Marie Forså gives a lofty performance in a down and dirty classic
Above is a Japanese poster for the Swedish film Butterflies, another sexploitation romp featuring blonde-on-blonde sex symbol Marie Forså. The movie also stars Harry Reems and Eric Edwards, two legit porno actors from back in the day, here getting a chance to do some mainstream work. The basic thrust, so to speak, of the plot involves a country girl who goes to the big city and has various sexual adventures with older and more experienced men. You know the drill.
As with other Forså films, there are explicit scenes, but in this case it's actually her doing the deed. There are several uncut pans from face to nether regions in two of her bed sessions that leave no doubt. There's confusion around this because the filmmakers wanted a gynecological version of the movie and shot jarring close-ups of thrusting genitalia. Those aren't Forså's. They were shot later to make the film extra explicit. Because of those inserts the continuity of the original scenes was ruined, and assumptions that Forså was replaced by a body double came into being.
We have to say, even though the intercourse is real, that doesn't mean the sexual ecstasy is, but Forså is a good performer in this regard. You may even believe she's having the best sex of her life. This is of course not the norm for porn actresses, whose fakery generally is obvious. But Forså is a force of nature. We don't know if there's a version of the movie that omits the explicit inserts. If there is, that's the one to watch. But either way, Forså's innocent looks, combined with an uninhibited performance, make Butterflies a true blue classic. It premiered in Japan today in 1975.
To Bibi or not to Bibi? That's a rhetorical question.
Remember way back when we talked about the Marie Forså sexploitation flick Bibi? Probably not. It was years ago. In any case we found a collection of promo images from the film and we're not going to pass up an excuse to revisit it because, though the film is not great, Forså and women like her are historical treasures, artifacts of a type of cinema that has all but disappeared. Some say that's a good thing. We don't. To have sex is biologically hardwired into us, and it's constantly on our minds, therefore exploring its possibilities in media—whether visual, written, musical, or merely spoken—is about as normal a compulsion as we can imagine. Bibi is a helluva piece of media. It was made in Sweden but these promos are West German, and show Forså and co-stars Anke Syring, Birgit Zamulo, et al., in a colorful light. Bibi, aka Girl Meets Girl, aka Confessions of a Sex Kitten, premiered in West Germany today in 1974.
Marie Forså indulges in a summer of ecstasy.
Marie Forså appears above on yet another beautiful Japanese promo, this time for Molly, aka Sex in Sweden, a sexploitation flick based—very loosely we think—on Moll Flanders. The only similarity seems to be that the main character is away from home (in the Côte d'Azur, poor tortured thing) and undergoes a sexual awakening. The version we watched was fully hardcore, with scenes performed by Anne Magle and others. Forså's sex scene is shot with a body double, which is a little strange considering she already had an x-rated magazine spread to her credit, but it was a very obscure Swedish publication, which is a whole different ball game, so to speak, from doing the same for international cinema audiences. Without her sex scene and the several others scattered at intervals Molly would be maybe 40 minutes long, and that should tell you exactly what to expect in terms of plot—dubious Moll Flanders connection notwithstanding.
We usually post screenshots or production stills when we write about a film, but we won't bother with that here because our copy's image quality was blurrier than your vision after several hits of the aforementioned ecstasy. Instead we decided to share the below image of Forså. It's rare, and with Forså covering her furry bits it reminds us of the many Japanese promos we've uploaded. We think it's a beautiful shot, but others—possibly our girlfriends among them—may disagree. Well, if they have any serious objections about our website it's way too late to register them now. We're going to talk about one more of Forså's movies before consigning her to the completed bin, so look for that a bit later. You can see our other posts on her movies by clicking her keywords at bottom. Molly opened in Sweden in 1977 and premiered in Japan today in 1978.
Marie Forså is clean as a whistle.
We already covered the Swedish sexploitation flick Flossie back in December and paired the write-up with a West German promo poster. Above you see an exceedingly rare Japanese promo for the same film, with young star Marie Forså giving us various O-faces, as well as reclining nude in the center. Pretty sure this one hasn't been seen online before. Flossie opened in Japan today in 1975. You can see the other poster here.
Flossie regularly is good for your mental health
Yes, Marie Forså is back in another of her popular sexploitation romps. We just checked her out in 1973's Der Fluch der schwarzen Schwestern, saw her a while back in Bibi, and here she is again in 1974's Flossie, aka Swedish Sex Kitten. We could tell you the movie is good, but there's barely any movie to recommend. In the same way a chocolate chip cookie is just a delivery system for sugar, a production like this is just a delivery system for boners. This one takes two passes at that goal, with a softcore version, and a harder iteration with some actual penetration scenes edited in. Despite the audience's most fervent wishes, these aren't Forså's furry nether regions having a grand opening, but some other natural blonde's, woven in cleverly enough that some viewers may not notice. But you know the old rule—if the face isn't in the edit, a body double gets the credit. We've now watched three Forså movies and we think that'll about fill our lifetime quota. They're all the same—sweet, easy to enjoy, and with some gooey parts. Just like chocolate chip cookies. The above poster was made for Flossie's West German premiere, where it began delivering boners today in 1974.
Ménage à trois? With that little thing I don't think he can ménage à one of us.
Oh yeah, baby, this is great. Give it to me. Make me— Hmm, has that crack always been in the ceiling?
I forgot to wear sunscreen today. I didn't get too red, did I?
Nose all clean? Yes, all clean. And look—no bats in my cave either!
Can we stop soon? Doing it on the rug sounded fun but I'm getting a friction burn on my spine.
Mwah! That was wonderful. I guess you're right. Who needs men?
We're gonna need a bigger bottle of shampoo.
What do I look like—a waitress? Get your own damn drinks. These are all for me.
You know, after all we’ve shared I feel strange just dumping him in a salad.
Vila på sex, starring Marie Forså, was one of those mid-seventies softcore films that was also released in a fully x-rated version. Add to that the international releases and you get a film with many retitlings, among them Baby Love, Girl Meets Girl, and Confessions of a Sex Kitten. But basically, outside its native Sweden it was mostly known as Bibi, which is the title it retained for its Japanese premiere, today in 1974.
Sixteen year-old Bibi is an innocent girl who leaves her home in the sticks for her aunt’s boarding school and immediately starts going at it hot and heavy with the resident lesbians—and one zucchini. Bibi decides she likes sex, whether animal or vegetable, and begins seducing her way around town. She sleeps with her aunt’s friend, the local stud, and a female swimming club, and in the process spends a large percentage of the second half of the movie naked. All good fun at first, but because there’s no such thing as consequence-free sex in cinema—even in the unfettered seventies—troubles soon result.
But under Joe Sarno’s sedate direction Bibi never gets too heavy—in the end some tears are shed, confessions made, and lessons learned. Perhaps only the zucchini was truly harmed. As a side note, we aren’t sure yet, but we think much of Bibi’s footage was recycled for another sexploitation film called Flossie, released the same year by the same director and utilizing the same cast. We’ll check on that. In the meantime, we have a little slide show below.
The headlines that mattered yesteryear.
1930—Selassie Becomes Emperor
Haile Selassie I, whose birth name Tafari Makonnen and title "Ras" give the Rastafarian religion its name, is proclaimed emperor of Ethiopia. Selassie would become one of the most important leaders in African history, and earn global recognition through his resistance to Italy's illegal invasion of Ethiopia in 1935. Selassie died in August 1975 under disputed circumstances.
1984—Marvin Gaye Dies from Gunshot Wound
American singer-songwriter Marvin Gaye, who was famous for a three-octave vocal range which he used on hits such as "Sexual Healing" and "What's Going On," is fatally shot in the chest by his father after an argument over misplaced business documents. Gaye scored forty-one top 40 hit singles on Billboard's pop singles chart between 1963 and 2001, sixty top 40 R&B hits from 1962 to 2001, and thirty-eight top 10 singles on the R&B chart, making him not only one of the most critically acclaimed artists of his day, but one of the most successful.
1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays.
1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
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