Vintage Pulp Oct 10 2020
FINISHING TOUCH
The Pocket Books marketing team messes up a near perfect thriller.


This cover for Cornell Woolrich's 1949 thriller Rendezvous in Black was painted by William Wirts, a new name for us, but a guy who deserves credit for a job well done. The editors at Pocket Books, though, did a terrible job, because their cover blurb gives everything away. The plot deals with a man who is driven mad by the death of a loved one and transforms into a vengeance killer. Most of his victims are carefully humanized by Woolrich so that a sense of tragedy is progressively inflicted upon you. You hope the next target will be the one who escapes the killer's clutches or turns the tables. But nope, the blurb tells you none of them survive. How? Because it tells you a police woman is made up a certain way in order to trap the killer. Ergo nobody survives up to the point that the police woman is introduced. And she doesn't show up until the last twenty pages. This is a particularly bad spoiler because the story is constructed around the killer's cat and mouse games with his victims, who as we said before are written in such a way that you really root for them. That's a couple hundred pages of potential suspense tossed in the bin by that indiscreet cover blurb.

Rendezvous in Black is a classic from Woolrich, one of the most left field concepts from a highly creative writer, but the moment you started reading this post any surprises contained in the book were rendered ineffective. We debated using an alternate cover from somewhere online and not mentioning the spoiler, but among the many things we like to discuss here are the decisions made by publishing companies in promoting their books. These decisions include which art to use, or re-use, or use in altered form, whether to over-emphasize violence, and often, whether to promise something far more salcious than the text actually delivers. As the paperback revolution got into full swing during the 1950s publishers often slapped action art on serious works such as 1984, or sex covers on classical literature like Aristarchus of Samos's L'Antiragione. Those are brazen moves, but we don't mind. On the other hand, whoever made this decision for Pocket Books should have been fired. But as it happens, Rendezvous in Black is so interesting and different that it can't be ruined. So we recommend that you read it anyway.

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History Rewind
The headlines that mattered yesteryear.
October 20
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
October 19
1989—Guildford Four Exonerated
The men known as the Guildford Four, who were imprisoned for a series of bombs attacks on British pubs that left five dead and 100 injured, are decreed not guilty after an investigation reveals that police colluded in doctoring statements that appeared to incriminate the defendants.
October 18
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
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