Vintage Pulp

June 8 2014

TAKE YOUR PIC

All celebrities great and small.

We’ve featured Pic magazine only once before, but not because it was an unimportant publication. Quite the opposite—we’ve seen issues as early as 1936 and as late as 1958, making it both a Depression and World War II survivor, presumably no easy feat and certainly a run indicative of sustained popularity. Early issues seemed focused on sports, but it soon broadened to include celebrities. It was launched by Wagner Publications of New York City, and this issue appeared in June 1952 with a cover featuring actress Suzan Ball placing a crown on the head of Akton Miller, a man Pic had chosen as its Hot Rod King. Inside you get a raft of Hollywood stars, including photos of Yvonne De Carlo in Uruguay, Marilyn Monroe, Janet Leigh, and Joan Vohs, shots of New York Giants manager Leo Durocher and his beautiful actress wife Laraine Day, and some nice boxing pictures. There’s also an interesting feature on the day’s top vocalists (with African-Americans notably excluded), and a profile of crooner Tony Bennett.

But it’s Suzan Ball’s story we’re interested in today. Her path to show business was so typical of the period as to be almost banal—she was spotted in a Santa Maria, California newspaper after winning a cake baking contest. Universal-International scouts thought she looked a bit like Jane Russell, so they swept her up, shuttled her down Highway 101, signed her to a contract and began selling her as a hot new Tinseltown commodity, proclaiming her the New Cinderella Girl of ’52. Soon the influential columnist Hedda Hopper took up the refrain, naming her one of the most important new stars of 1953, thus ensuring that year would belong to Ball.

It was then that her train to stardom jumped the tracks. She injured her leg performing a dance number in East of Sumatra, and later in the year had a car accident and hurt the leg again. Treatment for those two injuries led to the discovery of a cancerous tumor. Soon afterward she fell and broke the limb, and when doctors decided they couldn’t remove the tumor they instead took the entire the leg. That was in January 1954. Ball soldiered on in her show business career with an artificial leg, starring in Chief Crazy Horse, though she lost fifteen pounds during the production, and later playing nightclub dates and appearing on television shows. In July 1955 she collapsed while rehearsing for the show Climax, whereupon doctors discovered the cancer had metastasized and spread to her lungs. A month later she died at age twenty-one. We have about fifty scans below.

Vintage Pulp

February 24 2011

DAMA POR UN DIA

A day unlike any other.

As long as we’re on anniversaries, here’s another piece of rare memorabilia. This is the cover of a Wednesday supplement for the Uruguayan daily El Dia with Brigitte Bardot on the cover. El Dia was founded in 1886, and lasted until 1993. During those later years, it ran into problems with Uruguay’s military dictatorship, as well as competition from the rival daily El País. This issue, featuring Bardot at the height of her fame, was published today in 1962. And in case you missed it, we just did a detailed post on Bardot here.

Uruguay, El Dia, Brigitte Bardot

Vintage Pulp

September 16 2010

NEUTRON DANCE

Marilyn looks good even after the bomb goes off.

Above, a copy of the Uruguayan cinema magazine Cine Radio Actualidad, with a cover image of Marilyn Monroe in her famous Seven Year Itch pose. But since she was colorized and composited on a weird new background, she doesn’t look like she’s flirting with Tom Ewell so much as cringing away from a hot nuclear wind. Was that what the designers were going for? We doubt it. But sometimes you get lucky and end up with a great image anyway. This one hit newsstands today in 1955.

Uruguay, Cine Radio Actualidad, The Seven Year Itch, Marilyn Monroe, magazine art

Modern Pulp

January 17 2009

BEAUTY AND THE BIKE

Daniel Chavarría's Cuban crime novels evoke the island as only a longtime resident could.

Uruguayan author Daniel Chavarría was a miner, a model, and a museum guide, before landing in Cuba and launching a literary career. He’s since won the Dashiell Hammett Award for his novel Gijón and the Edgar Award for Adios Muchachos. His fiction is political, comical, and suspenseful, but most of all it is palpably tropical, the product of a languid and overheated island where material riches are few but passions run high.

Read Chavarría and you’ll immediately perceive the difference between fiction written by foreign authors who maybe spend six weeks in Cuba, and a man who has lived there for decades and calls it home. For instance, what foreign author could hope to explain the concept of bicycle hookers, and all the subtleties associated with their trade? Chavarría does exactly that in Adios Muchachos. In fact, he writes primarily about hookers. They’re his obsession, his muses, and he depicts them both unflinchingly and reverently.

We won’t tell you more—except that we very much enjoyed the above two books. The English versions commissioned from Carloz Lopez and the award winning translator Peter Bush have all the flavor of the originals. And as a bonus, illustrator Owen Smith’s cover paintings serve as perfect encapsulations of the strange, dark beauty of Chavarría’s prose. More on Smith later.

Uruguay, Cuba, Edgar Award, Dashiell Hammett Award, Daniel Chavarría, Owen Smith, Carlos Lopez, Peter Bush, cover art, literature

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HISTORY REWIND

The headlines that mattered yesteryear.

January 14

1967—Summer of Love Begins

The Human Be-In takes place in San Francisco’s Golden Gate Park with between 20,000 to 30,000 people in attendance, their purpose being to promote their ideals of personal empowerment, cultural and political decentralization, communal living, ecological preservation, and higher consciousness. The event is considered the beginning of the famed counterculture Summer of Love.

January 13

1968—Cash Performs at Folsom Prison

Johnny Cash performs live at Folsom State Prison in Folson, California, where he records a live album that includes a version of his 1955 hit “Folsom Prison Blues.” Cash had always been interested in performing at a prison, but was unable to until personnel changes at his record company brought in people who were amenable to the idea. The Folsom album was Cash’s biggest commercial success for years, reaching number 1 on the country music charts.

January 13

2004—Harold Shipman Found Hanged

British serial killer Harold Shipman is found dead in his prison cell, after hanging himself with a bedsheet. Shipman, a former doctor who preyed on his patients, was one of the most prolific serial killers in history, with two-hundred and eighteen murders positively attributed to him, and another two-hundred of which he is suspected.

January 12

1960—Nevil Shute Dies

English novelist Nevil Shute, who wrote the books A Town Like Alice and The Pied Piper, dies in Melbourne, Australia at age sixty-one. Seven of his novels were adapted to film, but his most famous was the cautionary post-nuclear war classic On the Beach.

January 12

1967—First Cryonics Patient Frozen

Dr. James Bedford, a University of California psychology professor, becomes the first person to be cryonically preserved with intent of future resuscitation. Bedford had kidney cancer that had metastasized to his lungs and was untreatable. His body was maintained for years by his family before being moved to Alcor Life Extension Foundation in Arizona.

January 11

1957—Jack Gilbert Graham Is Executed

Jack Gilbert Graham is executed in Colorado, U.S.A., for killing 44 people by planting a dynamite bomb in a suitcase that was subsequently loaded aboard United Airlines Flight 629. The flight took off from Denver and exploded in mid-air. Graham was executed by means of poison gas in the Colorado State Penitentiary, in Cañon City.