| Vintage Pulp | Mar 29 2023 |
What do you mean you're not in the mood?
It's time for another look at George Gross, one of the true giants of mid-century paperback and magazine illustration. On this cover for 1945's As Good As Married you see that the artist who was a master of ornate clothing and highly sculptural hair was also capable of dialing it back a bit. The author here, Perry Lindsay, was Peggy Gaddis writing under a pseudonym. We recently bought a book she wrote as Lindsay that we'll get to in a bit. She's usually an entertaining author, so we're looking forward to that.
| Vintage Pulp | Apr 28 2022 |
I agree we should put off getting married. For one thing, we'd both have to get divorces first.
We've said it before—you never what you're going to get when you buy vintage paperback digests. The cover art, as in the case of James Clayford's 1949 novel Marriage Can Wait, often has nothing to do with the content. This looks straightforward but it's one of the stranger tales you'll come across. It was written by Peggy Gaddis under her Clayford pseudonym, and it's about a hard partying yacht trip from New York City to Jacksonville, peopled by six jet-set types and one everyman named Tony Ware.
As the only unwealthy person aboard aside from the crew, Tony takes it badly when the yacht's owner Elaine Ellison jilts him one night. She'd invited him to her cabin for nocturnal fun, but he arrived to find another man there. In embarrassment and disgust he jumps overboard and swims ashore. He thinks he's swimming to the Florida mainland. He actually ends up on an island nudist colony. He's horrified, but since supply boats come only once a month the only way he can eat is to doff his garments and join the colony. And it's there that he finds true love in the form of Eve Darby.
Tony's yachting pals, who are habitually hungover each day, assumed he'd abandoned them in port one morning and they'd simply slept through it. Nobody is concerned except Elaine, who realizes she behaved terribly toward him. Weeks later they sail to the nudist island thanks to a bizarre subplot that has them half-jokingly searching for Blackbeard's buried treasure. They don't know the place is inhabited, but they soon find out, and can only stay if they agree to become nudists, which Elaine and her five idle rich friends do in order to secretly search for the treasure.
Tony's yachting pals, who are habitually hungover each day, assumed he'd abandoned them in port one morning and they'd simply slept through it. Nobody is concerned except Elaine, who realizes she behaved terribly toward him. Weeks later they sail to the nudist island thanks to a bizarre subplot that has them half-jokingly searching for Blackbeard's buried treasure. They don't know the place is inhabited, but they soon find out, and can only stay if they agree to become nudists, which Elaine and her five idle rich friends do in order to secretly search for the treasure.
They of course find the long lost Tony, and Elaine is ashamed at how she treated him, then smitten as she realizes she loves this newly bronzed hunk. The only way to try and win him over is to stay at the colony—plus the treasure might be there too—so she settles in for an extended nude sojourn. We'll stop the synopsis there except to say that you have to give Gaddis major points for creativity. The cover art, by the way, is uncredited.
| Vintage Pulp | Oct 12 2011 |
Well, I need a man, but I guess you’ll have to do.
This is a brilliant cover for Joan Sherman’s, aka Peggy Gaddis Dern's Suzy Needs a Man, published 1950. Dern was an extremely prolific author who between 1934 and 1966 wrote under many names, producing mostly romances, nurse novels, and light sleaze. The art here is by the great George Gross, who painted hundreds of covers for every pulp imprint from Detective Book Magazine to Football Stories. We’ll get back to Gross a bit later, but in the meantime you can see more of his work here.
Joan ShermanPeggy Gaddis DernPeggy GaddisPeggy DernGeorge GrossDetective Book MagazineFootball Storiescover artliterature
