THE TELL-TALE CAT

So far he's shown little interest in the scratching post she bought him.

I racconti del terrore is better known as Tales of Terror. It’s a three-part anthology film based on the writing of Edgar Allen Poe that starred Vicent Price as different characters in the three segments, and featured as co-stars Peter Lorre, Maggie Pierce, Basil Rathbone, Debra Paget, and others. The brilliant art here was painted by Renato Casaro and fits into the proud tradition of posters featuring horrible cats. You can see other examples here, here, here, and here. And just for the hell of it, here’s a poster featuring a horrible rat. It rhymes. Those are only a fraction of the historical total of horrible cat-rats on posters. As for Tales of Terror

We won’t mince words—it’s bad. We feel the blame is mainly on director Roger Corman. Sure, Poe is melodramatic, but the movie is beyond. It’s stagy and overacted by all involved, most egregiously by Price, Lorre, and Pierce. The second segment, “The Black Cat,” is played semi-comically, but with Price and Lorre jousting hamo a hamo you’ll cringe more than laugh. We’ll admit, though, that its narrative—loosely based on Poe’s tale of the same name about a cuckolded husband who plots vengeance on his wife—contains a sidebar that manages to skewer snobby wine culture effectively. As wine drinkers we enjoyed that.

The third segment, based on Poe’s, “The Facts in the Case of M. Valdemar,” has some glimmers of hope, but largely because Price, playing a dying man who’s weakening by the day, dials the cheese back from schloss to something in the range of maybe gorgonzola. There’s still a thick slab of ham underneath. However, everything we just wrote comes with a caveat: we’d had no drinks or other substances when we watched the movie. There’s possible potential for improvement if chemical compounds are coursing through your bloodstream. Tales of Terror opened in the U.S. July 1962, and premiered in Italy today the same year.

I love you so much, money—er, I mean honey.

As long as we’re on poster art today, here’s a colorful promo for the 1947 victorian thriller Love from a Stranger, starring Sylvia Sidney and John Hodiak in an adaptation of the Agatha Christie short story “Philomel Cottage,” the second pass Hollywood had taken at the material after a 1937 version starring Ann Harding and Basil Rathbone. The movie is a cautionary example of the dangers of failing to be satisfied with a good thing when you have it. Sidney’s character Cecily Harrington wins money in a lottery and instead of marrying her perfectly adequate fiancée decides to ditch him for life as a one-percenter.

Cue Hodiak, a gold-digger who has already offed three previous wives and gotten away with it. He sets his sights on Cecily—and her pile of cash. She’s oblivious at first, of course, but after the two marry disturbing clues start to pile up. Luckily her jilted fiancée cares enough about her wellbeing to keep a concerned eye on her from afar. Us, we’d never do that. We’d be like, “What? You get rich and then dump me for an obvious serial killer? ’kay, good luck. Have fun during your suspiciously isolated honeymoon.” Decent flick, excellent poster. Love from a Stranger V.2 premiered today in 1947. 

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HISTORY REWIND

The headlines that mattered yesteryear.

1961—Soviets Launch Venus Probe

The U.S.S.R. launches the spacecraft Venera 1, equipped with scientific instruments to measure solar wind, micrometeorites, and cosmic radiation, towards planet Venus. The craft is the first modern planetary probe. Among its many achievements, it confirms the presence of solar wind in deep space, but overheats due to the failure of a sensor before its Venus mission is completed.

1994—Thieves Steal Munch Masterpiece

In Oslo, Norway, a pair of art thieves steal one of the world’s best-known paintings, Edvard Munch’s “The Scream,” from a gallery in the Norwegian capital. The two men take less than a minute to climb a ladder, smash through a window of the National Art Museum, and remove the painting from the wall with wire cutters. After a ransom demand the museum refuses to pay, police manage to locate the painting in May, and the two thieves, as well as two accomplices, are arrested.

1938—BBC Airs First Sci-Fi Program

BBC Television produces the first ever science fiction television program, an adaptation of a section of Czech writer Karel Capek’s dark play R.U.R., aka, Rossum’s Universal Robots. The robots in the play are not robots in the modern sense of machines, but rather are biological entities that can be mistaken for humans. Nevertheless, R.U.R. featured the first known usage of the term “robot”.

1962—Powers Is Traded for Abel

Captured American spy pilot Gary Powers, who had been shot down over the Soviet Union in May 1960 while flying a U-2 high-altitude jet, is exchanged for captured Soviet spy Rudolf Abel, who had been arrested in New York City in 1957.

1960—Woodward Gets First Star on Walk of Fame

Actress Joanne Woodward receives the first star on the Hollywood Walk of Fame, the Los Angeles sidewalk at Hollywood Boulevard and Vine Street that serves as an outdoor entertainment museum. Woodward was one of 1,558 honorees chosen by the Hollywood Chamber of Commerce in 1958, when the proposal to build the sidewalk was approved. Today the sidewalk contains more than 2,800 stars.

1971—Paige Enters Baseball Hall of Fame

Satchel Paige becomes the first player from America’s Negro Baseball League to be voted into the Major League Baseball Hall of Fame in Cooperstown, New York. Paige, who was a pitcher, played for numerous Negro League teams, had brief stints in Cuba, Mexico, Puerto Rico, and the Major Leagues, before finally retiring in his mid-fifties.

Another uncredited artist produces another beautiful digest cover. This time it's for Norman Bligh's Waterfront Hotel, from Quarter Books.
Above is more artwork from the prolific Alain Gourdon, better known as Aslan, for the 1955 Paul S. Nouvel novel Macadam Sérénade.
Uncredited art for Merle Miller's 1949 political drama The Sure Thing.

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