Vintage Pulp Nov 3 2014
THE BIRDMAN OF ARGENTINA
Way down Argentine way Bogart fronts the era’s definitive detective novel.

Leoplán was an Argentine magazine published by Ramón Sopena’s eponymous company Editorial Sopena from 1934 to 1965. This issue features a complete Spanish language reprint of Dashiell Hammett’s The Maltese Falcon and is fronted by a nice Manuel Olivas painting of Humphrey Bogart and the bird. It’s from 1949.

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Vintage Pulp Oct 31 2014
REMEDIAL READING
What’s scarier than National Informer Reader? Actually daring to look inside.


On the opposite end of the tabloid spectrum from yesterday’s Top Secret, we have an issue of National Informer Reader published today in 1971. You may remember our previous entries on National Informer Weekly Reader. What you see above is simply the earlier, monthly iteration of the same rag. You wanna be scared on Halloween? Just peel back the cover on this baby.

Reader editors start by donning their anthropology hats and telling readers that by the year 2000 there will be 2.5 women on Earth for every man. You know what that means right? “In the year 2000 men will be catered to by women as in no other era in the history of mankind. Every week will be a special week dedicated in some way to the male sex. For instance, one week will be called National Sex Week, and if a man gives at the office he doesn’t have to give at home. 2000 is the start of the era when men will have the whip hand.”
 
Because men need more control, right? Well, if that prospect isn’t frightening enough, Reader tells us California is a breeding ground for devil-worshipping cults, drugs are destroying family life via osmosis from bad neighbors, virgin women are lamentably impossible to find anymore, and psychopathic outlaws and sex perverts have invaded America’s freewheeling outdoor music festivals. Readers also get to solve a murder mystery (which you can try below). All very scary.
 
Elsewhere in the issue, readers get Raquel Welch (just below) in a promo shot from Myra Breckenridge, and two photos of Malta-born British twins Mary and Madeleine Collinson, who posed together for Playboy’sOctober 1970 centerfold and were the first (but not last) identical twins to do so. Both also appeared in movies, always together, because, well, twins. Their most remembered feature is Hammer’s schlock vampire classic Twins of Evil (although only one twin is a vampire in the movie). Sadly, Madeleine Collinson died last month on Malta
 
Lastly, Sophia Loren urges women to have sex before marriage. Loren describes women as “ridiculously moral. So they go out and marry a man without having a love affair first to find out if they are compatible.” Any potential husband, she says, might be anything from a sadist to a eunuch, and she recommends premarital sex, trial cohabitation, and state mandated probationary marriage that doesn’t legalize until three years have passed.
 
We have a few scans below, about fifteen issues of National Informer and National Informer Weekly Reader we’ve already shared (we’ll get you started in the archives here, here, here, and here), and we have nine more issues we hope to get through eventually. If that prospect doesn’t scare you nothing will.


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Femmes Fatales Oct 26 2011
FENECH OF THE WOODS
If a woman strips in the forest and no one sees her, did it really happen?

Edwige Fenech was born Edwige Sfenek in French-controlled Algeria to Maltese and Italian parents, and went on to become one of the most inspiring sex symbols of the late ’60s and early ’70s, acting in giallos, comedies, and horror films, hosting a chat show in the 1980s, and recently appearing in Hostel: Part II. The striking image above is from the German magazine Sexy, and it dates from 1971 or 1972. The caption tells us Fenech is the “Traum-Girl der Woche,” or Dream-Girl of the Week. 

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Intl. Notebook Dec 30 2010
TRUE ROMANCE
Traveling a road without an end.

A couple of days ago we did a post of Mexican film magazines and basically, we knew none of the cover stars. But we were curious, especially about the interestingly named Viviane Romance, and decided to dig a bit more deeply. Born Pauline Arlette Ortmans in 1912, her career began in 1925 at age thirteen, when she danced at the Sarah Bernhardt Theatre in Paris. The next year she scored a spot as a Moulin Rouge dancer, and at sixteen moved on to dance at the famed Bal Tabarin nightclub. At eighteen she entered and won the Miss Paris pageant but was stripped of her title when she was found to be pregnant. However, the scandal generated headlines and she parlayed the notoriety into a film role in 1935’s Princess Tam Tam, which starred American dancer Josephine Baker. In 1936’s La belle équipe, she played the role of a young woman who destroyed the friendship of co-stars Jean Gabin and Charles Vanel. The film was a hit, and a series of bad girl roles followed in Naples au baiser de feu, La Maison du Matais, Prisons de femmes and Le puritain. She had become one of cinema’s first femmes fatales.

When the German army swept into France in May 1940, Romance found herself caught in a dilemma. The Nazis were eager to create a veneer of normalcy. That meant they were willing to allow the French film industry to function, though under the auspices of their Propagandastaffe, which would censor any content deemed disrespectful or harmful toward Germany. Faced with the choice of working for the Nazis or retiring—which might not have been allowed without serious consequences—Romance chose to continue performing, and starred in Vénusaveugle, Feu sacre, Une femme dans la nuit, and Cartacalha, reine des gitans. In the last, she sang the hit song “Chanson gitane (Sur la route qui va).” It’s worth pointing out that Romance wasn’t alone in her decision to perform for the Nazis. Many of France’s top stars, including Danielle Darrieux, Junie Astor, René Dary, Suzy Delair, Albert Préjean and others did the same. In most instances, some type of pressure was brought to bear. For instance, in Darrieux’s case, the Nazis had imprisoned her husband Porfirio Rubirosa, and her acting was the price for his freedom.

But of course, giving the Nazis an inch meant they would take a mile. Ever vigilant for propaganda opportunities, party officials pressured Romance, Darrieux and the other actors into traveling to Germany for a highly publicized visit to several Berlin film studios. Newspapers and newsreels touted the appearances in a blatant attempt to burnish the Nazis artistic bona fides. For the segment of French citizenry opposed to the occupation, the actors had crossed the line. It was one thing to continue working—everyone needed to do that. But to allowthemselves to be used to legitimize the Nazi agenda was an entirely different story. When the Germans were finally expelled from France in 1944, Romance was thrown in jail. We don’t have much information about this event. We can only say she was eventually forgiven—officially at least—for what many perceived as her feeble level of the resistance to the Nazis.

After the war, Romance immersed herself in work, making eight movies in the next three-plus years. In 1949 she played the role of Bella in the film Maya, for which you see the promo art at top. Her performance was lavishly reviewed—she was the toast of Paris again. Romance worked steadily through the next decade until her star began to dim in the early 1960s. She grappled with financial difficulty in the mid-1960s, and at one point had to sell off her possessions to survive. She made her last film, Nada, in 1974, and died in 1991 in Nice, on France’s Côte d’Azur, at age seventy-nine.

It would be journalistically tidy to write that Viviane Romance lived a life that somehow embodied her stage surname, but it would also be glib and untrue. The scandal of unwed motherhood, the climb up the ladder while still just a teenager, the shadow of Nazism over the prime of her career—none of it can be romanticized. Nor can her three failed marriages. If anything, Romance was like the narrator of the song she once memorably performed, “Chanson gitane.” That woman was strong enough to pass “with a noise of horses” but fragile as “a shiver of tinsel.” Like Romance, she set out too early on a road that was always incomplete. 

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Vintage Pulp Nov 8 2010
PULP AFFLICTION
The stuff that bad dreams are made of.

Any movie called Pulp is one we must watch, and since Mike Hodges of Get Carter fame helmed the production we were confident going in, especially since we knew it featured pouty Italian  bombshell  Nadia Cassini and numerous locations in some of the prettiest and most remote parts of Malta. In fact, as a travel piece the film is flawless (Hodges could have written it for the sole purpose of getting a Mediterranean vacation on the Hollywood dime), but as satire, it’s torturous, despite a few clever sight gags and four or five sharp one-liners. Don’t get us wrong—there are merits: always-interesting star Michael Caine, character actor Lionel Stander, and Hollywood icon Mickey Rooney. But there was also a lot of bad: star Michael Caine sleepwalking through the production in owl glasses and a pompadour, character actor Lionel Stander in a cock-hugging one-piece bathing suit, and Hollywood icon Mickey Rooney getting his dangle on in size forty tightie-whities. To quote our girlfriends, “Eew.” Yes, we know they’re riffing on their own tough-guy images. But still, eew. The main problem with this movie is there’s simply no—if you’ll excuse the term—thrust to the plot. Even satire needs to go somewhere, otherwise it's just middle-aged men showing their packages for nothing. If Rooney and Stander ever watched Pulp without cringing they did better than us. However, since scantily-clad men are rare in the macho world of pulp, we’ve posted some beefcake as a treat, below. And afterwards, we have some shots of Malta that’ll really turn you on. Pulp opened in the U.S. this week in 1972. 

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Vintage Pulp Jul 31 2010
FINE FEATHERED FRIEND
Black bird singing in the dead of night.

Above are two French posters for one of our favorite movies, The Maltese Falcon. Dashiell Hammett’s novel was originally adapted in 1931 by Roy Del Ruth with Bebe Daniels and Ricardo Cortez in the leads. Though that version was good, John Huston and Warner Brothers Studios chose to remake the film in 1941 and hit the jackpot pairing Humphrey Bogart and Mary Astor as Sam Spade and Brigid O’Shaugnessey. With Peter Lorre, Sydney Greenstreet and Elisha Cook, Jr. in supporting roles, the film was loaded with top talent and is considered the first film noir. If you haven’t seen it, rent it. And if you like it, rent the 1931 version too—the contrast is striking. Le faucon Maltais opened in Paris today in 1946. 

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History Rewind
The headlines that mattered yesteryear.
October 13
1970—Angela Davis Arrested
After two months of evading police and federal authorities, Angela Davis is arrested in New York City by the FBI. She had been sought in connection with a kidnapping and murder because one of the guns used in the crime had been bought under her name. But after a trial a jury agreed that owning the weapon did not automatically make her complicit in the crimes.
October 12
1978—Sid Vicious Arrested for Murder
Sex Pistols bassist Sid Vicious is arrested on suspicion of murder after the body of his girlfriend Nancy Spungen is found in their room at New York City's Chelsea Hotel. Vicious and Spungen had a famously stormy relationship, but Vicious proclaims he is innocent. He is released on bail and dies of a heroin overdose before a trial takes place.
1979—Adams Publishes First Hitchhiker's Book
The Hitchhiker's Guide to the Galaxy, the first of five books in a series, is published by Douglas Adams. The novels follow on the heels of the tremendously successful British television series of the same name.
October 11
1976—China Coup Thwarted
The new head of the Chinese Communist Party, Hua Goufeng, snuffs out a coup led by Chairman Mao's widow Jiang Qing and three other party members. They become known as the Gang of Four, and are tried, found guilty of treason, and receive death sentences that are later commuted to lengthy prison terms.
1987—Loch Ness Expedition Ends
A sonar exploration of Scotland's Loch Ness, called Operation Deepscan, ends after a week without finding evidence that the legendary Loch Ness Monster exists. While the flotilla of boats had picked up three sonar contacts indicating something large in the waters, these are considered to be detections of salmon schools or possibly seals.
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