|Vintage Pulp||Nov 25 2020|
Songs of sadness, loneliness, and forgetting.
Above is a poster for the French crime drama Tirez sur le pianiste, known in English as Shoot the Piano Player, and based upon the David Goodis novel Down There. We raved about the book. The movie? Well, you're supposed to love it. Make no mistake there. Though it received mixed reviews when released, most critics rhapsodize it now. This isn't unusual. Opinion will shift over time. Since director François Truffaut said he intended to make a film mainly for cinephiles, it makes sense that it eventually won critics over. The question is will it win you over?
Truffaut took a quintessentially American novel and converted it into something quintessentially French. This wasn't his initial intention. He wanted to pay tribute to American films. There are certainly American references, but he couldn't help but let his French nature come through. For example, where the book conjures torch songs and jazz, Truffaut cast singer/songwriter Charles Aznavour in the lead, and the music he plays is mostly folk songs and ditties. It's a major shift in mood. Truffaut also elected to leaven the terminal darkness of the novel with humor.
But you have to judge the product on its own merits, so if you pretend you never opened the book, Tirez sur le pianiste is certainly interesting. Truffaut either wasn't aiming for or didn't have the budget to seek technical perfection. The shadow of his camera pops up. The physical action is disjointed and unconvincing. But the film is also kinetic and beautifully shot. There's a kind of guerrilla style to it, a feel of a director doing anything that comes to mind and the story following along. We were aware of watching something uniquely artful, but not uniquely successful. So again, the question is, will it win you over? We can't say. Try it and see for yourself. Tirez sur le pianiste premiered in France today in 1960.
FranceTirez sur le pianisteShoot the Piano PlayerDavid GoodisCharles AznavourFrançois Truffautposter artcinemamovie review
|Vintage Pulp||Apr 11 2020|
Goodis gets down and dirty while Hooks takes it up a notch.
This cover for David Goodis's 1956 novel Down There was painted by Mitchell Hooks, one of the unique talents of the paperback art era. Hooks worked in different modes. Often he utilized the type of line art you'd find in a high quality comic book or graphic novel, such as here and here. Other times he used color blocking for his backgrounds, such as on the above cover and the one you see at this link. He also used a lot of color bleeds, an example of which you see on his brilliant front for Madball, the second one at this link. And he worked in a more realistic mode too, when the mood struck. For Down There he mixed techniques, using a bleed in black to impart a film noir feel, and pairing his two figures with his trademark color-blocking. The effect is magnificent. Hooks was simply a highly versatile artist who always managed to surprise, and that makes his work a constant pleasure to seek out.
His cover for Down There fits Goodis like a glove. The novel is the unrelentingly grim story of a man whose piano playing genius saves him from a life of crime and transforms him into a classical music star, but who is inexorably dragged back into the depths of violence and revenge when his criminal brother needs protection. We soon learn that there are two brothers, both crooks, both neck deep in organized crime trouble. The reader catches no breaks—Goodis is matter-of-factly dark, spinning the tale from the point-of-view of an emotionally crippled main character, and crushing hope in heartwrenching ways that make the turning of pages a real effort at times.
Why put yourself through something like this? Well, it's very stylish, so much so that French director François Truffaut fell in love with it and adapted it to film in the form of Tirez sur le pianiste, known in English as Shoot the Piano Player. Truffaut was world famous after winning best director at the 1959 Cannes Film Festival for Les Quatre Cents Coups, aka The 400 Blows, so choosing Down There for his next project says plenty about the book. Goodis was well received by French directors in general. Other adaptations of his work were made by Pierre Chenal, Jacques Tourneur, Henri Verneuil, Francis Girod, René Clément, Gilles Behat, and Jean-Jacques Beineix. That's just remarkable. We'll probably watch some of those films, and you can be sure we'll revisit both David Goodis and Mitchell Hooks imminently.
FranceCannes Film FestivalGold Medal BooksTirez sur le pianisteShoot the Piano PlayerLes Quatre Cents CoupsThe 400 BlowsDavid GoodisMitchell HooksFrançois TruffautPierre ChenalJacques TourneurHenri VerneuilFrancis GirodRené ClémentGilles Behatand Jean-Jacques Beineixcover artliterature