Walter Brooks isn’t mentioned as one of the great paperback illustrators, and he probably wasn’t, but certainly this cover for Harold R. Daniels’ The Girl in 304 is dynamite. From the angled, ominous male shadow, to the stylish font, and the blue color palette with checks of red and a splash of pink flesh and yellow fabric, this one is a winner in all categories. Brooks, who was born in Glasgow, served as president of NYC’s Society of Illustrators, wrote books about painting, and designed U.S. postage stamps. And notably, he was the art director at Dell Publishing in 1958 when he was shown the work of Robert McGinnis by agent Don Gelb. Brooks assigned McGinnis his first two covers, thus helping to launch a legendary career. He also gave William Teason, who illustrated more than 150 Agatha Christie covers, his first shot that same year. So even if Brooks was not a great himself, he certainly knew talent when he saw it. This piece dates from 1956. 

Mort Kunstler nicely captures the chaos of a storm hitting the beaches of northern France on this D-Day-themed cover of Stag from November 1964. Kunstler was a master at this sort of sprawling composition, and Stag in particular published many similar pieces of his. Today Kunstler bills himself as America’s Artist and paints U.S. Civil War scenes that sell as limited editions. To say that his reputation as an artist is assured is an understatement. He has had countless exhibitions, been added to the permanent collections of numerous museums, and been profiled in the New York Times.

Below are some interior scans from Stag, including more Kunstler, as well as a spread from Walter Popp. Kunstler’s illustration for George Raffey’s “House of the Pleasure Dolls” is a brilliant bit of adolescent sexual fantasy, with its naked girl holding off a group of armed men. That probably never happened in the entire history of the world (despite the “True Book Bonus” label on the story), but it’s just another day in the pages of a vintage men’s magazine. Also in this issue you get a few photos of 1961 Miss Universe semi-finalist, Scottish model Susan Jones. More Kunstler here.

There’s been a lot of death on the website recently, so today we’re reversing the trend by bringing back one of our earliest femmes fatales, Scottish actress Caroline Munro. She appeared such films as The Golden Voyage of Sinbad, The Spy Who Loved Me, and the awesome Starcrash. She was born today in 1950. 

Nice cover art by Arthur Sarnoff for this Jan Westcott adventure/romance about a brash young Hepburn lord who takes whatever he wants—including, apparently, this girl. Though she's clearly dismayed to see an intruder in her bath chamber, that won't worry a guy like the Hepburn. Bet you a gigot of Maclay’s his next move is to ask if she’d like a wee swallow of stiff Scotch.

Sean Connery has serious king-size Scottish stones. After greasing himself up and donning skintight swim briefs for the 1953 Mr. Universe contest, he squeezed into this red get-up for his 1974 sci-fi adventure Zardoz. In 2004 Total Film dubbed the costume the worst decision in movie history, but we disagree. Sure, he looks like he should be leading a gimp on a leash, and the easy-access tie-front diaper screams serial teabagger, but we suspect most women and not a few men enjoyed him in this outfit. He’s 44 at this stage, and holding together nicely. A little bearish perhaps, but manscaping hadn’t been invented yet. The point is, few actors could have pulled off the look. Besides, Zardoz was a good movie. Director John Boorman went all-in with the capital he had earned from the success of Deliverance, and Connery—along with co-star Charlotte Rampling—helped out with a committed performance. The result was first unveiled thirty-five years ago today. It was not well-received, but if you dare say so out loud Connery will jam a ball gag in your mouth.

Scottish actress Caroline Munro in a publicity still from the fantasy epic The Golden Voyage of Sinbad. She was born today in 1950.