Reiko starts the day out behind again.
We're beginning to get the impression that Japanese filmgoers liked pinku actress Reiko Ike's rear end. We say that because it seems to be featured more than is usual in promo images of pinku stars. Well, here it is again, attached to the rest of her lovely form, and unlike the last time we discussed her posterior anatomy, there's no confusion today, because instead of referring to it as her buns or bun, we're going with cheeks. And there's no doubt people have two cheeks—a left one and the other one. It's good to finally have cleared that up.
It's a bold color but in samurai movies everyone who's anyone wears it.
The above poster was made for the samurai thriller Bôhachi bushidô: Sa burai, known in English as Bohachi Bushido - The Villain. Gorô Ibuki plays a mid-1600s samurai named Kyushi-Issho who goes to work for a gang called the Bohachi that kidnap women from across Japan to sell them into sexual slavery. This gang is uniquely cruel, which suits Kyushi-Issho just fine. He's cruel too. He chops off numerous arms and heads, and generally paints walls red wherever he goes. Enter Reiko Ike, one of the stars of Toei Company's pinky violence genre, as Monkmatsu, who procures women for the gang. When she meets the samurai sparks fly, but she learns that Kyushi-Issho isn't exactly all there.
Their gang is soon arrayed against a rival group, and the tensions come to a frothy head. The conflict is resolved via a blood drenched final battle—a common motif in these films, the same way a final duel is standard in so many American westerns. The nihilistic Kyushi-Issho is fond of saying that to live is hell, yet death is also hell. Somehow, though, he always finds the will make a choice between giving up and going on. For life may be hell, but better the hell you know. Bôhachi bushidô: Sa burai is blades, blood, and boobs done with style, well worth a watch. It premiered in Japan today in 1974.
You know what the ceiling needs? A splash of red. You know what that wall needs? A splash of red. You know what her make-up needed? A splash of red. I like red. I shall paint the entire house this color. Yes. Just as I envisioned. Why stop inside the house? When this woman is torn in half she'll paint the entire yard red.
And now, Reiko and Co.
And lastly, the standard promo poster, as opposed to tateken size at top.
They don't make happy music but it'll stick with you for a long time.
Above, a Toei Company promo photo for Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, featuring one of the great girl gangs of pinku cinema—comprising, counterclockwise from upper right, Reiko Ike, Miki Sugimoto, Masami Soda, Chiyoko Kazama, and Yumiko Katayama. We have some beautiful material on this flick, here, here, and here. It premiered today in 1973.
They're planning to make a sizable withdrawal.
Above is an alternate poster for the bank heist flick Suke Yakuza, aka Female Yakuza Convict, which premiered in Japan today in 1974 and starred Reiko Ike and Yoko Horikoshi. We still haven't tracked down the movie, and since we know of no other promos than the four—including this one—we've now shared, if we ever do find this we won't be able to write about it because we'll have no art to pair with a write-up. Unless, of course, there's yet a fifth poster out there. But we doubt it. So consider this rare horizontally oriented version the last you'll hear from us about this film.
The superstition is true—it's bad luck to cross her path.
This impressive promo poster was made for the pinku actioner Kuroi Mehyô M, aka Black Panther Bitch M, in which Japanese superstar Reiko Ike plays an assassin tasked with getting rid of a troublesome gangster. This is far easier said than done, but she has all the skills a good killer-for-hire needs—she can run fast, climb well, throw knives (and handily placed pitchforks), read lips, perform acrobatics, crush testicles, endure pain, and wear a pantsuit like a boss. We'd love to tell you the film is great, but it's all pretty silly, truthfully. But when Reiko and her soulful eyes and shiny café au lait skin are onscreen does the plot really matter? It might to you, but it doesn't to us. The Japanese title of this, by the way, is actually “Black Rose M.” We don't know where the panther thing came from, but it's an apt description for Reiko. Kuroi Mehyô M premiered in Japan today in 1974.
Good interior design is about finding the perfect accessories.
Reiko Ike, always a favorite here at Pulp Intl., relaxes on a cool modern sofa and tries to decide if she'll get fully dressed at any point during the day. This image, which we've cleaned a little to get rid of an inset box that was obstructing the view, came from a 1974 photo magazine called Young • Idol • Now. However, a similar shot was used on the rear of her collectible LP The World of Ecstasy, so it turns out the photo actually dates from that session, which was three years earlier. See below.
Reiko Ike gives fans a dose of ecstasy.
Like many 1970s Japanese actresses Reiko Ike took advantage of her cinema stardom by releasing music. In 1971 she and Teichiku Records got together put out the album Kôkotsu No Sekai, which as we mentioned above was called in English The World of Ecstasy. Here you see the front cover with its famed topless photo of Reiko, and the rear and inside covers are below. The rear cover is almost identical to the photo in the above post, with the difference being in the direction of her gaze.
The album was basically a novelty release. Only a thousand copies were ever pressed. At least initially. It's since been released as a remastered CD. The original vinyl can be expensive. In the U.S. people try to sell it at anywhere from $100 to $1,000, but in Japan it usually goes for less. The cost differs depending on whether it's a first or later pressing, and whether the gatefold poster is inside, which you see at right.
For the kind of cash people ask for this platter, Reiko can obviously sing like a lark, right? That came across as flip, we know, but actually she's better than you probably suspect. Her voice is low, mellifluous, and quite confident, and interestingly, a lot of the vocals are orgasmic moans and sighs.
She does all this backed by Masami Kawahara & The Exotic Sounds, who had released a 1970 album with orgasmic vocals, so apparently this was a trend. It's weird at first, but after a while it's pretty effective. That may be a good way to describe Reiko's movies too. You can listen to a couple of songs from the disc here and here.
We're gambling that you'll like this poster.
Some of our proudest shares on this website have been the rare posters we've shown you for Hijirimen bakuto, aka, Hidirimen bakuto, aka Red Silk Gambler. All of those amazing promos have now proliferated online and you'll often see them used whenever someone writes about the movie. Well, we have one more to add to the mix, which is the tateken sized promo featuring all the main cast members—Hiroko Fuji, Junko Matsudaira, Mitsue Horikoshi, Eiko Nakamura, Sanae Tsuchida, Reiichi Hatanaka, and Reiko Ike. This should pretty much cover it for this film. Click here and scroll to see the entire collection. Hijirimen bakuto premiered in Japan today in 1972.
Reiko Ike leaves everyone's tongues tied in nots.
Yes, we just shared a rare calendar page of pinku legend Reiko Ike, but what are you gonna do when she stars in photos like this one? We can't not post it. That's a double negative, we know, but some thoughts can only be expressed that way. We can't not not share this photo, because that would be immoral. Is that even right? Not the immoral part. The not part. If you decide you're not not not not going to do something, that means you're going to do it, right? Or maybe you can only successfully use a single double negative, and all the extra nots can only be used as emphasis rather than meaning, like saying you're never never never never going to do something, in which case that would mean you're not going to do it. Tricky questions. We could avoid them by using a single positive, but that would lack the exactness of the double negative. We will post it lacks the punch of we can't not post it. The meaning is similar, but the double negative removes our control over the decision, which is useful when the Pulp Intl. girlfriends look at the site. Baby, we couldn't not post it. So the double negative is better than the single positive and there's no such thing as a double positive. Well, maybe that's not strictly true. For instance, we're double positive about posting this photo. And gramatically speaking, people do say yes yes under certain circumstances, but those circumstances shouldn't occur while looking at naked photos on a computer. If that happens, we can only suggest that it's time to ask someone on a date. |
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.