|Vintage Pulp||May 9 2019|
We know what some would suggest—that the attitudes on display are historical realism. But that hoary old excuse doesn't hold water, considering Hoagland takes the time to create detailed characters of Native American and Latino descent. Those portrayals are—of course—caricatures by today's standards, but Hoagland does try to make them resonate. The African-American characters, conversely, are just rabble in the background, referred to only collectively, and using the most offensive possible terminology. Worse, at least a dozen of the circus animals have names and personalities, while the black characters have neither. We're not joking—the animals are more human than anyone with a black skin. This was Hoagland's first novel and he later went on to become a respected nature essayist. Hopefully he learned something about the nature of people.
|Vintage Pulp||Jun 23 2009|
The best thing about Trumpet City, in our humble opinion, is the food. That’s probably surprising to hear, because the place is super famous for its music, and the music is great of course, mainly because of the amazing tradition of horn players—duh. But the cuisine of Trumpet City is really a quite underrated element of… Sorry, what? Say again? Strumpet?