|Femmes Fatales||Dec 13 2018|
This beautifully composed and photographed image stars British actress Diana Dors and was made for her 1957 drama The Unholy Wife. We wrote about it a few years ago. Long story short, Dors wants to murder her rich husband. The film is in Technicolor but depending on who you ask falls into the category of film noir. That makes it one of the earliest color efforts to do so, as far we know, but all the promos we've ever seen for it are black and white. This one really shows the power of that medium. In fact, looking at it, it's hard to even imagine it's for a color film, isn't it? This image may actually be the best thing about the movie.
|Hollywoodland||Apr 24 2018|
|Vintage Pulp||Nov 8 2014|
The excellent promo above for Le femme et le rôdeur, aka The Unholy Wife was created by Roger Soubie, one of the best French poster artists of the mid-century period. His art drew us to the movie, which we watched only to discover Diana Dors in identical grime mode as in her prison drama Yield to the Night. Not only do both productions feature Dors locked down with her blonde tresses gone brown due to lack of available dye, but both involve her being on death row for murder. Since The Unholy Wife was the next film she did after Yield to the Night we can only assume her initial foray into crime and incarceration was such a success it needed to be repeated. Like almost exactly. Unfortunately, two visions of a bruise-eyed Dors about to receive state-sponsored revenge were too much for audiences, and her repeat excursion was roundly panned.
And sadly, we must agree. Dors is living in California and is married to a Napa winery baron, but since she’s also sharing her affections with a hot young lover, she soon ponders murdering her unsuspecting hubby for his estate. When we lived in Berkeley, just south of the California wine country, we rarely pondered anything more than sunlit grapes and a nice Schug Syrah. But okay, The Unholy Wife is a film noir, which means Dors is no more happy with her heaven-on-Earth existence than a Wall Street stockbroker is with his untaxable Cayman Islands shadow fortune. Both inexplicably want more. Dors starts the film in prison and tells her story via flashback, so we already know her schemes backfired. If only the same were true for stockbrokers. The Unholy Wife premiered in England in the summer of 1957 and premiered in France today the same year.
|Femmes Fatales||Jan 6 2010|
Two publicity stills of English actress Diana Dors made for her role in 1957's The Unholy Wife. Her real last name was Fluck, and she joked about that unfortunate fact, famously quipping, “They asked me to change my name. I suppose they were afraid that if my real name Diana Fluck was in lights and one of the lights blew...”