Ever get the feeling you've met someone before?
Shuna and the Lost Tribe and Shuna White Queen of the Jungle were written by British author John King, aka Ernest L. McKeag, and reached bookstores via Harborough Publishing in 1951. Shuna is exactly what she seems to be—the archetypal Western literary fantasy of a naturalistic and uncorrupted white woman maintaining semi-sexual thralldom over black hordes who look on with wonder but never, ever get to touch. She's also a virtual copy, right down to the form-fitting leopardskin tunic, of the character Sheena, who appeared in the 1930s, and was part of a wave of lost world literature, comics, and movies that came after the runaway success of Edgar Rice Burroughs' 1912 novel Tarzan of the Apes. We're a little surprised King was able to basically steal Sheena's name. He seems to have gotten away with it, though—we found no mention in the historical record of legal trouble. Maybe it's like the whole Britney Spears vs. Britney Rears thing. The name is close, but juuust different enough to avoid a lawsuit. Anyway, the cover art is really the thing to focus on here. We love these. They're two of the most striking efforts we've seen from the incomparable Reginald Heade, and a reminder we need to feature him more.
You should have seen it. It was unbelievable. From base to tip it was like this. I swear.
Originally published in 1952, this paperback edition of Hank Janson’s Conflict came from British publisher Alexander Moring in 1957. The art is uncredited and unsigned, but it’s undoubtedly Reginald Heade, who stopped putting a name to his work after seven of Janson’s books brought about an obscenity trial and guilty verdicts. Though Janson’s writing was racy, we doubt that this cover is supposed to convey what we imply. But you have to admit—it’s a really curious pose from the female figure. See a bit more Heade here.
Three Heades are better than one.
The pantheon of pulp illustrators is populous, which means it takes time to get to all of them. Today, we finally get around to celebrating yet another artistic genius, with three great pieces from British painter Reginald Heade. He did his work in the 1940s and 1950s, and his sculpturally coiffed, long-legged dames, often garbed in draped dresses, make his style instantly recognizable. You can see quite a few more Heade pieces at the website goodgirlart.com.