Femmes Fatales Dec 8 2023
ONE OF HER MOODS
She has others. But she never seems to get into them.


This promo image shows Colleen Moore, née Kathleen Morrison, who's not well known today but appeared in more than fifty films from 1916 to 1934. That's going back to an era of movies few casual fans have seen, but some of her highlights include Her Bridal Nightmare, So Long Lettty, and the 1934 version of The Scarlet Letter. You could be forgiven for thinking the latter was the first time Nathaniel Hawthorne's novel had been filmed, or even for thinking it was the second or third time, but it was, incredibly, the seventh film version. It was also Moore's last film. The above shot is from earlier, 1924, and was made for her comedy-drama Flirting with Love.

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Hollywoodland Aug 29 2022
SCENIC DRIVES
They're not really going anywhere but they look mighty good doing it.


What's a period drama without a fake driving scene? Nearly all such sequences were shot in movie studios using two techniques—rear projection, which was standard for daytime driving, and both rear projection and lighting effects for simulating night driving. Many movie studios made production images of those scenes. For example, above you see Jane Greer and Lizabeth Scott, neither looking happy, going for a fake spin around Los Angeles in 1951's The Company She Keeps. We decided to make a collection of similar shots, so below we have more than twenty other examples (plus a couple of high quality screen grabs) with top stars such as Humphrey Bogart, Ingrid Bergman, Barbara Stanwyck, Robert Mitchum, and Raquel Welch. We've only scratched the surface of this theme, which means you can probably expect a second collection somewhere down the road. Incidentally, if you want to see Bogart at his coolest behind the wheel look here, and just because it's such a wonderful shot, look here for Elke Sommer as a passenger. Enjoy today's rides.
Humphrey Bogart tries to fake drive with Ida Lupino in his ear in 1941's High Sierra.

Dorothy Malone, Rock Hudson, and a rear projection of Long Beach, in 1956's Written on the Wind.

Ann-Margret and John Forsythe in Kitten with a Whip. We think they were parked at this point, but that's fine.

Two shots from 1946's The Postman Always Rings Twice with John Garfield and Lana Turner, followed by of shot of them with soon-to-be murdered Cecil Kellaway.
 
Jean Hagen and Sterling Hayden in 1950's The Asphalt Jungle.

Shelley Winters, looking quite lovely here, fawns over dapper William Powell during a night drive in 1949's Take One False Step.

William Talman, James Flavin, and Adele Jergens share a tense ride in 1950's Armored Car Robbery.

William Bendix rages in 1949's The Big Steal.

Frank Sinatra drives contemplatively in Young at Heart, from 1954.

George Sanders drives Ingrid Bergman through Italy, and she returns the favor, in 1954's Viaggio in Italia.

Harold Huber, Lyle Talbot, Barbara Stanwyck and her little dog too, from 1933's Ladies They Talk About.

Virginia Huston tells Robert Mitchum his profile should be cast in bronze in 1947's Out of the Past.

Ann Sheridan hangs onto to an intense George Raft in 1940's They Drive by Night.

Peggy Cummins and John Dall suddenly realize they're wearing each other's glasses in 1950's Gun Crazy, a film that famously featured a real driving sequence, though not the one above.

John Ireland and Mercedes McCambridge in 1951's The Scarf.

James Mason drives an unconscious Henry O'Neill in 1949's The Reckless Moment. Hopefully they're headed to an emergency room.

Marcello Mastroianni driving Walter Santesso, Mary Janes, and an unknown in 1960's La dolce vita.

Tony Curtis thrills Piper Laurie with his convertible in 1954's Johnny Dark.

Janet Leigh drives distracted by worries, with no idea she should be thinking less about traffic and cops than cross-dressing psychos in 1960's Psycho.

We're not sure who the passengers are in this one (the shot is from 1960's On the Double, and deals with Danny Kaye impersonating Wilfrid Hyde-White) but the driver is Diana Dors.

Kirk Douglas scares the bejesus out of Raquel Welch in 1962's Two Weeks in Another Town. We're familiar with her reaction, which is why we're glad the Pulp Intl. girlfriends don't need to drive here in Europe.

Robert Mitchum again, this time in the passenger seat, with Jane Greer driving (and William Bendix tailing them—already seen in panel ten), in 1949's The Big Steal. The film is notable for its many real driving scenes.

James Mason keeps cool as Jack Elam threatens him as Märta Torén watches from the passenger seat in 1950's One Way Street.

And finally, to take a new perspective on the subject, here's Bogart and Lizabeth Scott in 1947's Dead Reckoning.

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Vintage Pulp Mar 6 2020
FEELING KIND OF BLEU
A film noir of a different color.


Above, two Italian posters for Operazione Lotus bleu, better known as The Scarlet Hour. Funny that the color in the title changed. Why not call it “operazione lotus rosso”? Actually, “bleu” isn't evan an Italian word, as far as we know, which makes this poster even weirder. Italian for blue is “blu.” The movie also played under a title translated literally from the English original—L'ora scarlatta—and we'd show you those posters but they don't compare to these. No surprise, since these were painted by the great Renato Casaro. As for the color change, that will likely remain a mystery. There's no known Italian release date for the film, but it premiered nearly everywhere in Europe between September and November of 1956. More here

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Vintage Pulp Jan 30 2019
EXTENSIVELY RED
The blood may stop but the stain is permanent.


These old movies. The Scarlet Hour is fun in a way modern flicks simply aren't. Basically, a rich man thinks his young wife is two-timing him. She and her lover, seeking privacy one night, drive to a secluded lookout. Three men arrive and discuss plans to rob a nearby hilltop mansion. The take? $300,000 in insured jewels. The lovers, from their hiding place, hear the plot and decide that if they rob the robbers they can get enough money to run away together. Their consciences are clear about it, because the goods will have been stolen already. But the husband, now deciding to do something about his wife's nocturnal forays, begins following her around. On robbery night that puts him in exactly the wrong place at the wrong time.

It's a twisty set-up, handled deftly thanks to Rip Van Ronkel's, aka Alford Van Ronkel's clever screenplay. The complications keep coming, which means The Scarlet Hour has surprises in store all the way to the end. And as a bonus it was directed by Michael Curtiz, the man behind Casablanca, and as sure-handed a director as ever worked in Tinseltown. It also has a nice nightclub number by crooner Nat King Cole. As far as we know, there are no good digital transfers of the film available, which means a rental or download may yield a less than pristine television rip (like the one we watched). Noir City will be showing an archival print, which would make this worth the extra effort to see even if the movie weren't great, which it is. But even if you aren't anywhere near San Fran tonight, this is one to keep in mind for future viewing.
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Femmes Fatales Sep 20 2015
CRAZY IS AS CRAZY DOES
Come closer—I want this next point to really sink in.

Above, American actress Leslie Brooks, born Virginia Leslie Gettman, featured in such films as Tonight and Every Night and Hollow Triumph, aka The Scar, seen here giving us crazy eyes in a 1948 promo image made for the film noir Blonde Ice.  

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History Rewind
The headlines that mattered yesteryear.
July 19
1966—Sinatra Marries Farrow
Superstar singer and actor Frank Sinatra marries 21-year-old actress Mia Farrow, who is 30 years younger than him. The marriage lasts two years.
July 18
1925—Mein Kampf Published
While serving time in prison for his role in a failed coup, Adolf Hitler dictaes and publishes volume 1 of his manifesto Mein Kampf (in English My Struggle or My Battle), the book that outlines his theories of racial purity, his belief in a Jewish conspiracy to control the world, and his plans to lead Germany to militarily acquire more land at the expense of Russia via eastward expansion.
July 17
1955—Disneyland Begins Operations
The amusement park Disneyland opens in Orange County, California for 6,000 invitation-only guests, before opening to the general public the following day.
1959—Holiday Dies Broke
Legendary singer Billie Holiday, who possessed one of the most unique voices in the history of jazz, dies in the hospital of cirrhosis of the liver. She had lost her earnings to swindlers over the years, and upon her death her bank account contains seventy cents.
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