UNRESOLVED TENSION

Give credit where credit is due—when possible.


Above is an MGM promo handout for the film noir Tension, which starred Audrey Totter and hit cinemas today in 1949. It was painted in ink by the same person who did the poster, one of the greatest artists in cinema poster history—the inimitable uncredited. It’s a great piece by a true master. We’ve shown you a lot of Tension‘s U.S. promo art, and today’s doesn’t even empty the well of what’s out there, but it’s the last time we’ll dip into it. So many vintage films, so little time… 

Movie stars were always willing to give each other a hand.


Once again we’ve been struck, so to speak, by the sheer number of cinema promo images featuring actors and actresses pretending to slap each other. They just keep turning up. The above shot is more about the neck than the face, but it still counts, as Gloria Swanson slaps William Holden in 1950’s Sunset Boulevard. Below we have a bunch more, and you can see our previous collection at this link. Since we already discussed this phenomenon we won’t get into it again, except briefly as follows: pretend slaps, film is not reality, and everyone should try to remember the difference. Many slaps below for your interest and wonder.
Diana Dors smacks Patrick Allen blurry in 1957’s The Long Haul.

Mob boss George Raft menaces Anne Francis in a promo image made for 1954’s Rogue Cop.

Bud Abbott gets aggressive with Lou Costello in 1945’s Here Come the Co-Eds.

Jo Morrow takes one from black hat Jack Hogan in 1959’s The Legend of Tom Dooley.

Chris Robinson and Anita Sands get a couple of things straight about who’s on the yearbook committee in Diary of High School Bride.

Paul Newman and Ann Blyth agree to disagree in 1957’s The Helen Morgan Story.

Verna Lisi shows Umberto Orsini who gives the orders in the 1967 film La ragazza e il generale, aka The Girl and the General.

What the fuck did you just call me? Marki Bey slaps Betty Anne Rees loopy in the 1974 horror flick Sugar Hill.

Claudia Cardinale slaps (or maybe punches—we can’t remember) Brigitte Bardot in the 1971 western Les pétroleuses, known in English for some reason as The Legend of Frenchie King.

Audrey Totter reels under the attentions of Richard Basehart in 1949 Tension. We’re thinking it was probably even more tense after this moment.

Anne Baxter tries to no avail to avoid a slap from heel Steve Cochran in 1954’s Carnival Story.

Though Alan Ladd was a little guy who Gail Russell probably could have roughed up if she wanted, the script called for him to slap her, and he obeyed in the 1946 adventure Calcutta.

Peter Alexander guards his right cheek, therefore Hannelore Auer crosses him up and attacks his left in 1964’s Schwejk’s Flegeljahre, aka Schweik’s Years of Indiscretion.

Elizabeth Ashley gives Roddy McDowall a facial in in 1965’s The Third Day.

Tony Anthony slaps Lucretia Love in 1972’s Piazza pulita, aka Pete, Pearl and the Pole.
 
André Oumansky goes backhand on Lola Albright in 1964’s Joy House.

Frank Ferguson catches one from Barbara Bel Geddes in the 1949 drama Caught.

This looks like a real slap, so you have to credit the actresses for their commitment. It’s from 1961’s Raisin in the Sun and shows Claudia McNeil rearranging the face of Diana Sands.

Gloria Grahame finds herself cornered by Broderick Crawford in 1954’s Human Desire.

Bette Davis, an experienced slapper and slappee, gets a little assistance from an unidentified third party as she goes Old West on Amanda Blake in a 1966 episode of Gunsmoke called “The Jailer.”

There are a few slaps in 1939’s Gone with the Wind, so we had our pick. We went with Vivien Leigh and Leslie Howard.

Virginia Field takes one on the chin from Marshall Thompson in Dial 1119.

Clint Eastwood absorbs a right cross from nun Shirley MacLaine in 1970’s Two Mules for Sister Sara.

At this point she has no idea which way to turn.

Above is an alternate promo poster for Tension, with cool upside down imagery of a figure representing star Audrey Totter. We say “representing” because it doesn’t really look like Totter, but it’s her alright. It was modeled after a promo photo. The movie also starred Richard Basehart and the incandescent Cyd Charisse. We talked about this last year, so if you want to know more, click here. And if you want to see more of Totter click here, or Charisse (a must), click here and hereTension premiered today in 1949.

Rogue beach ballerina finally apprehended after tiring herself out.


Hollywood is a place to which some of the best looking people in the world gravitate. Even in that environment, Cyd Charisse was a standout. An accomplished dancer with the physique to match, she was a hotty in her mid-twenties in movies such as Tension, and was still hot in her mid-forties dancing in the opening sequence of The Silencers. The above trio of photos show her at twenty-four and were made on Santa Monica Beach in 1945, capturing her working through a couple of maneuvers none of us can ever hope to duplicate. And below, you see what all that dancing does to a person. Even superior humans like Charisse get pooped occasionally. She’s done. But after a lot of good work. See another fun promo image here.

Anyone can be calm until the cops start poking around.


Tension, for which you see an excellent promo poster above and two more below, is an unlikely but interesting film noir about a mild mannered pharmacist played by Richard Basehart, who’s married to hot-to-trot Audrey Totter and discovers she’s cheating on him. When she finally leaves him for an apelike creature played by Lloyd Gough, and the ape issues Basehart a solid beating, he decides he’s been pushed too far. You’d think that pharmacists would be among that select group of people you really don’t want to anger, but this particular pharmacist has a much more elaborate scheme in mind than just a dose of chemicals, and his determination to commit an untraceable murder leads to him building a very traceable double life. In that second life things get complicated when he meets lovely Cyd Charisse, who he wants to make a permanent addition to his future.

Basehart’s plot will not go as intended, of course, but the way in which it fails is a surprise, and the complications keep piling up. Tension has flaws, to be sure. The detective played by Barry Sullivan does things that, as far as we know, would get any murder case tossed out of court, but you have to go with it, since he tells you from the jump he’ll do anything to solve a case. The plusses of the movie outweigh any weird bits, and with Totter on board, it’s probably a must-see. The sinuous clarinet melody she gets every time she appears onscreen is over-the-top, but she’s a major scenery chewer anyway, so it actually fits. We didn’t like her in Lady in the Lake, but she’s delivered in everything else we’ve seen—this flick, particularly. And Charisse, by the way, gets one of the better entrances we’ve seen in vintage cinema, straddling two high railings with a camera in hand. She’s as hot as a human being can get. Tension premiered today in 1949.
Whoa... is the floor swaying or is that me?

Audrey Totter isn’t as well known today as she should be, considering she appeared in The Postman Always Rings Twice, The Lady in the Lake, F.B.I Girl, The Unsuspected, The Set-UpMain Street After Dark, and Tension, but she was well appreciated in her day as a bad girl and film noir stalwart. Her career spanned radio, cinema, and television, and her life spanned ninety-five years, a good run on both counts. This promo photo of her in the typical bad girl’s natural habitat—the local gin mill—was made in 1946 and appeared in Life magazine.

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HISTORY REWIND

The headlines that mattered yesteryear.

1969—Allende Meteorite Falls in Mexico

The Allende Meteorite, the largest object of its type ever found, falls in the Mexican state of Chihuahua. The original stone, traveling at more than ten miles per second and leaving a brilliant streak across the sky, is believed to have been approximately the size of an automobile. But by the time it hit the Earth it had broken into hundreds of fragments.

1985—Matt Munro Dies

English singer Matt Munro, who was one of the most popular entertainers on the international music scene during the 1960s and sang numerous hits, including the James Bond theme “From Russia with Love,” dies from liver cancer at Cromwell Hospital, Kensington, London.

1958—Plane Crash Kills 8 Man U Players

British European Airways Flight 609 crashes attempting to take off from a slush-covered runway at Munich-Riem Airport in Munich, West Germany. On board the plane is the Manchester United football team, along with a number of supporters and journalists. 20 of the 44 people on board die in the crash.

1919—United Artists Is Launched

Actors Charlie Chaplin, Mary Pickford, Douglas Fairbanks, along with director D.W. Griffith, launch United Artists. Each holds a twenty percent stake, with the remaining percentage held by lawyer William Gibbs McAdoo. The company struggles for years, with Griffith soon dropping out, but eventually more partners are brought in and UA becomes a Hollywood powerhouse.

1958—U.S. Loses H-Bomb

A 7,600 pound nuclear weapon that comes to be known as the Tybee Bomb is lost by the U.S. Air Force off the coast of Savannah, Georgia, near Tybee Island. The bomb was jettisoned to save the aircrew during a practice exercise after the B-47 bomber carrying it collided in midair with an F-86 fighter plane. Following several unsuccessful searches, the bomb was presumed lost, and remains so today.

Rare Argentinian cover art for The War of the Worlds by H.G. Wells.

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