You probably can't pull this look off but there's no harm in dreaming.
Above you see a photo of U.S. actress Rosalind Cash modeling what we like to think of as the classic afro, an image we've posted today because recently we ran across a story on Simone Williams, official Guinness World Record holder for largest afro in existence. We don't know if hers is actually the largest, regardless of what Guinness says, but it's a majestic 'do, beyond doubt. It got us thinking about the hairstyle, which in our book is the coolest of all time.
There are different types of afros beside just the classic. We wanted to feature all styles, and we also bent the definition a little to include what might be categorized more accurately as large perms. We've labeled all the variations below, which will help when you start on the long, winding, and ultimately fruitless road toward your own blowout. We're aware, of course, that there were many male celebs who had afros, but we're sticking with women today. Your journey begins below.
The pure joy afro, as modeled by Gloria Hendry, who appeared in such films as Live and Let Die and Savage Sisters. The regal, by Diahann Carroll, crown not included The bohemian, by Esther Anderson, who appeared in flims like Genghis Khan and A Warm December. The aquatic, by Camella Donner, who's a true water sprit, as we've shown you before. The iconic, by Pam Grier, who did as much to popularize the afro as any film star in history. The tall and proud afro, worn by trans b-movie actress Ajita Wilson. The wild child, seen here atop Italian actress Iris Peynado. The supreme afro, seen here on Diana Ross. The lovely innocence afro, by Brenda Sykes. The you-could-be-bald-and-still-be-smokin'-hot, demonstrated by Get Christie Love star Teresa Graves. The afro-warrior by Cleopatra Jones star Tamara Dobson. Definitely more in the category of a large perm, but she pioneered the high fashion afro, so she's earned some latitude. The too-cool-for-you afro/perm by Vonetta McGee. The action afro, seen here on Jeannie Bell. This barely qualifies, but she had one of the largest afros in the history of cinema, so we can cut her some slack. Check her screen shot in this post to be amazed. The bright-eyed and bushy, by Carol Speed. The action afro again, this time by Trina Parks, who sported this look in Diamonds Are Forever. Is it technically an afro? Tell her it isn't and see what happens. And lastly, the too-big-to-be-real afro, worn by Azizi Johari, whose actual hair you can see here.
There are numerous other afro shots in our website, but we can't possibly remember where they all are, so you'll just have to find them yourself, maybe by clicking the blaxploitation link below. Besides those, we do recall one more afro you can check out. It's on Desirée West, and you'll need to gird yourself for probably the hottest shot in Pulp Intl. history. Ready? Look here.
For British movie lovers Continental Film Review was their ticket across the English Channel.
Continental Film Review was first published—as far as we can discern—in November 1952. We decided on that month because we saw a copy from February 1953 numbered Vol. 1 Issue 4, and the masthead said the magazine was published the first week of every month. CFR would go on to become one of Britain's most popular film magazines, exposing English language readers to the wide variety of foreign movies being made across continental Europe. The above issue appeared this month in 1966 with cover star Maria Pia Conte, and numerous film personalities inside, including Vanessa Redgrave, Alan Bates, Rossana Podesta, Evi Marandi, and more. We have other issues we'll get around to sharing at some point. In the meantime see more here, here, here, and here.
When you're rich you're never insane. You're just a little eccentric.
La notte che Evelyn uscì dalla tomba, aka The Night Evelyn Came Out of the Grave, premiered in Italy today in 1971, and is an Italian made, set-in-England, gothic giallo flick for which we shared an unusual Greek poster some years ago. The art on that was retasked from the original poster, which was painted by Sandro Symeoni, a genius we've featured often. If you don't know his work, click his keywords below and have a look. He's worth your time.
In the movie a British lord violently obsessed with his deceased redheaded wife goes nuts and is committed to a mental institution. When he gets out he immediately brings disrepute to the entire psychiatric profession's notion of “cured” by going on a redhead killing spree. While he's busy reducing rural England's carrottop population one pale person at a time, his headshrinker, who knows nothing of the murders, is encouraging him to remarry in order to get over his dead wife.
That doesn't strike us as responsible psychiatric advice, but as we mentioned, there are lousy doctors in this film, so the Lord indeed picks out a suitable spouse, who's blonde, importantly. Things go fine until Mrs. Lord notices a redheaded maid in the manor. This is impossible, you see, because the Lord hates (and kills) redheads. So it goes without saying he'd never hire one. Who was this woman, and why was she there? Soon we're treated to the reliable giallo staples of imposters, unknown people creeping through the woods at night, disappearing corpses, and the question of whether what's happening is real, or is an attempt to induce insanity.
What might induce insanity for you is the screenwriting of the female characters in this flick. They're pure murder magnets. For example, whenever the Lord meets a redhead he yanks painfully on her hair to see if it's real. “Ouch! That hurt!” “Sorry, I thought it might be a wig.” “Oh.” Here's some advice: kick him in the gonads and run like Flo-Jo. Yet the women instead decide painful hair-pulling is just a cute quirk, and later meet their bloody ends.
There's also an incredible scene where the Lord slaps his wife around until she's bloody-mouthed, only to finally be stopped by the appearance of a friend, who asks, “Why were you fighting?” Why were you fighting? A more appropriate line might be, “Why were you beating the fuck out of your beloved?” But with this latter incident there may actually be a plotworthy reason the Lord is forgiven. We could reveal it, but that would be a spoiler. Of course, saying it would be a spoiler is a spoiler too. Oh no! Everything is spoiled! We have to murder a redhead now. Is that a non-sequitur? No, it's just giallo.
Prosecution maintains that the only way to know if these are in fact the witness's panties is to have her try them on.
As the great defense attorney Johnny Cochran once so memorably intoned, “If the panties don't fit you must acquit.” Lawyering is all about snappy rhymes. Robert Traver knew this because he was in reality John D. Voelker, first a prosecutor, second a justice on the Michigan Supreme Court, and all the while the author of numerous novels. The most famous of those was Anatomy of a Murder, which became an Otto Preminger motion picture starring Jimmy Stewart and Lee Remick. Looking at the odd cover scene above, you probably want to know what's happening. An assistant prosecutor is trying his first case, which centers around a house painter who “did ravish and carnally know” a young woman named Gloria. But it turns out Gloria's mother had interrupted what was actually a consensual encounter, exploded with shame and outrage, and forced her daughter to file rape charges. The case falls apart in court and the young prosecutor is made to look like a fool, so the cover art tries to capture that event. Trouble Shooter was originally published as Trouble-Shooter: The Story of a Northwoods Prosecutor in 1943, with this Bantam paperback edition coming in 1947.
Neglected baseball comedy reminds viewers that the American pastime was also the African American pastime.
Major League Baseball is known as America's pastime. But for decades it was really only the pastime for whites, due to the fact that black participation was banned by every team, and black spectatorship was limited by apartheid laws. But during that time African Americans formed their own leagues, and those teams and players are part of wider baseball lore. As far as we know The Bingo Long Traveling All-Stars and Motor Kings, which is set in 1939, is the only major movie about black baseballers during the pre-integration era. That alone makes it worth a gander. James Earl Jones, Richard Pryor and Billy Dee Williams in the starring roles are bonuses. The plot involves various Negro League athletes who band together and barnstorm around the U.S. They're trying to get out from under bad contracts with their original teams, or bad jobs in mundane professions, but of course this break toward freedom leads to trouble.
The film benefits from excellent exterior location work. Director John Badham makes use of the old sharecropper cabins, winding rural roads, and rickety wooden stadiums of the American countryside. These would have existed in abundance when the film was made in the mid-1970s, requiring little in the way of set design. The authenticity is palpable. In other areas the film misses the mark, particularly in the tone of the performances, which are Vaudevillian and over-vernacularized. Butone aspect of the film hits a bullseye. James Earl Jones expresses it succinctly when he hears that the Major Leagues are scouting black players: “So the white man is finally moving in,” he says, as if speaking about the mafia. He goes on to predict the death of Negro League Baseball. Jones's point is crystalline: the Major Leagues broke the color line not out of altruism or justice, but in order to protect its product.
The oldest Negro League team had been around since 1885. By the 1940s Negro League players had competed against white players and proved to be capable, and in some instances, superior. MLB had a legitimacy problem. It couldn't truly claim to contain all the best baseball players. People were growing more interested in black baseball. Money was being made on the sport beyond the confines of MLB. A lot of money. Breaking the color line cemented the legitimacy of MLB's talent claims, and it obliterated competition from Negro League baseball, which died on the vine. Today black ownership in Major League Baseball is basically 0%. Only the Miami Marlins, with Derek Jeter possessing 4% of the club, can claim—and just barely—to have minority ownership. But a merger of Negro teams into the league rather than a raid of players might well have led to a different story. MLB integrated the field, but ensured future segregation of the owner's box.
Though the color line for players was broken all the way back in 1947, today MLB has another legitimacy problem. Black participation has declined over the decades. Organized baseball requires fields, equipment, sponsorship, and other elements that are scarce in poor communities. Of course, they've always been scarce, but as public money dries up and individual wages stagnate, community support for baseball and family income allowing for participation in it are lacking. African American rostering on Major League Baseball squads is at 1956 levels. Many consider that a travesty; but America being America, many don't. MLB's front office just lately has made some minimal efforts to address the problem. It will be interesting to see how those go. The Bingo Long Traveling All-Stars and Motor Kings premiered in the U.S. today in 1976.
This little guy is a jailbird and he just got his parole today. Who says rehabilitation doesn't work?
Above is a photo of U.S. actress Teresa Graves, whose primary claim to fame was starring in the blaxploitation inspired television cop drama Get Christie Love. It ran for one season on ABC from late 1974 through early 1975. We've never seen it but it seems to have developed a cultish following—no surprise, with Ms. Graves in the starring role. Below you see another shot, and her signature line from the show: “You're under arrest, sugar.” Get Christie Love is being rebooted for a 2018 cable movie with a celestial being named Kylie Bunbury in the starring role, but maybe we'll watch the original first. If we do you can be sure we'll report back.
First the airline loses her luggage. And now this.
Above you see an incredibly rare alternate poster for Poruno no joô: Nippon sex ryokô, aka The Pornstar Travels Around Japan, aka The Kyoto Connection. Notice how it promises SEX in big letters. That English word appeared on many Japanese promos of the era, as we've documented before. Basically, the movie is about a Swedish woman who visits Japan and is abducted by a wacko taxi driver. See the original poster and read what we wrote about the flick at this link.
Woman in critical condition after accidentally swallowing ice pick.
Eunice Sudak was a prolific author, but one whose bibliography is padded by numerous film novelizations, including X—The Man with the X-Ray Eyes and The Raven, after Roger Corman's tongue-in-cheek version of the Poe tale. One of her original pieces of fiction was 1966's The Ice Pick in Ollie Birk, a comedic romp about a widow forced to become a prostitute to survive. That concept is just ripe for humor, right? Almost writes itself. Anyway, the widow discovers the eponymous Ollie Birk dead on her living room sofa with her ice pick in his ear, and of course must extricate herself from this sticky situation. Who did it? Perhaps the rowdy Russians down the hall. The novel is notable for its beat slang, if not its technical merit, and the Lancer Books paperback is notable for its unusual cover art of the lead character Leona Trafalgar dancing with an ice pick in her mouth. We love this image, but it's uncredited, sadly.
This is my disappointed face. You know why I'm making this face? Because I'm fucking disappointed is why.
Originally written by the mysterious B. Traven and published in 1927, The Treasure of the Sierra Madre appeared in the above Pocket Books version in 1948 with Barye Phillips on the cover chores. We have to say, he did a bang-up job capturing Bogart's world weary mug. You already know the story in this book: lust for riches lays a greedy man low. But it's a particularly good riff on that theme. A highly recommended read.
Got a little porn in your past? Don’t worry—the internet will find it.
This Japanese poster promoting a double bill of 1974’s Gosh! (aka Alice Goodbody) and 1975’s The Fireworks Woman features softcore/hardcore actress Sharon Kelly/Colleen Brennan front and center, but she appeared in only one of the films. The other starred Jennifer Jordan, aka Sarah Nicholson, who also appears on the poster, though in the background. Gosh! is a softcore comedy directed by Tom Scheuer featuring Kelly/Brennan as a waitress/wide-eyed ingénue trying to survive/succeed as an actress in Hollywood, while The Fireworks Woman is a fully hardcore tale about a man who joins the priesthood to escape an incestuous relationship with his sister. Spoiler alert—it doesn’t work. It was helmed by Wes Craven—yes, that Wes Craven—under the pseudonym Abe Snake. Porn, whether softcore or hardcore, just makes people want to hide in fake personas, doesn’t it? Scheuer was the only one who didn’t bother and he never worked in cinema again, so the incognitos had it right. But the beauty of the internet is that everyone gets outed in the end. Schwarzeneggar, Stallone, Cameron Diaz, everyone. Happy New Year.
The headlines that mattered yesteryear.
1975—Zapruder Film Shown on Television
For the first time, the Zapruder film of President John F. Kennedy's assassination is shown in motion to a national television audience by Robert J. Groden and Dick Gregory on the show Good Night America, which was hosted by Geraldo Rivera. The viewing led to the formation of the United States House of Representatives Select Committee on Assassinations (HSCA), which investigated the killings of both Kennedy and Martin Luther King, Jr.
1956—Desegregation Ruling Upheld
In the United States, the Supreme Court upholds a ban on racial segregation in state schools, colleges and universities. The University of North Carolina had been appealing an earlier ruling from 1954, which ordered college officials to admit three black students to what was previously an all-white institution. In many southern states, talk after the ruling turned toward subsidizing white students so they could attend private schools, or even abolishing public schools entirely, but ultimately, desegregation did take place.
1970—Non-Proliferation Treaty Goes into Effect
After ratification by 43 nations, the Treaty on the Non-Proliferation of Nuclear Weapons goes into effect. Of the non-signatory nations, India and Pakistan acknowledge possessing nuclear weapons, and Israel is known to. One signatory nation, North Korea, has withdrawn from the treaty and also produced nukes. International atomic experts estimate that the number of states that accumulate the material and know-how to produce atomic weapons will soon double.
1969—The Krays Are Found Guilty of Murder
In England, twins Ronald and Reginald Kray are found guilty of the murder of Jack McVitie. The Kray brothers had been notorious gangsters in London's East End, and for their crimes both were sentenced to life in prison, and both eventually died behind bars. Their story later inspired a 1990 motion picture entitled The Krays.
1975—Charlie Chaplin Is Knighted
British-born comic genius Charlie Chaplin, whose long and turbulent career in the U.S. had been brought to an abrupt end when he was branded a communist and denied a residence visa, is bestowed a knighthood at London's Buckingham Palace. Chaplin died two years later and even then peace eluded him, as his body was stolen from its grave for eleven weeks by men trying to extort money from the Chaplin family.
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