The Lowdown has the scoop on a fantastic plastic.
Today we're back to tabloids with an issue of The Lowdown published this month in 1962. The cover features Bob Hope goofing around, Elizabeth Taylor looking serious, Kim Novak nuzzling, and a random naked party girl randomly partying naked. Inside the issue are stories on Hope getting the hots for trans star Coccinelle in a French nightclub, Novak raking a series of suitors over the coals, and baseball players succumbing to greed. So much material in these tabloids, and so little time to highlight a story or two. But forced to make a choice, we're opting to discuss a piece on something called Scoobeedoo. How can we not? We all remember the cartoon, and now this story seemed guaranteed to tell us where the name of the legendary dog came from. We never knew we wanted to know that. But when we saw the word Scoobeedoo we realized, yes, we want to know.
Lowdown describes Scoobeedoo as a craze and a do-it-yourself gimmick. Apparently, it was popularized when French singer Sacha Distel wrote a 1958 song of the same name. But he didn't invent it—he just sang about it. The actual thing was invented by a French plastics company and called Scoubidou. It was basically a spool of brightly colored plastic cord that could be woven or tied to make—well, whatever you wanted. Youcould make lampshades, baskets, placemats, keychains. A California man famously used it to make bikinis. We imagine it would work for household repairs, light sexual bondage, whatever you needed it for. The stuff was as popular as the hula hoop for a while. Apparently figures in the electrical industry even complained that a shortage of wiring insulation was due to Scoubidou because it used the same type of plastic.
Readers above a certain age will already know about all this, of course, but we had no idea. We weren't around back then. And that, succinctly, is why we maintain this website—because we learn about a past we never experienced. But surprisingly Scoubidou isn't just the past. It apparently still exists. It even has a Wikipedia entry with examples of the many things you can make (but no bikinis). So this was a very informative issue of The Lowdown, all things considered. The only thing we're bummed about is that our Scoubidou research provided no actual confirmation that the cartoon dog Scooby-Doo got his name from the toy. But he had to, right? Maybe a reader has the answer to that. In the meantime we have more than twenty scans below for your enjoyment and other issues of The Lowdown you can access by clicking the magazine's keywords at bottom.
Update: a reader does have the answer. One of you always does. J. Talley wrote this:
The series was originally rejected by CBS executives, who thought the presentation artwork was too frightening for children and that the show must be the same. CBS Executive Fred Silverman was listening to Frank Sinatra's “Strangers In The Night” (with the scatted lyric “dooby-dooby-doo”) on the flight to that ill-fated meeting. After the show was rejected, a number of changes were made: the Hanna-Barbera staff decided that the dog should be the star of the series instead of the four kids, and renamed him Scooby-Doo after that Sinatra lyric. The spooky aspects of the show were toned down slightly, and the comedy aspects tuned up. The show was re-presented, accepted, and premiered as the centerpiece for CBS's 1969-1970 Saturday Morning season.
Thanks, J. That's another hole in our historical knowledge successfully filled in. Is it any surprise Sinatra was involved somehow? That guy really got around.
Tonight they're gonna party like it's 1955.
Questions abound on this cover of Inside Story, but for each one there's an answer. What did Prince Rainier not tell Grace Kelly? That the palace in Monaco was cold and drafty, and she couldn't sleep in the nude anymore because the premises were open to the public from 9 to 5. What was the amazing Frank Sinatra hoax? His studio Carlyle Productions started a whisper campaign that he was such a dedicated actor that he actually used heroin while filming the heroin drama The Man with the Golden Arm. What is the secret fear that haunts Perry Como? That his family might be kidnapped.
All of these pieces are fascinating, but since it's baseball season and people are high on the front-running New York Yankees right now, we'll point to the story, “The Real Reason the Yankees Lost!” What they lost was the 1955 World Series, and it happened—according to Inside Story—because they were partying too hard. They were ensconced at the Concourse Hotel for the Series, a hole-up made possible by the fact that their opponents were the Brooklyn Dodgers. So with both the home and away games taking place in New York City, and the players barred from sleeping in their own houses to avoid family distractions, the superstar Yanks did some major league carousing.
Inside Story scribe Manuel Shaw describes an allegedly typical scene: “Mickey Mantle, Phil Rizzuto, and several other Yankees were sitting around the lobby of the hotel when three lovelies from a nearby night spot showed up. Since the cuties were entertainers familiar to one or two of the players, and were rabid Yankees boosters, it was not remarkable that they were soon in animated conversation with the group, which shortly adjourned from the lobby to an upstairs suite.”
Then he moves into this bit: “A beauteous brunette [was in the hall] clad only in a negligee. The two players wanted to spend some time with her, and they agreed that they would rather do it separately, but she insisted it would be more fun if they both stayed, and after a while she persuaded both of them to come back with her to her room. Soon a real party was underway, joined by many other Yankees, and several doting females who lived at the hotel.”
Well, what good is being a member of the famed Yankees if you can't do some Yankee doodle diddling? Most guys we know can't resist a free beer, let alone a woman in lingerie. A little later in the story, after the question of whether professional gamblers employed the party girls to distract the Yanks, we get this: “If true, this parallels the persistent story in gambling and diamond circles that the voluptuous Marilyn Monroe was introduced to Yankee star Joe DiMaggio just in order to take his attention off the Yankee pennant drive of a few years back.”
Did Inside Story really just say Marilyn Monroe was a mafia Trojan horse? Yup. They did. No ambiguity there. The magazine does not go so far as to say Monroe was aware of the set-up, so perhaps it was a matter of maneuvering her into the same space as DiMaggio at the same time and letting nature take its course. There are worse ways for a man to fall from the sporting mountaintop. And talk about a soft landing. We doubt the story, but you never know. There are far crazier tales starring Monroe. We have about thirty-five scans below, and more tabloids coming soon.
A change is gonna come.
The mid-century tabloid obsession with transsexuals and gender reassignment continues with this issue of The National Insider published today, 1964. This time the subject is Abby Sinclair, who started life as Alvin Sinclair, but changed her sex and—like Coccinelle and Christine Jorgenson before her—became famous on the exotic dance circuit. Somehow Insider got exclusive rights to Sinclair’s story, and ran it as a serial entitled “I Was Male.” The series was later published as a book.
Sinclair, who sources agree had beautiful results with her reassignment, went on to a dual career as a stripper under the management of famed NYC promoter Bobby Colt, and as a manicurist named Alice at the Stage Barbershop in Manhattan. We found this out from a copy of (don’t laugh) The Beaver County Times from June 1965. Our guess is that the manicurist job was an excuse to get close to New York celebs, since her workplace was the preferred haircut stop for the likes of Mickey Mantle, Roger Maris, and Tom Poston.
The Times shares an anecdote about a famous columnist who saw Sinclair at Lou Black's Bellydance Emporium one night and recognized her from the barbershop. He sent a note to her only to be informed by Bobby Colt: "That's not Alice, and it's not a girl. That's a guy named Alvin Sinclair from Brooklyn who had one of those operations." Though it sounds as if Colt was turning his own client into a punchline, he really wasn't—the sex change was Sinclair's calling card, and all of her regulars knew she had been a man. For Colt, the more people who knew the story the better. We found nothing more on Abby Sinclair—her moment in history passed quickly. But life goes on, and wherever she went we suspect hers was always eventful.
Days go by and still I think of you.
In the United States, Major League Baseball’s 2010 season opened last night with a couple of games, but today is the first full slate of baseball, and in commemoration we’ve tracked down a few images of baseballers from the past. We won’t identify every player, but we do want to make special mention of a few. In panel two below you see Ty Cobb spiking catcher Paul Kritchell in the nuts. Why? That's just how he rolled. Panel three shows Buck Leonard of the Homestead Grays running out a grounder against the Philadelphia Stars during the 1945 season, and below him is Oscar Charleston. Leonard, Charleston, and Josh Gibson, in panel eleven, are all Negro League players who were inducted into the Major League Baseball Hall of Fame way back in the early seventies. Allthree are considered by sports historians to be among the best who ever played their positions, though they never played in the Major Leagues. Lastly, in panel fourteen you see Lefty Grove, one of the great pitchers of his era, frozen in time just before a game, forever young.
We decided to post all these photos because we’re basically a history site, and baseball, more than any other American sport, is inextricably bound with the country’s history. When you think of Ted Williams, you don’t just think of baseball—you think of World War II. When you think of Joe DiMaggio, you think of Marilyn Monroe and her tragic ending. Hank Aaron, chasing a sacred record with grim determination, is part and parcel of the civil rights movement—not for anything he said, but just because that was his place in time. For every era of baseball, the facesconjure moments on the field, but also events far from the confines of the ballpark. This is what makes the boys of summer such a special group. Seasons change, winter inevitably comes, careers and lives end, but their niches in history are secure. Meanwhile these images are a reminder of just how long and wonderful the summer can be. Enjoy the season everyone.
The headlines that mattered yesteryear.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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