SLAUGHTER’S HOUSE

There's only one rule: walk away or be blown away.


Above: an alternate poster by George Akimoto for the Jim Brown blaxploitation movie Slaughter, which first hit cinemas today in 1972. We’ve talked about it twice: here and here. Shorter version: All work and no play makes Jim a dull boy, which is why it’s good Stella was totally down for some fun and games. 

Don't change a thing for anybody.

You know we’re Stella Stevens fans here. Though we prefer the thirty-plus version of her, she first turned heads as a model in her early twenties, posing for a Playboy centerfold published in 1960, sessions from which the above shot originates. Stevens had begun acting before then, appearing in three films released in 1959. The next year she won a Golden Globe for New Star of the Year, and eventually appeared in dozens of films and television shows. She was always a good actress, but never scored prestige roles. She did, however, grace some low budget classics, foremost among them the blaxploitation flicks Slaughter and Cleopatra Jones and the Casino of Gold. Mixed in were cheeseball hits like The Poseidon Adventure and The Silencers, and an occasional good movie, such as The Ballad of Cable Hogue. All in all she’s had an amazing career, on pause since 2010. But she’ll never be on pause on this website. More Stella here and here.

Edit: We received an e-mail from Herman, a man who knows a thing or two about mid-century celebs and has helped us with corrections, and he wanted to remind us:

I certainly appreciate that image of Stella. Although I have been a fan of PB since the mid 50s as a boy, I don’t believe I have seen this particular photo. Of course, I have to say I believe you left some important points out of your commentary about her.  I believe you said once you are not a particular fan of Elvis Presley (that may have been someone else) but without the 1962 Girls, Girls, Girls appearance I don’t think she would have caught on so quick. Don’t forget that the reason PB recognized her in the first place was because of her appearance in Li’l Abner in 1959. I know you didn’t set out to do a biography on her, but these were points I think are important in her chronology.

Agreed, H, Stevens has a long and interesting story. We didn’t set out to write a biography, as you said, but we may need to spend a little more time on her to give her proper due. She’s not a subject we’ll tire of easily.

He's an extinction level event all by himself.

The two Italian posters above and the accompanying production photos below are from Jim Brown’s violent 1972 blaxploitation actioner Slaughter, a movie we talked about in detail last month. Short version: we really need to hit the gym. The photos show Brown, Stella Stevens, and Marlene Clark. The last two aren’t frames from the film—in the film Brown’s and Stevens’ characters meet for the first time at a swimming pool, but there’s no kissing, only wary flirtation. Those two photos show them getting along quite swimmingly between takes. Stevens has given the impression in interviews that sparks flew between her and Brown, and the images seem to confirm that. You can check out our original write-up on the movie here.

The mafia are no match for Jim Brown.

In the blaxploitation flick Slaughter Jim Brown plays Slaughter—no first name—a former Green Beret captain whose underworld connected father is killed by a car bomb. He vows revenge and guns down some of the responsible parties at an airport. That’s when the government steps in and turns Slaughter into an operative in exchange for dropping murder charges. All he has to do is head to Mexico and capture the top mobster. South of the border he goes, where shootings, chases, and general mayhem follow as he pretty much turns the country upside down. There are occasional interesting visual flourishes during the violence, including hallucinatory ultra wide angle shots. Maybe director Jack Starrett heaped on the style a bit heavily, but it does set Slaughter apart, and in the end doesn’t really harm the final product. Another thing heaped on is the racial insults, even more than in most blaxploitation, and if there’s a lesson being imparted it’s that eventually n-bombs go off in your face.

Blaxploitation is nothing without its femmes fatales, and in those roles Slaughter casts Marlene Clark and Stella Stevens. Clark, though talented, is mere window dressing here; Stevens gets a substantial temptress role, and she’s perfectly suited for it, a dozen years after her Playboy centerfold appearance at age twenty-two, and about twice as beautiful in her mid-thirties. According to Brown, Slaughter is one of the three favorite films he starred in. Maybe Stella had something to do with that. In an interview some years back she was asked about the love scenes and said, “I was told that in the movie he did with Raquel Welch, he had a towel put between them, because he didn’t want to touch her flesh in the love scene with her.* I can tell you, we didn’t have anything between us except good feelings and fun.” Well, it looks like they had a good time to us too, and why not? Stevens is hot as hell and Brown is unadulterated manhood on a level few males can hope to reach. We think this one is well worth a watch for fans of the genre. Slaughter premiered in the U.S. today in 1972.

*Jim Brown is no fool, and we doubt he ever made such a request. Welch wore undergarments, which was probably always the plan, considering she has done no nude scenes during her career.

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HISTORY REWIND

The headlines that mattered yesteryear.

1971—Corona Sent to Prison

Mexican-born serial killer Juan Vallejo Corona is convicted of the murders of 25 itinerant laborers. He had stabbed each of them, chopped a cross in the backs of their heads with a machete, and buried them in shallow graves in fruit orchards in Sutter County, California. At the time the crimes were the worst mass murders in U.S. history.

1960—To Kill a Mockingbird Appears

Harper Lee’s racially charged novel To Kill a Mockingbird is published by J.B. Lippincott & Co. The book is hailed as a classic, becomes an international bestseller, and spawns a movie starring Gregory Peck, but is the only novel Lee would ever publish.

1962—Nuke Test on Xmas Island

As part of the nuclear tests codenamed Operation Dominic, the United States detonates a one megaton bomb on Australian controlled Christmas Island, in the Indian Ocean. The island was a location for a series of American and British nuclear tests, and years later lawsuits claiming radiation damage to military personnel were filed, but none were settled in favor in the soldiers.

1940—The Battle of Britain Begins

The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.

1948—Paige Takes Mound in the Majors

Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.
George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

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