She wasn't really all that nice even before the demon showed up.
The tateken style poster you see above was made for the Japanese actioner Yôen dokufu-den: Han'nya no Ohyaku, aka Ohyaku: The Female Demon, set in Edo era Japan, and starring Junko Miyazono, Tomisaburô Wakayama, and Kunio Murai. Miyazono plays woman who as little girl survived when her prostitute mother jumped with her off a bridge, and as an adult carries a scar on her back from this traumatic suicide. She's grown up to be an acrobat, but is treated shabbily by men just as her mother was.
She flees her circus life and hooks up with a handsome young samurai, only to learn that he plans to steal gold being transported via caravan from a government mint. She begs to help her young lover, as he also takes on a partner who tried to rob the same mint twenty years earlier, losing an arm in the process. His knowledge will hopefully be key, but like any heist, there are hidden dangers. It's a given some will come from the protectors of the coveted goods, but sometimes they come from partners in positions of trust. That's all we'll say about the plot, except that Miyazono is never actually possessed by a demon. What happens is she gets a demon tattoo on her back, which we guess symbolizes her transition from somewhat shady to fully vengeful.
The movie was made by Toei Company and was the first in a trilogy of films that are often cited as precursors to the studio's famed pinky violence cycle. We can certainly see the similarity, though this film is black and white rather than the vivid color you get with pinky violence. But all that really matters is that it's entertaining, starting fast, incorporating nice sword action, and covering a lot of thematic ground. Very enjoyable stuff. It premiered in Japan today in 1968.
Cold steel is fine but hot lead is a hell of a lot more efficient.
This poster was made for the classic Tomisaburô Wakayama gangster flick Kapone no shatei yamato damashi, known in English as A Boss with the Samurai Spirit. It's the third one we've found for the movie, and as you already know from our previous posts, these round promos are rare. They were made only by Toei Company, as far as we know, and only for a few years during the late 1960s and early ’70s. We have others we'll get to later. For now, see two more examples here and here, and a third in this group. Also, you can see the other two Kapone posters here and here.
Meet the new boss, nothing like the old boss.
Above, a poster for the Japanese actioner Kapone no shatei yamato damashi, aka A Boss with the Samurai Spirit, aka Capone's Younger Brother: Heart and Speculation, starring the prolific Tomisaburô Wakayama. The movie deals with a hired killer whose latest contract turns out to have wide-ranging consequences, making him turn against his employer. We shared the original poster for this as part of a group post back in 2013. This is a re-issue poster. We don't know exactly when it came out, but the film originally premiered in Japan today in 1971.
Single fatherhood can be a real challenge.
Below is a collection of Japanese posters for the amazingly entertaining film series Kozure Ōkami, aka Lone Wolf and Cub, starring Tomisaburô Wakayama as a warrior who has to single-handedly care for his child as legions of assassins try to murder him. More info below.
Two posters for Kozure Ōkami: Kowokashi udekashi tsukamatsuru, aka Lone Wolf and Cub: Sword of Vengeance.
Two posters for Kozure Ōkami: Sanzu no kawa no ubaguruma, aka Lone Wolf and Cub: Baby Cart at the River Styx.
Kozure Ōkami: Shinikazeni mukau ubaguruma, aka Lone Wolf and Cub: Baby Cart to Hades.
This is the only poster we don't have the panel length for: Kozure Ōkami: Oya no kokoro ko no kokoro, aka Lone Wolf and Cub: Baby Cart in Peril. To complete the collection we snagged this image off the internet.
Kozure Ōkami: Meifumado, aka Lone Wolf and Cub: Baby Cart in the Land of Demons.
Kozure Ōkami: Jigoku e ikuzo! Daigoro, aka Lone Wolf and Cub: White Heaven in Hell.
There's one more movie, 1980's Kozure Ōkami, aka Shogun Assassin, mainly put together using footage from the previous films, none of which had really been seen in the West to that point. Shogun Assassin, though not properly part of the series, is easy to find and as a one-off it's fine and entertaining, but we recommend you do yourself a favor and watch the canonical films.
Hiroyuki Nakano’s sword opera Samurai Fiction challenges festival audience but ultimately leaves it satisfied.
San Sebastian in general and Cinema Caravan in particular are keeping us busy, but we have time for a quick post, so here we go. Last night we attended a screening of Hiroyuki Nakano’s 1998 adventure/comedy SF: Episode One, also known as Samurai Fiction. It’s a quirky movie, imaginatively shot mostly in black and white, and involves a young samurai on a mission to both avenge a friend’s death and retrieve a priceless sword. He encounters an ex-samurai who tries to teach him the wisdom of non-violence, with limited success. The movie is set in 1689 and looks a bit like Kurosawa’s great period pieces, but subverts that similarity with its humor and modern rock 'n’ roll soundtrack. Since it was in Japanese with English subtitles, the mostly Basque audience was perhaps a bit baffled, but even those with language difficulties could enjoy the film’s visual creativity, and ultimately everyone seemed to enjoy it.
Watching Samurai Fiction got us thinking about our many Japanese posters, and because we actually have access to that stuff wherever we go, we decided to share five of the nicer pieces in our collection. In terms of information on these, time is a little tight to research them carefully, but here’s what we know: poster one—nothing; poster two—Nawa Hada Jigoku: Rope Skin Hell, with Naomi Tani, 1979; poster three—we’re unsure on that one, but that’s definitely Kayoko Honoo in the art; poster four—Kapone no shatei, yamato damashi, aka A Boss with the Samurai Spirit, with Tomisaburô Wakayama, 1971; poster five—nothing. But we'll see if we can find something about that one. See ya soon.
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