Why do you always have to squeeze so hard? Once in a while we could just cuddle, you know.
We just shared a paperback from Gordon Semple, aka William Neubauer, last week, but why not keep things Semple? Above you see Crusher's Girl, 1953, from Intimate Novels, with uncredited cover art. The girl referenced has the great name Lily Hood, which tells you right away she's the archetypal antiheroine of limited means, great determination, and flexible ethics trying to hustle her way out of the slums. We can't tell you more because we haven't read it. That's what happens when you expend almost all your available energy pulling off a massive move. On the plus side, our new city is pretty nice so far, and offers plenty of outdoor reading spaces. We'll have detailed write-ups on our book postings soon.
I dyed my hair red months ago, but the old nickname stuck. Folks around these parts ain't fond of change.
The above cover for Gordon Semple's 1953 novel Waterfront Blonde features Warren King art, possibly repurposed from the front he painted for Forbidden Fruit, below (and previously seen in this post). We say possibly only because we don't know which cover came first. Maybe Forbidden Fruit was repurposed from Waterfront Blonde. Both books are copyrighted 1953. In our non-professional opinions, we think Waterfront Blonde was second. There are several reasons why, any of which could be picked apart by someone with the opposite view. For example, if Waterfront Blonde came first, why not make the female figure's hair blonde? On the other hand, if it came second, that means King changed the hair color of the male figure, but didn't bother doing the same with the woman. Either way it's odd, but the main thing to note here is how the art has been recycled, which occurred often during the mid-century heyday of paperback fiction. We'll surely have more examples down the line.
What can I say? My parents taught me to always demand more.
Above, classic sleaze from Gordon Semple, Man-Crazy Hussy, aka Blonde Temptress, 1954, from Croydon Books. Often these novels seriously examined ’50s stereotypes, particularly those concerning what was appropriate sexual behavior for women, but the authors had little control when their serious stories were given crazy titles and wrapped in titillating covers. We can't tell you whether this novel is an attempt at real literature or if it's pure sleaze, because we aren't going to pay thirty bucks for it. We never go above ten dollars per—including shipping. But we're tempted. The art here is by Bernard Safran. See another example of his work here.
*sob* It gets so confusing when the sinful stuff is the most fun.
We love this melodramatic cover for Gordon Semple's Sinner. This was painted by Rudy Nappi, who most aficionados consider one of the best paperback illustrators of the mid-century period. He certainly had one of the longest careers. There are numerous works of his we don't have on this site, but the ones we've uploaded that we like best are here and here.
Moving on to Gordon Semple, he was in reality William Neubauer, and wrote such sleaze novels as Love Crazy Millionaire, Blonde Temptress, and Man-Crazy Hussy. Sinner was originally titled Life of Passion, and was first published back in 1949. The above edition is from Croydon Books and hit newsstands in 1953. You can read the rear cover teaser below.
Admit it—when I walked over and said I was going to sue your pants off you were really worried.
Above, a cover for Norman Bligh's novel Bad Sue, 1950, from Quarter Books. We've always thought this was an unusually pretty cover, but the artist is unknown.
My pa shouldn't be back for hours. But just in case he does show up, do you prefer burial or cremation?
A double shot of rural sleaze today, Norman Bligh's Once There Was a Virgin, 1950 from Exotic Novels, and Gail Jordan's The Affairs of a Country Girl, 1952 from Cameo Books. George Gross provided the art for these covers, which are cropped differently, but between the two you see pretty much the entirety of the original piece. We think this is one of his better efforts. We're putting together a small collection of paperback covers set in barns and haylofts, so consider this a preview, along with the covers here, here, and here.
Can I interest you in a quick hay ride?
Above, another installment of art from the great George Gross, with cover work for Norman Bligh's Play-Girl, 1950, from Venus Books. See more here and here.
Forget my wife—I think I need help regaining feeling in my lower half.
Nursing isn’t easy—especially in mid-century fiction, where in addition to dealing with medical issues you have to dodge the roaming hands of doctors and patients alike. Visiting Nurse, written by Norman Bligh, aka William Neubauer, deals with an angel of mercy sent into the slums who finds herself giving the fellas some unconventional treatments. Why? Because “she has all the weaknesses and yearnings of women, the need to be loved, the aching desires, the mad impulses” and because “she tries and tries again, yet cannot help making mistakes, cannot help the fact that she is a woman.” At this point, we'd note that the weaknesses and yearnings of men have reduced entire countries to parking lots, but that would be a digression. 1953 copyright, with cover art by Ray Pease.
Baby, you are something special. And to imagine I once thought a quality spread only referred to the stock market.
They say money can’t buy love, but it can certainly buy a reasonable facsimile. That’s not our opinion—that’s empirical reality. It works even if you’re even as old as this guy. Gordon Semple, aka William Neubauer, Norman Bligh, et al., explores the theme of love-for-money in Love-Crazy Millionaire, as a rich man gets tangled up with a woman who’s decided it’s time to get ahead in life. It comes from Croydon Publishing Company, and the excellent cover art is by Bernard Safran, who we need to feature more often. 1954 copyright on this.
And now, the top 20 financial terms that sound sexual but aren’t:
20: Backup withholding
19: Tender offer
18: Liquidity put
17: Horizontal acquisition
16: Gypsy swap
14: 30-day wash rule
13: In-service withdrawal
11: Open position
10: Jointly and severally
9: Receipt of deposit
7: Pump and dump
6: Naked straddle
5: Escheat period
4: Fallout risk
3: W-type bottom
2: Front-end load
So I thought I’d wear something really sexy for you this evening and we could— Wait, what’s burning?
Nothing kills romance like having to throw water over your flaming girlfriend. On the one hand you’d have saved her life. On the other, you'd spend the next decade hearing, “I honestly think you enjoyed drenching me.” Luckily that scenario doesn’t actually happen in The Lady Is Taboo. Instead it deals with a woman who believes she’s gotten sexually involved with a killer. Norman Bligh wrote it for Quarter Books in 1951, and the cover art is by the always wonderful George Gross.
The headlines that mattered yesteryear.
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
1942—Carole Lombard Dies in Plane Crash
American actress Carole Lombard
, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America's military efforts. She was thirty-three years old.
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