We wanted to revisit Dutch illustrator Piet Marée, whose style is so unusual it's very much worth another look. There's nothing biographical out there about him, as far as we can find. But we love his work. Een boodschap aan Garcia, which means, “a message to Garcia,” was written by Luc Willink, aka Lucas Willink, aka Clifford Semper, and published by Hague based Anker-Boekenclubin in 1950. How it relates to Elbert Hubbard's dramatized 1916 essay of the same name (which resulted in a 1936 Barbara Stanwyck movie) is unknown to us. We can tell you it's the same story—U.S. soldier Andrew S. Rowan carries a secret message from President William McKinley to Calixto García, a rebel hiding in the mountains of Cuba, before the Spanish American War. But the point here is Marée's art. We love it. We'll try to dig up more from him to share later. 

Here's an unusual Dutch cover that caught our eye for Martin Porlock's Het Mysterie van de Telefooncel—“the mystery of the phone booth”—published in 1949, with art by Piet Marée. The two characters here sort of look like they're dancing, but they're fighting, probably over which one cut in line for the phone booth (the Dutch are famously bad at queueing). Anyway, this is beautiful work. We can't find more info about Marée, but we'll keep digging, as always. Martin Porlock was a pseudonym used by Philip MacDonald, and the book is a translation of his 1932 novel Mystery in Kensington Gore, which is also known as Escape.