|Vintage Pulp||Sep 22 2016|
Oshida and Co. may have been to reform school but once a boss always a boss.
First film in what would become the successful Zubekô banchô series, Zubekô banchô: yume wa yoru hiraku, aka Delinquent Girl Boss: Blossoming Night Dreams, aka Tokyo Bad Girls stars Reiko Oshida as a parolee from a reform school who takes a job in a Shinjuku hotspot called Bar Murasaki, but finds walking the straight and narrow a difficult ambition to fulfill. As usual in these pinku films set in and around nightclubs, a criminal syndicate wants to take over, which means she's soon stuck between a resistant owner and an insistent Yakuza. Some girls she knows from reform school have also found spots at the club, and in addition to Yakuza problems, Oshida finds herself drawn into the issues of her friends.
But it's good they're around, these girl delinquents, because when the climactic brawl with the villains happens, Oshida will need loyal friends at her side. On the whole Blossoming Night Dreams is tamer than later entires in the Delinquent Girl Boss series, but considering the sexual violence that began to appear, most would consider that a good thing. Of course, it's always important to remember that these films are counterculture in character, replacing the subservient women of previous eras with badass riot girls who always took violent revenge upon men who wronged them. The formula was both exploitative and pro feminist, with the sexploitation putting rear ends in the seats, whereupon the progressive message was hammered home.
Anyway, moving on to the poster, you may notice that, by a quirk of design, Oshida, star of the film, does not appear to be star of the promo art. The topmost position is given to Keiko Fuji. But a closer look reveals that Oshida gets a full body shot in the center foreground of the art, while Fuji is layered behind. It's still unusual that Fuji is placed where she is, though. While she plays Bar Murasaki's headlining performer, she has far less screen time most of the other castmembers. But she's good in her role, Oshida's excellent, Masumi Tachibana, Yukie Kagawa, and the rest of the troupe are having fun, and everyone deserves credit for making the movie well worth a screening. Zubekô banchô: yume wa yoru hiraku opened today in 1970.
JapanTokyoToei CompanyZubekô banchô: yume wa yoru hirakuTokyo Bad GirlsDelinquent Girl Boss: Blossoming Night DreamsReiko OshidaKeiko FujiMasumi TachibanaYukie Kagawapinky violencepinkuposter artcinemamovie review
|Vintage Pulp||Jul 12 2016|
Live like a snake, die like a snake.
Kaidan hebi-onna is known in English as Snake Woman's Curse, or sometimes Ghost Story of the Snake Woman, and it stars Sachiko Kuwabara, who is also known as Yukiko Kuwabara, and whose last name is read informally as Kuwahara. These various designations have caused some confusion online, but whether Sachiko or Yukiko, or Kuwabara or Kuwahara, they're all the same woman. She doesn't star on the poster, though—that honor has been reserved for Yukie Kagawa, who's there because, well, we'll get to that.
The plot here involves a cruel landlord in feudal Japan who overworks a sharecropper couple, bringing about their untimely deaths by illness, causing them to linger as vengeful spirits who regularly pop up and scare the shit out of everyone. The couple's bereft daughter also soon dies, but by her own hand. The landlord and his son begin seeing spirits and snakes everywhere, and even begin to think those close to them are becoming snakes. Kagawa undergoes such a transformation, though only imagined by the villains, and that's why she's on the poster despite her secondary role in the film.
Kaidan hebi-onna is well shot and acted, but the blood efx are amateur hour and the snake sequences mainly consist of the poor creatures being thrown into shots from off-camera. Based on the highly polished look of the film, we'd have thought there was enough budget to get this stuff right, but what do we know? Maybe all the money went into the sets and costumes. Not frightening, but still an atmospheric evocation of classic revenant themes, Kaidan hebi-onna opened in Japan today in 1968. You can see an alternate poster for the film here, and as a double bonus, below are two promo photos of Kuwahara, or Kuwabara. Talk about cold blooded—she must be freezing inside and out.
JapanKaidan hebi-onnaSnake Woman's CurseGhost Story of the Snake WomanYukiko KuwabaraSachiko KuwabaraYukie Kagawaposter artcinemanudityhorrormovie review