Vintage Pulp

October 5 2024

FLORA AND FAWNING

Everybody falls in love with Bardot.

We’ve finally gotten back to French illustrator Clément Hurel after visiting with him in 2011 and 2017. He produced this breezy piece for the Brigitte Bardot film En effeuillant la marguerite, which means “pulling petals from the daisy,” a reference to the “he loves he loves me not” game played with flowers. The movie was called in English Plucking the Daisy. It was fun in a Marilyn Monroesque way. We don’t mean to derivatively compare Bardot to Monroe, but who came first? You know the answer. They’re both great, though, and Bardot, with her flashes of nudity, helped advance cinema into the modern era. We talked about En effeuillant la marguerite and shared a nice Japanese promo a while back. If you wish, proceed.

France, En effeuillant la marguerite, Plucking the Daisy, Mademoiselle Striptease, Brigitte Bardot, Daniel Gélin, Clément Hurel, poster art, cinema

Intl. Notebook

September 22 2024

BB RIGHT WITH YOU

For Bardot fans it's a good time to be in Japan.

Brigitte Bardot’s ninetieth birthday is upcoming Saturday. Above is a double-sided Japanese poster advertising a film retrospective meant to coincide with that event. Eleven of Bardot’s films are on the slate in Tokyo at the Shinjuku Musashinokan Cinema and the Human Trust Cinema Yurakucho, as well as at other venues across the country. This began last Friday and runs through October 18, with not only screenings, but talks and panels. Scheduled movies include 1956’s En effeuillant la marguerite, aka Plucking the Daisy, 1957’s Une parisienne, aka A Parisian Woman, 1962’s Vie privée, aka A Very Private Affair, and even 1971’s Boulevard du Rhum, aka The Rum Runners. If you happen to be in Japan the next week or so, you’ve now been duly informed.

Japan, France, Tokyo, En effeuillant la marguerite, Plucking the Daisy, Une parisienne, A Parisian Woman, Vie privée, A Very Private Affair, Boulevard du Rhum, The Rum Runners, Brigitte Bardot, poster art, cinema

Hollywoodland

June 29 2024

T TIME IN TINSELTOWN

A heady new brew of tabloid gossip gets served up in Hollywood.

We have a brand new tabloid to our website today—the colorful Off the Record Secrets, of which you see its June 1963 cover above. This was published by an outfit calling itself Magazette, Inc., which aimed for the high end of the tabloid market with bright fronts along the same lines as the big boys Confidential, Whisper, Hush Hush, et al. Like those, Off the Record Secrets covers miles of ground between its pages, spilling on everyone from Hugh Hefner and his Bunnies, to Frank Sinatra and his Pack, to Elsa Martinelli and her hubby Franco Mancinelli Scotti, to Kirk Douglas and his bad behavior.

Of the items on offer, we were struck by the photo of Annette Stroyberg stuffing her face. We always thought trying to catch celebrities eating in embarrassing fashion started with the internet gossip sites, but apparently we were wrong. In any case you can see why the best restaurants have private dining rooms. Stroyberg must have been furious. Also of note, you Cary Grant fans get see him in a towel at age sixty-one. He’s holding together nicely, though there seems to be some stomach sucking going on. Still, nothing to be ashamed of. He’s got ninety-five percent of men his age beat.

The earliest issue we’ve seen of Off the Record Secrets is from January 1962. By the early 1960s the tabloid market was crowded, therefore owing at least partly to a logjam on newsstands, this magazine lasted only into 1964 before folding its tent. Because of its scarcity issues sometimes go for hefty prices. We got ours for $19.00. But we’ve seen them auctioning for $75.00. The high pricing means we may not buy another example for a while, but we’ll get it done. In the meantime, get acquainted with Off the Record Secrets. We have multiple rare images for you below.

Modern Pulp

October 5 2023

VENUS ASCENDING

Mid-century sex symbol provides inspiration for nuclear erotica.

This unusual piece of art was made by a French artist named Jacques Puiseux, whose work we’ve shared here before. We happened to be in contact with him recently, and he sent this our way to enjoy. He painted it back in 1999, and it suggests Brigitte Bardot and the French nuclear tests at Mururoa Atoll, combined to create “a graphic pun of a sex bomb.” Appropriately, he calls it “Vénus Atomica.” We dig it, and Jacques’ other art too, which you can see by clicking his keywords below. Just a little something different for you this lovely Thursday. Also, Jacques has a Flickr gallery here.

France, Mururoa Atoll, Jacques Puiseux, Brigitte Bardot, nukes

Hollywoodland

September 9 2023

FACE TIME

Movie stars were always willing to give each other a hand.

Once again we’ve been struck, so to speak, by the sheer number of cinema promo images featuring actors and actresses pretending to slap each other. They just keep turning up. The above shot is more about the neck than the face, but it still counts, as Gloria Swanson slaps William Holden in 1950’s Sunset Boulevard. Below we have a bunch more, and you can see our previous collection at this link. Since we already discussed this phenomenon we won’t get into it again, except briefly as follows: pretend slaps, film is not reality, and everyone should try to remember the difference. Many slaps below for your interest and wonder.

Diana Dors smacks Patrick Allen blurry in 1957’s The Long Haul.

Mob boss George Raft menaces Anne Francis in a promo image made for 1954’s Rogue Cop.

Bud Abbott gets aggressive with Lou Costello in 1945’s Here Come the Co-Eds.

Jo Morrow takes one from black hat Jack Hogan in 1959’s The Legend of Tom Dooley.

Chris Robinson and Anita Sands get a couple of things straight about who’s on the yearbook committee in Diary of High School Bride.

Paul Newman and Ann Blyth agree to disagree in 1957’s The Helen Morgan Story.

Verna Lisi shows Umberto Orsini who gives the orders in the 1967 film La ragazza e il generale, aka The Girl and the General.

What the fuck did you just call me? Marki Bey slaps Betty Anne Rees loopy in the 1974 horror flick Sugar Hill.

Claudia Cardinale slaps (or maybe punches—we can’t remember) Brigitte Bardot in the 1971 western Les pétroleuses, known in English for some reason as The Legend of Frenchie King.

Audrey Totter reels under the attentions of Richard Basehart in 1949 Tension. We’re thinking it was probably even more tense after this moment.

Anne Baxter tries to no avail to avoid a slap from heel Steve Cochran in 1954’s Carnival Story.

Though Alan Ladd was a little guy who Gail Russell probably could have roughed up if she wanted, the script called for him to slap her, and he obeyed in the 1946 adventure Calcutta.

Peter Alexander guards his right cheek, therefore Hannelore Auer crosses him up and attacks his left in 1964’s Schwejk’s Flegeljahre, aka Schweik’s Years of Indiscretion.

Elizabeth Ashley gives Roddy McDowall a facial in in 1965’s The Third Day.

Tony Anthony slaps Lucretia Love in 1972’s Piazza pulita, aka Pete, Pearl and the Pole.

AndreÌ Oumansky goes backhand on Lola Albright in 1964’s Joy House.

Frank Ferguson catches one from Barbara Bel Geddes in the 1949 drama Caught.

This looks like a real slap, so you have to credit the actresses for their commitment. It’s from 1961’s Raisin in the Sun and shows Claudia McNeil rearranging the face of Diana Sands.

Gloria Grahame finds herself cornered by Broderick Crawford in 1954’s Human Desire.

Bette Davis, an experienced slapper and slappee, gets a little assistance from an unidentified third party as she goes Old West on Amanda Blake in a 1966 episode of Gunsmoke called “The Jailer.”

There are a few slaps in 1939’s Gone with the Wind, so we had our pick. We went with Vivien Leigh and Leslie Howard.

Virginia Field takes one on the chin from Marshall Thompson in Dial 1119.

Clint Eastwood absorbs a right cross from nun Shirley MacLaine in 1970’s Two Mules for Sister Sara.

Sunset Boulevard, The Long Haul, Rogue Cop, Here Come the Co-Eds, The Legend of Tom Dooley, Diary of High School Bride, The Helen Morgan Story, La ragazza e il generale, The Girl and the General, Sugar Hill, Les pétroleuses, The Legend of Frenchie King, Tension, Carnival Story, Calcutta, Schwejk's Flegeljahre, Schweik's Years of Indiscretion, The Third Day, Joy House, Caught, Human Desire, Gunsmoke, Gone with the Wind, Dial 1119, Gloria Swanson, William Holden, Diana Dors, Patrick Allen, Bud Abbott, Lou Costello, Jo Morrow, Jack Hogan, Chris Robinson, Anita Sands, Virna Lisi, Umberto Orsini, Marki Bey, Betty Anne Rees, Claudia Cardinale, Brigitte Bardot, Richard Basehart, Audrey Totter, Anne Baxter, Steve Cochran, Alan Ladd, Gail Russell, Hannelore Auer, Peter Alexander, Elizabeth Ashley, Roddy McDowall, André Oumansky, Lola Albright, Frank Ferguson, Barbara Bel Geddes, Claudia McNeil, Diana Sands, Broderick Crawford, Gloria Grahame, Bette Davis, Amanda Blake, Vivien Leigh, Leslie Howard, Virginia Field, Marshall Thompson, Clint Eastwood, Shirley MacLaine, cinema, television

Musiquarium

July 4 2023

SUPER BRIGITTE

I've shattered censorship barriers and redefined French cinema! My work here is done!

French cinema luminary Brigitte Bardot is easy to recognize even in a wig and wild costume, as shown here in an image from 1967. It was made when she appeared in singer Serge Gainbourg’s music video (yes, a few visionaries were making them that far back and ever farther) “Comic Strip.”

Serge went the literal route for his clip, which is why Bardot is dressed as a superhero and echoed by a comic strip-like version of herself. The song is literal too, with lyrics that include fight sound effects: “J’distribue les swings et les uppercuts. Ça fait VLAM !Ça fait SPLATCH! Et ça fait CHTUCK!” That all translates as, “I distribute swings and uppercuts. It’s VLAM! It’s SPLATCH! And that go CHTUCK!” You can hear the tune and see the video at this link.

Bardot made other videos in 1967 and 1968. We think “Contact” is particularly interesting. But only a few years after achieving something as cutting edge as helping to popularize the most important promotional tool used by music artists even today, she retired from performances on both the small and large screen to focus on other pursuits. Below, you see her with Serge.

France, Brigitte Bardot, Serge Gainsbourg, album art

Intl. Notebook

April 17 2023

GARDEN OF EARTHLY DELIGHTS

Markov plants vivid ideas in readers' heads.

Remember the side trip to France we mentioned? Today you see the first of our acquired items, an issue of the cinema and television magazine Ciné-Revue, which was based in Belgium and published throughout Europe and the French speaking world. This one appeared today in 1975, and who is that on the cover other than Margaret Markov, a favorite star of bad U.S. exploitation movies of the era? We’ve seen her hanging out in the woods before. Remember this shot? The cover and centerfold of today’s magazine, like that previous image, were made by Italian lensman Angelo Frontoni, who photographed scores of international actresses during the ’60s and ’70s. You’ve seen his work often on our website: check here, here, and especially here. He does a bang-up job with Markov, bringing to mind mythical gardens and similar fertile places. Inside the magazine are celebs such as Valerie Perrine, Anne Libert, Clark Gable, Carole Lombard, Marion Davies in a tinted shot, and on the rear cover John Phillip Law shows that he dresses to the left. That one’s mostly for the Pulp Intl. girlfriends, but everyone should have a scroll and enjoy.

Belgium, Italy, Ciné-Revue, Margaret Markov, Peter Sellers, Anne Libert, Valerie Perrine, Marty Feldman, Peter Boyle, Brigitte Bardot, Anouk Aimée, Carole Lombard, Marion Davies, Clark Gable, Jill Clayburgh, James Brolin, John Phillip Law, Amgelo Frontoni, cinema

Intl. Notebook

January 2 2023

INFORMER IN COLOR, BLACK, AND WHITE

America's worst tabloid pops the bubbly and starts the year strong.

Above is a cover of the tabloid National Informer that hit newsstands today in 1972 featuring an unidentified Champagne toasting model. We love how the editors emphasize the word “truthful” in the second banner, beneath the name of the paper. That’s a bold claim from one of the ultimate bottom shelf tabloids of the era, one that traffics in faux news and sensationalism more than actual journalism. But we won’t argue the point. Whenever one’s reputation is less than stellar don’t leave it to chance: tell people what opinion to have of you. National Informer says it’s truthful, fine.

There are a couple of stories of note in this issue. According to Informer, German high wire artist Karl Traber died when he lost his balance during a walk between the towers of two Munich churches and fell two-hundred feet onto a spiked fence. We couldn’t find a single reference to anyone named Karl Traber online, though we did to a Traber family who remain famous today as aerialists. We did a Boolean search within German websites and still found no Karl Traber who suffered this grisly death. It’s no surprise. Cheap tabloids often leave you with more questions than answers. We’ll blame it on sloppy journalism (maybe they got a name wrong?) rather than false reporting. But since we don’t want to spend our Monday searching the internet, we’ll just move on.

Later in the issue Informer‘s resident seer Mark Travis produces a slate of predictions, and one of them qualifies as his wildest ever: I predict the invention of a serum which is injected into the bloodstream to create more pigmentation of the skin and turn a white person black. It will be very popular among the young college students. This serum [snip] will enable white youngsters from affluent homes to really see what life in the ghetto is like. Since the results will wear off in a few weeks if the injections are discontinued, it will be quite an adventure to “go black” for a short period of time. Only a wig will be necessary to complete the disguise. And since another drug which works in reverse—lightens the skin—will enable any Negro who desires to do so to pass for white, it will soon be impossible to tell who is white, who is black, and who is one in the disguise of the other.

We think we know how that would turn out: the caste-destroying serum would be banned in all fifty states, plus overseas U.S. territories, and bring penalties for usage ranging up to execution. We’re only half kidding. Imagining the possible fallout from such a form of recreation makes us want to pitch the idea to some of our Hollywood friends. Can you imagine the television show that could be produced? Travis has made some blah predictions over the years, but we bet this one hit a nerve among Informer‘s readership. Unfortunately, we don’t have the next few issues to check the infuriated responses in reader mail. Maybe it’s better that way. As a side note, this is the thirtieth issue of Informer we’ve shared.

West Germany, Munich, National Informer, Brigitte Bardot, Karl Traber, Laila Leeds, Wendy Sity, Mark Travis, Janet Baker, Barbara Fenney, tabloid, burlesque

Intl. Notebook

September 14 2022

BEAUTY AND TALENT

Cancans de Paris is always uncanny.

Above: a few pages from the French burlesque publication Cancans de Paris, the seventh time we’ve taken a look at this mag, with this example dating from September 1965. As always there are mainstream celebrities mixed in with the peelers, including Carroll Baker, Brigitte Bardot, Elke Sommer, Kim Novak, Sean Connery, Sophia Loren, Gina Lollobrigida, and French born ballerina Ludmilla Tchérina. At the top of panel two there’s also a minor Raymond Brenot illustration. See some major ones here, and just click the Cancans keywords below if you want to see more issues.

France, Paris, Cancans de Paris, Carroll Baker, Peter Sellers, Brigitte Bardot, Elke Sommer, Kim Novak, Ludmilla Tchérina, Sean Connery, Sophia Loren, Gina Lollobrigida, Raymond Brenot, Carols, burlesque

Vintage Pulp

April 23 2022

THE BRIDE WHO WASN’T

If you think you'll get Bardot down the aisle you've got another think coming.

We meant to share this several days ago, but you know how that goes. It’s a Belgian promo poster for Brigitte Bardot’s Le bride sur le cou, with the Dutch title Met losse teugels in red just below the French. You might think, based on the French title, that the movie is about a bride, but that word, which has the same origin as the English word “bridle,” means “strap,” and the title translated would be, “the strap on the neck.” In Dutch, the title translates as, “with loose reins,” so that should make clear that the movie is actually about trying to control a wild Bardot. There’s little chance of that, and wild is an understatement. She turns Paris upside down. In the U.S. the movie was released under the title, Please, Not Now! The poster is worth a share because it’s built around a rare image of Bardot, and the movie is worth a watch because Bardot was a phenomenon. There’s no known release date for Belgium, but probably it premiered there—this poster promotes showings at the Acropole Cinema in Brussels—in the spring of 1961.

France, Belgium, Brussels, Le bride sur le cou, Met losse teugels, Please Not Now!, Brigitte Bardot, poster art, cinema

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HISTORY REWIND

The headlines that mattered yesteryear.

April 29

1945—Hitler Marries Braun

During the last days of the Third Reich, as Russia’s Red Army closes in from the east, Adolf Hitler marries his long-time partner Eva Braun in a Berlin bunker during a brief civil ceremony witnessed by Joseph Goebbels and Martin Bormann. Both Hitler and Braun commit suicide the next day, and their corpses are burned in the Reich Chancellery garden.

April 29

1967—Ali Is Stripped of His Title

After refusing induction into the United States Army the day before due to religious reasons, Muhammad Ali is stripped of his heavyweight boxing title. He is found guilty of a felony in refusing to be drafted for service in Vietnam, but he does not serve prison time, and on June 28, 1971, the U.S. Supreme Court reverses his conviction. His stand against the war had made him a hated figure in mainstream America, but in the black community and the rest of the world he had become an icon.

April 28

1947—Heyerdahl Embarks on Kon-Tiki

Norwegian ethnographer and adventurer Thor Heyerdahl and his five man crew set out from Peru on a giant balsa wood raft called the Kon-Tiki in order to prove that Peruvian natives could have settled Polynesia. After a 101 day, 4,300 mile (8,000 km) journey, Kon-Tiki smashes into the reef at Raroia in the Tuamotu Islands on August 7, 1947, thus demonstrating that it is possible for a primitive craft to survive a Pacific crossing.

April 28

1989—Soviets Acknowledge Chernobyl Accident

After two days of rumors and denials the Soviet Union admits there was an accident at the Chernobyl nuclear power plant in Ukraine. Reactor number four had suffered a meltdown, sending a plume of radioactive fallout into the atmosphere and over an extensive geographical area. Today the abandoned radioactive area surrounding Chernobyl is rife with local wildlife and has been converted into a wildlife sanctuary, one of the largest in Europe.

April 27

1945—Mussolini Is Arrested

Italian dictator Benito Mussolini, his mistress Clara Petacci, and fifteen supporters are arrested by Italian partisans in Dongo, Italy while attempting to escape the region in the wake of the collapse of Mussolini’s fascist government. The next day, Mussolini and his mistress are both executed, along with most of the members of their group. Their bodies are then trucked to Milan where they are hung upside down on meathooks from the roof of a gas station, then spat upon and stoned until they are unrecognizable.

April 26

1933—The Gestapo Is Formed

The Geheime Staatspolizei, aka Gestapo, the official secret police force of Nazi Germany, is established. It begins under the administration of SS leader Heinrich Himmler in his position as Chief of German Police, but by 1939 is administered by the Reichssicherheitshauptamt, or Reich Main Security Office, and is a feared entity in every corner of Germany and beyond.

April 26

1937—Guernica Is Bombed

In Spain during the Spanish Civil War, the Basque town of Guernica is bombed by the German Luftwaffe, resulting in widespread destruction and casualties. The Basque government reports 1,654 people killed, while later research suggests far fewer deaths, but regardless, Guernica is viewed as an example of terror bombing and other countries learn that Nazi Germany is committed to that tactic. The bombing also becomes inspiration for Pablo Picasso, resulting in a protest painting that is not only his most famous work, but one the most important pieces of art ever produced.