|Intl. Notebook||Jul 4 2011|
We located this July 1965 copy of the British cinema magazine Continental Film Review, and found two good reasons to post it—the great Sylva Koscina cover shot, and the adverts for London’s x-rated Compton Theater, at bottom. In between you get Ugo Tognozzi, Rossana Podesta, Luciana Gilli and more. CFR was actually one of the most serious and informed film magazines of its era, but instead of sharing scans of pages and pages of text, we posted the photos. However, in this issue are articles on the San Sebastian and Berlin film festivals, Canadian and Québécois cinema, and near-scholarly treatments on Italian neorealist director Vittorio De Sica, and Pier Paolo Pasolini’s award winning biblical film The Gospel According to St. Matthew. Doesn't that all sound great? See a CFR with Christina Lindberg here, and Laura Gemser here.
|Vintage Pulp||Jun 1 2010|
That’s Sylva Koscina on a June 1969 cover of Filmski Svet, aka Movie World, from the former Yugoslavia. The photo would be what publicists call a “handout”, which is simply an image given upon request to a publication planning a story or photo essay on a certain celeb. All the second tier publications are given handout photos, and similar images from the same photographic series will often appear in other publications. Obviously, second-tier magazines prefer to look as though celeb photos were taken just for them, so in this case Filmski Svet cleverly solved that problem by superimposing Koscina onto a new background and reversing the negative (notice how her pinky ring changes hands?). Once we figured that out, we were able to locate another couple of shots from the same session. It’s hard work, all this sleuthing, but if we don’t do it, who will?
|Vintage Pulp||Mar 30 2010|
Assorted frolicsome images from Japanese celeb magazines, with “Sharlon” Tate in panel four and Sylva Koscina in panel eleven.
|Intl. Notebook||Dec 31 2009|
It’s traditional for publications to make predictions about the upcoming year. The highly respected National Bulletin, for instance, suggested in 1968 that all Americans would be born bastards by the year 2000. We can’t attest to the veracity of that, but we can tell you most of the people we meet over here seem to think it happened long before 2000. We were in a bar just last week and this Belgian guy put his finger down his throat and pretended to purge when he found out we were from the States. Our first thought, since we American bastards are all so overreactive and warlike, was to call in a massive airstrike on his face. But instead we laughed, because it really was pretty funny, and he was so impressed by our mellow reaction he bought us shots. So there’s a free lesson in diplomacy for you.
But we digress. Getting back to predictions, we aren’t going to make any ourselves, except that Pulp Intl. in 2010 will be bigger, better, and more colorful than it already is. Less a prediction than a hope is that someone takes the ad space we created. We redesigned the whole frickin’ site to fit that in, so it would be a shame to have done it for nothing. Let’s see, what else is there? Oh yes, we’ll have more gratuitous nudity, because people like that. Anyway, thanks for reading the site. Our readership has gone up quite a bit in the last six months, which is really gratifying, considering how much we enjoy doing this. Everyone have a happy and safe New Year. Below is a photo of Sylva Koscina from the Bulletin for no reason whatsoever. See you in the dos mil diez.
|Femmes Fatales||Nov 4 2009|
Above, a publicity still of Croatian actress and model Sylva Koscina made when she was filming Deadlier than the Male in the Mediterranean in 1967. She was paired in the movie with Elke Sommer, who we featured as our very first femme fatale with a photo from the same film.
|Vintage Pulp||May 7 2009|
Spies with numerical identities proliferated like mad during the ’60s, as studios tried and failed to compete with Sean Connery’s ultracool 007. But even if most of the resulting films were bad, some of the promo art was striking. Here are fifteen great posters featuring various numbered and lettered pretenders to Bond's throne.