You think you're the first spurned woman to try shooting me? Baby, that's how my ex-girlfriends all say hello.
Above is the Fawcett Publications 1967 edition of Richard Stark's, aka Donald E. Westlake's landmark crime thriller Point Blank, which was originally published in 1962 as The Hunter and was first in the long-running Parker series. Parker was one of the cruelest and most sociopathic anti-heroes in mid-century literature. The Robert McGinnis cover makes him look like some kind of sophisticated rogue, but don't let the art fool you—Point Blank is rough stuff. You like Jack Reacher? Reacher has the personality of a yoga instructor in comparison. This was our first Parker, but we've read another since and it looks like we're going to have a long, entertaining relationship with this character.
To a true hunter everyone is prey.
Richard Stark's, aka Donald E. Westlake's The Hunter, which was also published as Point Blank, is a landmark in crime literature, a precursor to characters like Jack Reacher. The standout qualities of this novel are its brutality and its smash cuts from set-piece to set-piece. As an example of the former, the main character, named Parker, basically scares a woman into committing suicide, dumps her body in a park, and slashes her face post-mortem as a way of foiling police attempts at identification. The latter quality, the narrative's disorienting transitions, is exemplified by a chapter that ends with Parker's hands mid-murder around an enemy's throat, and the next opening with him sitting in another enemy's house, holding a gun on him as he walks through the door. Westlake stripped away every bit of transitional prose he could in order to create breakneck pacing and heightened menace. Parker is not only dangerous, but is also emotionally barren. He feels nothing beyond the need to best his rivals. Permanently. Westlake's publisher knew The Hunter was something special, and convinced him to turn what was supposed to be a stand-alone novel into a series. Twenty-four entries in that series speak to its success. This first of the lot is highly recommendable. It came from Perma Books in 1962, and the excellent cover art featuring Parker's lethally large hands is by Harry Bennett.