaumont, and Grant Ellis Beaumont, aged 9, 7, and 4, disappear from Glenelg Beach near Adelaide, and are never seen again. Witnesses claim to have spotted them in the company of a tall, blonde man, but over the years, after interviewing many potential suspects, police are unable generate enough solid leads to result in an arrest. The disappearances remain Australia's most infamous cold case.
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