 Sometimes it's better if you don't go all the way.  
Above is another case where the foreign promo material for a film surpasses the domestic version, something that happened increasingly as U.S. studios gave up on painted art, while foreign distributors kept on with the traditional ways. These two Italian promos were made for Quando baci una sconosciuta, which was produced in the U.S. as Once You Kiss a Stranger. The film stars the lovely Carol Lynley, so the odds of ending up with a nice domestic poster were high, but Warner Brothers flubbed it. Have a look at their effort below and we think you'll agree it's almost disgracefully bad. Meanwhile the Italian promos were painted by Tino Avelli, someone whose we've highlighted before, and while these don't rise to the level as some of most magnificent posters from Italy, they're still pretty nice.
Once You Kiss a Stranger is a reworking of Patricia Highsmith's 1950 novel Strangers on a Train, but with a woman in one of the leads. These days many would complain that this is evil “gender swapping,” but dramatic plotlines are finite in number, therefore freshening up old material in this way has always been attractive to Hollywood. They're doing it a bit more of late because today there are fewer new ideas than ever, and because ticket buyers—by which we mean the diverse people under age thirty who actually fuel profits—like it and put down good money to see it.
Lynley plays a deranged woman who intends to exchange murders with a golf pro played by Paul Burke. Lynley is about to be permanently committed to a mental institution, while Burke always finishes second in his tournaments to Phil Carey. Lynley offers to solve that problem by killing Carey, and expects Burke to kill her psychiatrist in exchange. Just as in the novel, as well as Alfred Hitchcock's 1951 cinematic adaptation, the key to making this plot device work is the protagonist  not believing what he's being told. Once You Kiss a Stranger makes that part more realistic than either Highsmith or Hitchcock by simply having Burke agree to anything that gets the tanned and toned Lynley into bed. This is where casting a woman pays dividends. The entire entrapment is now in shorthand because everyone in the cinema understands the visceral need to get inside Lynley. Hell, for her we'd promise to rope the moon. We'd swear an oath while covered in goat's blood. We'd swim a lake of fire.
Point is, you can understand Burke's attitude being, “Uh huh... I hear you... murder... understood... can you take off your panties real slow?” However, Burke being led by his dick into trouble is the only improvement Once You Kiss a Stranger manages over what came before. The rest is a pale imitation of two scintillating sources, and done on a level dialogue-wise that Mystery Science Theater 3000 would epically mock. We can't recommend it, but speaking only for ourselves, we'll watch anything with Lynley. Full stop. Once You Kiss a Stranger, with her, Burke, Carey, and the lovely Martha Hyer aged forty-five and looking fantastic, premiered today in 1969.
                         
 Guess who's calling the shots now?  
Above, American actress Martha Hyer in two promo shots made for her role as a gun moll in the 1954 crime drama Down Three Dark Streets. It's her fourth femme fatale appearance on Pulp Intl., which puts her three behind ultimate femme Christina Lindberg. See Hyer's other photos by clicking her keywords below.
 Martha Hyer gives us the long and the shorts of it.  
We featured Martha Hyer as a femme fatale a few years ago, but these photos show a different side of her so we thought we’d bring her back. This is a pose she liked, apparently, and all the better that she looked great striking it. Both of these are from around 1955.
 Suddenly we believe in a Hyer power. 
American actress Martha Hyer first appeared in films in 1946, which makes her another golden age actress who is still around today. She was predominately cast in westerns, however did appear in the thriller The Velvet Touch, the comedy Abbott and Costello Go To Mars, and the musical Bikini Beach. This was shot by Lativian-born photographer Philippe Halsman in 1963, and appeared in the German magazine Intim.
 The women inside the movie camera.
Below are eighteen timeless Hollywood leading ladies, some well-known, some less so, but all gleamingly beautiful. They are, top to bottom, Mari Blanchard, Carmen Phillips, Grace Kelly, Jane Adams, Joan Vohs, Martha Hyer, Laurette Luez, Tippi Hedren, Marguerite Chapman, Janet Leigh, Venetia Stevenson, Annabella, Muriel Barr, Lana Turner, Kim Novak, Paula Drew, Ann-Margret, and Vera Miles. Happy New Year.
                 
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The headlines that mattered yesteryear.
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property. 1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again. 1954—Joseph McCarthy Disciplined by Senate
In the United States, after standing idly by during years of communist witch hunts in Hollywood and beyond, the U.S. Senate votes 65 to 22 to condemn Joseph McCarthy for conduct bringing the Senate into dishonor and disrepute. The vote ruined McCarthy's career. 1955—Rosa Parks Sparks Bus Boycott
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city's racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city's African-American population were the bulk of the system's ridership.
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