It's been a couple of years, but today we're returning to Éditions R.R., one of the French publishers that took great care with its cover art. This one for 1953's Et treize fois impure by René Roques is amazing. The title of the book means, “and thirteen times impure,” which tells you it's an erotic novel, assuming the art didn't already do that. Said art is uncredited. Click the keywords to below to see several more beautiful R.R. covers. 

Above is a cover from French publisher Éditions R.R., for Secrets, by author René Roques. Easiest way to get published: own the publishing company. We discuss that and other things about Roques in a bit more detail at this link. The art here is by Jef de Wulf, whose work we've shared numerous times. We love him. There's a lightness and ease to his pieces that few paperback artists achieve. We'll have more from him later. 

Éditions R.R. specialized in beautiful covers, and this one continues the trend. The art is by Jef de Wulf, and it fronts Dit oui, Madame by René Roques. You can't tell, but this is about a woman who falls in love with a robot. And he's a French robot, so he shares his feelings, which is more than you do. Roques actually got racy enough here that the book was banned shortly after publication in 1957. Still, we bet it wasn't as wild as this mechanical lover novel. Or for that matter this one. They say robots are going to take all our jobs. Add sex to the list. 

Above is a beautiful cover for La Chance aime le jolies filles, published in 1955 with art by an unidentified genius. The work looks like Jef de Wulf to us, but we won't swear to it because we've guessed wrong before. French book titles can be a bit arcane but not this time—it translates as “luck loves beautiful girls.” Roques was an interesting character. He was both author and publisher of this and other books, running his company out of Boulevard Beaumarchais in Paris. He continually pushed the boundaries of what censors considered acceptable, for twenty years skirting but managing to avoid serious trouble, though books like 1955's Viol and 1957's Dit oui, madame were banned. Roques did not skimp on cover art. Every edition we've seen from his company is beautiful. In fact, one of our favorite fronts ever came from Roques. See that here, and expect more in the future. 

Jef de Wulf really outdid himself here. This cover is from 1958 for René Roques’ romance novel La Fille de Monseigneur, and we think this is by far the best we’ve seen from de Wulf. The central balloon reads “love,” of course, and all the others have the two syllables making up the French word “rire,” or laugh, creating an image of heartlifting joy. Sublime stuff. Check out some of de Wulf’s other covers by clicking his keywords directly below.